Showing results by narrator "Taryn Ryan" in All Categories

They never found Leah Parata. Not a boot, not a backpack, not a turquoise beanie. After she left me that day, she vanished off the face of the earth. A close-knit community is ripped apart by disturbing revelations that cast new light on a young woman's disappearance 25 years ago. After years of living overseas, Emily returns to New Zealand to care for her father who has dementia. As his memory fades and his guard slips, she begins to understand him for the first time - and to glimpse shattering truths about his past.

When tragedy brings biological sisters Jessica Williams and Reeve Elliot together, the initial shock of learning of each other’s existence is quickly replaced by a commitment to be there for each other. As the bond between the two women deepens, their relationship is tested in ways they’d never have imagined. When Jess’s past comes back to haunt her, the nightmare that is Reeve’s present intensifies.

An insurance investigation sounds pretty harmless, even if it is for 'Unusual Happenstance'. That's not usually a clause Normals use—it covers all-purpose hauntings, angry genii loci, ectoplasmic home invasion, demonic possession, that sort of thing—but Susan Beckett's claimed three times in three months. Her house keeps getting inundated with mud, but she's still insisting she doesn't need or want help... until the dry-land drownings begin.

When Julia Hudson is involved in a near-fatal accident, the lives of her children – nurse Flo and her twin sister, high-flying lawyer Ari – are sent into freefall. As they sit vigil by their mother’s bedside, the sisters discover that Julia, who has always preached unwavering principles and integrity, has been keeping a terrible secret. A secret that shatters everything they’ve ever believed about their family. But the twins have each other… or do they? Because Julia is not the only one keeping secrets…

Liv and Toni were once inseparable. While their parents focused on Mandy, their little sister with special needs, the two older sisters leaned on each other for love, support and security. When they were in their teens, and Liv needed a lifesaving operation, Toni didn’t hesitate to do whatever it took to help her. Since then, their lives have gone in different directions. They live in different cities and rarely see each other. But now it’s Toni who needs help from Liv. Because she’s desperate for a baby.

A FARMING LIFE shares the uplifting stories of women from six rural families as their resilience is tested by personal loss, illness, fractured relationships, natural disasters and the challenges that come with working in a traditionally male-dominated world. These women are all hands-on farmers - in fact, most are responsible for managing their own farms - and their defiance, tenacity and genuine humility shines through, as does their hope for the next generation of young women already lining up to follow in their footsteps.

In Western Australia, Sarah chuckles as she describes her final will and testament—which will throw the metaphorical cat among the family pigeons—whilst sharing a bottle of wine with her neighbour Thomas as they sit on the terrace of her luxurious waterside home. Six months later, at the age of 95, she peacefully passes on. Married and widowed three times, Sarah has had a great life as a successful businesswoman. Now she's left her Australian house to her two great-nieces—on the condition that they live in it together for a year.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

Verity Fassbinder thought no boss could be worse than her perfectionist ex-boyfriend—until she agreed to work for a fallen angel. The angel is a jealous—and violent—employer, so she's quit working for the Weyrd Council and sent her family away. The angel has tasked Verity with finding two lost treasures. That would be hard even without a vengeful Dusana Nadasy on her heels. And Inspector McIntyre won't stop calling: the bodies of Normal women who disappeared decades ago are turning up, apparently subjected to Weyrd magics.

Tinsel Munroe has busted her guts to get where she is. Yet her dream of working in radio hasn’t turned out to be everything she hoped it would. Sure, she has her own show—aptly titled The Graveyard Shift—where she celebrates the sounds of cult-cinema, but the wage is barely enough to cover her rent and the midnight hours are putting a strain on her relationship with her boyfriend. Even after three years at Melbourne’s coolest station, she’s seemingly no closer to a prime-time slot.

Angela and Nellie plan to live with a family friend in Western Australia. When their ship from England docks, they learn that she has died in a tragic accident. What will the future hold for the young sisters?

Verity Fassbinder has her feet in two worlds. The daughter of one human and one Weyrd parent, she has very little power herself, but does claim unusual strength and the ability to walk between one world and the other as a couple of her talents. A rarity, she is charged with keeping the peace, and ensuring the Weyrd remain hidden. But now Sirens are dying, illegal wine made from the tears of human children is for sale—and in the hands of those who hold to old, dangerous ways—and someone has released an unknown and terrifyingly destructive force on the streets of Brisbane.

When first-year music student Amalia stumbles into her Oxford college bar, she has no idea that everything is about to change. Seated across from her is Alex, a velvety-voiced fellow Australian with eyes the colour of her native sky. They strike up a friendship that is immediate - its intensity both thrilling and terrifying. As the days and weeks go by, they spend more and more time together: philosophising, hypothesising, questioning everything.

Isla and Ben are devoted parents to their beloved daughter, Reese. She is their little miracle, the child they thought they’d never have, until donors made her existence possible. But Isla has never told Reese about her biological parents. She wants to be honest with her daughter, but can she bear to open up old wounds? A Child of My Own is a heartbreaking, gripping, and emotional story about motherhood, loss, and friendship, perfect for fans of Jodi Picoult, Kelly Rimmer, and Kate Hewitt.

Adelaide, 1931: Telephone switchboard operator Frances’ life is difficult as sole provider for her mother and adopted uncle. But it’s thrown into turmoil when she overhears a suspicious conversation on the phone, planning a murder. If a life is at risk, she should tell the police; but that would mean breaking her confidentiality clause and would cost her the job. And Frances soon begins to doubt the evidence of her own ears - it was a very bad line, after all. She decides to put it behind her and meets slightly dangerous nightclub owner Jack.

Paige and Nick are happy. They have a beautiful home, a loving family, and most importantly, they would do anything for each other. Now, they are having a baby, and it feels like all their dreams are coming true. But joy turns to despair when they discover that Paige has a rare, life-threatening heart condition and they lose their longed-for child. Heartbroken, the couple must accept the reality that they may not become parents after all. Just as they begin to come to terms with their loss, Paige unexpectedly falls pregnant again.

Crime fiction is the single most popular genre in international publishing, and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys. Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best-ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

1931. Frances Palmer is overjoyed when her brother, Rob, returns to Adelaide as a racecourse veterinarian. But all is not well on the turf, and when a man is murdered, there's only one suspect - Rob. Frances and her boyfriend, charming night-club owner Jack Sullivan, along with ex-vaudevillian Uncle Sal and their friends, have only one chance to unmask the real murderer by infiltrating the racecourse. The odds are against them...luckily, putting on a dazzling show where everything depends on sleight of hand is what they do best. But nothing is a dead cert against a cold-blooded killer.

It’s a dream come true for Frances Palmer: a voyage from Australia to England on the Empress of the Sea, together with her fiancé, Jack Sullivan, and her uncle Sal, a.k.a. ‘Salvatore the Magnificent’. They’ve been hired to entertain the passengers with magic tricks and daring stunts. But all is not well below deck, with jealousy and larceny ruffling the cheerful atmosphere. Frances and Jack soon find themselves in stormy seas, together with newfound allies.

If you think you weren't born with confidence, it's time for a reframe. Step beyond imposter syndrome, a crisis of self-belief or a deficit of bravery with this empowering and practical guide to making friends with your fear and building the skills of confidence in every aspect of your life. Human behaviour and performance specialist Mel Schilling walks you step by step through taking control of your relationships, career and life, demonstrating that confidence, resilience and self-esteem are skillsets to be learned and are essential to helping you thrive.