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First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice and for women to become defined by their profession, not their partner.

This story is, in essence, the novelization of Wollstonecraft's ultimate work, Vindication of the Rights of Women. It follows a girl who grows up in a moderately wealthy English family in 18th century, trying to find love and individuality in a time when such concepts are incomprehensible to society. Mary, the main character, follows life and love through a turbulent series of ups and downs while trying to remain true to herself.

Set against the backdrop of a world and society in turmoil during the various revolutions across the globe, and written before the term “feminism” had become popularized, A Vindication of the Rights of Woman is a treatise that explains the ways in which women were mistreated and marginalized. Specifically, this explication was writing to respond to a particular popular idea of the time: that women were unsuited for getting their own educations and were better off living private, quiet lives in service of husbands.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

Mary Wollstonecraft is an undisputed icon for women’s rights, and this is not a status she earned lightly. Daring to demand equality at a time when it was incredibly risky to do so, Wollstonecraft developed a long resume of standing up to those that wished to subvert her rights and the rights of those she loved. She stood up to her own father as a teenager when he abused her mother, and she didn’t hesitate to help her sister escape from a similarly tyrannical husband.

Frankenstein, or The Modern Prometheus by Mary Shelley is a Gothic novel that explores themes of creation and responsibility. The story follows Victor Frankenstein, a brilliant scientist who becomes obsessed with discovering the secret to life. After extensive experimentation, he successfully brings a creature to life, but is horrified by its grotesque appearance and abandons it.The creature, abandoned and rejected, is left to fend for itself in a world that views it with fear and hostility. As it grapples with its own existence and seeks acceptance, it becomes increasingly isolated and ...

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

The novel begins with an explorer, Robert Walton, spotting an enormous creature speeding across a frozen shore, and then meeting the monster's creator, a melancholy scientist named Frankenstein. Dr. Frankenstein tells Walton the horrifying tale of his ambitious experiment in electrical reanimation, which resulted in a large, terrifying, unhappy creation. Spurned in his attempts at human intimacy, Frankenstein's monster becomes uncontrollable and unrepentant, forcing the scientist to set him free and send him into the unsuspecting world.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

In the first full-scale biography of Mary Stuart in more than 30 years, John Guy creates an intimate and absorbing portrait of one of history's most famous women, depicting her world and her place in the sweep of history with stunning immediacy. Bringing together all surviving documents and uncovering a trove of new sources for the first time, Guy dispels the popular image of Mary Queen of Scots as a romantic leading lady - achieving her ends through feminine wiles - and establishes her as the intellectual and political equal of Elizabeth I.

Esta adaptação do romance Frankenstein, de Mary Shelley, para o formato de audiolivro é marcada pela densidade do áudio. A trilha sonora, composta por uma variada gama de sons e temas remixados, acompanha a ambientação do texto com passagens súbitas de climas de romance e leveza para situações de suspense, terror e medo.

Mary Wollstonecraft is the author of A Vindication of the Rights of Woman (1792), one of the earliest works of feminist philosophy. She has been called Britain’s first feminist. Her daughter Mary Shelley is the author of the novel Frankenstein (1818). This biography was written by Elizabeth Robin Pennell. It was her first book, written before she was thirty. She was married that year to illustrator and artist Joseph Pennell.