Showing results by narrator "Shaheen Khan" in All Categories

You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.” Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an illegal immigrant, a husband and wife, and a suicidal man. From cameras hidden in their cars, their panic is broadcast to millions of people around the world.

The chant of Azadi! - Urdu for "freedom!" - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically it has also become the chant of millions on the streets of India against the project of Hindu Nationalism. What lies between these two calls for freedom? A chasm or a bridge? In this series of penetrating essays on politics and literature, Arundhati Roy examines this question and challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes.

Prize-winning historian Naoíse Mac Sweeney delivers a captivating exploration of how “Western Civilization”—the concept of a single cultural inheritance extending from ancient Greece to modern times—is a powerful figment of our collective imagination. An urgently needed emergent voice in big history, she offers a bold new account of Western history, real and imagined, through the lives of fourteen remarkable individuals.

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

Radhi returns home to Mumbai to lick her wounds after a failed relationship and a bout of writer's block, but she soon gets caught up in a tangled mystery. Radhi's pregnant best friend Sanjana's father is found dead in his study. Everyone says it's suicide. And yet, just hours before, he was telling Sanjana that he couldn't wait to hold his grandchild in his arms. Something feels off to Radhi. Her suspicions are further raised by the surly cook and timid young maid's odd behavior. And who did the second cup of tea on his desk belong to? Radhi is determined to uncover the truth.

Karna's Wife: The Outcast's Queen tells the extraordinary story of Karna, the unsung hero of the Mahabharata, through the eyes of his wife, Uruvi, bringing his story to the listener from a unique perspective. An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family.

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.

Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister and writes six letters to be delivered after her death.

Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations.

What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world.

With her thirtieth birthday on the horizon, Anna Kotze has accepted that there are some family secrets she’ll never know. While her mother’s Zimbabwean roots are woven into her life, all her father will say is that he was adopted. But when she finds an engraved necklace hidden among his things, a surprise piece of the puzzle finally falls into place: her father wasn’t just adopted—he was abandoned. The only clue to her grandmother’s identity is the inscription, ‘Indira’, Anna’s own middle name. But who was her namesake and where is she now?

In Competition Is Killing Us, top business and competition lawyer Michelle Meagher establishes a new framework to control capitalism from the inside in order to make it work for the many and not just the few. Meagher has spent years campaigning against these multi-billion- and trillion-dollar mammoths that dominate the market and prioritise shareholder profits over all else; leading to extreme wealth inequality, inhumane conditions for workers and relentless pressure on the environment.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

When Ugandan President Idi Amin expelled the country's entire Asian population in 1972, more than 28,000 people from Britain's former colony arrived on airstrips around the country and began building new lives - but their incredible stories remained largely hidden. Fifty years later, first and second-generation testimony uncovers an under-explored period of history, touching on colonialism, immigration, identity and modern multiculturalism through the lens of individual experience.

When the body of a homeless woman is found under Bradford’s railway arches, DS Nikki Parekh and her trusty partner DC Sajid Malik are on the case. With little evidence, it’s impossible to make a breakthrough, and when Nikki receives a newspaper clipping taunting her about her lack of progress in catching the killer, she wonders if she has a personal link to the case. When another seemingly unrelated body is discovered, Nikki receives another note. Someone is clearly trying to send her clues...but who? And then a third body is found.