Showing results by narrator "Hannah Gordon" in All Categories

It is Charlotte's first night at boarding school. But when she wakes up, the girl in the next bed is not the person who was sleeping there the evening before. And the new building outside her window seems to have metamorphosed into a huge, dark cedar tree! Somehow, Charlotte has slipped back forty years... A classic time travel mystery from acclaimed author Penelope Farmer.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today.

Prilla, the newest fairy to arrive in Never Land, is so odd that Never Land itself isn't certain whether to let her into Fairy Haven. Prilla shakes hands when she meets other fairies, and she says "Pleased to meet you", instead of "Fly with you". What's more, she calls Tinker Bell Miss Bell. Altogether, she acts more like a Clumsy than a self-respecting Never fairy should.

These three legendary plays, performed by some of the best-known theatrical actors of the 20th century, are the perfect way to commemorate England's greatest dramatist. The Winter's Tale: one man's consuming jealousy threatens to destroy both himself and those around him, but his actions arouse a passionate sense of honour, love, justice and self-sacrifice in members of his Court and family. First broadcast in 1982, starring Ronald Pickup as Leontes, with Hannah Gordon as Hermione and John Gielgud as Time.

Here is a BBC Radio 4 dramatisation of Jane Austen's perceptive study of middle class morals and mores in the 19th century. The cast includes Hannah Gordon as the narrator, Amanda Root as Fanny Price, Jane Lapotaire as Mrs Norris, and Michael Williams as Sir Thomas Bertram.

Scottish poetry is a powerful, beautiful expression of Country and Culture. It’s proud history includes such figures as Robert Burns, Sir Walter Scott, Robert Louis Stevenson and many other illustrious figures. This volume of poetry is a perfect compendium of the words and works of Scotland.

Irish writer Maeve Binchy was one the best-loved and most successful authors of her time. Her bestselling books sold over 40 million copies worldwide, and were translated into 37 languages. This comprehensive anthology of her finest fiction, as heard on BBC Radio, demonstrates all the warmth, wit and compassion that made her so popular.

An audio dramatisation of July 1914 Countdown to War by Sean McMeekin.

A BBC Radio 4 full-cast dramatisation of Henry Fielding's rollicking comic masterpiece. Found one evening in the bed of the rich and benevolent Mr Allworthy, baby Tom grows up in the guardianship of the kindly squire. He develops into a good-hearted fellow who is nonetheless resented by Allworthy's mean-natured heir and nephew, Blifil. Tom's naive inability to resist a pretty face lands him in hot water when the gamekeeper's daughter declares herself pregnant.

Novelist and poet George Meredith is widely regarded as the last great Victorian author. He influenced writers including Thomas Hardy, Robert Louis Stevenson and Henry James, and was nominated for the Nobel Prize seven times. This BBC collection features dramatisations of his most famous novel, The Egoist, and his witty bildungsroman The Adventures of Harry Richmond.

Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-19th century.

Anthony Hope's swashbuckling historical novel The Prisoner of Zenda was first published in 1894 and was an instant hit, spawning an 1898 sequel, Rupert of Hentzau, and launching the Ruritanian romance genre. Included here are the radio dramatisations of both thrilling novels, starring Julian Glover as Rudolf Rassendyll and King Rudolf, Martin Jarvis as Rupert of Hentzau and Hannah Gordon as Flavia.

The year in 1801. In this section, all the principal characters are introduced. Mr Lockwood, the new tenant of Thrushcross Grange, arrives at Wuthering Height to meet his landlord, Heathcliff. The next day, he encounters Hareton, the orphaned son of Hindley Earnshaw, and Heathcliff’s daughter-in-law, Cathy Linton.

Praised by Virginia Woolf as one of the only novels "written for grown-up people", Middlemarch is a highly accomplished story, whose characters are involving and intriguing. Dorothea's story interlinks powerfully and tantalisingly with that of Lydgate's, a doctor, who joins her for a some of her journey towards making sense of her role in the world, both as a woman and as an idealist.

Louis-Charles Bourbon enjoyed a charmed early childhood in the gilded palace of Versailles. At the age of four, he became the Dauphin, heir to the most powerful throne in Europe. Yet within five years, he was to lose everything. Drawn into the horror of the French Revolution, his family was incarcerated and their fate thrust into the hands of the revolutionaries who wished to destroy the Monarchy.

Maggie and Tom, brother and sister, try to save their livelihood as their parents flounder in the face of modernization. Maggie befriends the disabled son of a family rival in an attempt to build bridges, and Tom fights hard to reclaim the family property. Having drifted apart, they are brought back together in the novel's dramatic and moving conclusion.

This novel is based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.

Falsely accused of theft and cast out by the religious community of which he was a member, Silas Marner leaves his home and settles in Raveloe, where he leads a solitary existence as a weaver. Marner's work is in great demand, and the wealth that he accumulates becomes his consolation for all that he has lost; but when Dunstan Cass, one of the squire's sons, steals Marner's money, the weaver loses his only remaining reason for living.

Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the 18th century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.

An absorbing, semi-philosphical tale of love and people driven to extremes. Our hero, a carpenter, loves Hetty Sorel, but she loves Arthur Donnington, a local squire. The story soon progresses onto powerful themes, such as: who has the right to determine who lives and who dies?