Showing results for "Mary Wollstonecraft Shelley" in All Categories

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Lord Byron, Percy Bysshe Shelley, and Shelley's wife Mary, who was then only nineteen, all agreed to each compose ghost stories. Mary Shelley's story came to her during a restive night: "I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." The result of her vision, which she later published as a full length novel, became the most famous and compelling horror story of all time.

Following the framework of a tale within a tale, Mary Shelley's novel Frankenstein, which features the subtitle The Modern Prometheus follows the scientific - and at times horrific - exploits of Victor Frankenstein. Victor studied alchemy in college, and after a mere two years he figures out that he can put human body pieces back together and restore the entire corpse to life.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

This immortal horror story, which has implications for modern science and genetic engineering, has captured the imagination of countless generations.

The real love story of Frankenstein! Released from a promise to keep portions of her journey secret, Mary Shelley lays her soul bare in the intimacy of love, loss, and betrayal, the search for a mother's validation, and inspiration as a woman artist discovering her voice.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

The novel begins with an explorer, Robert Walton, spotting an enormous creature speeding across a frozen shore, and then meeting the monster's creator, a melancholy scientist named Frankenstein. Dr. Frankenstein tells Walton the horrifying tale of his ambitious experiment in electrical reanimation, which resulted in a large, terrifying, unhappy creation. Spurned in his attempts at human intimacy, Frankenstein's monster becomes uncontrollable and unrepentant, forcing the scientist to set him free and send him into the unsuspecting world.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

Frankenstein, or The Modern Prometheus by Mary Shelley is a Gothic novel that explores themes of creation and responsibility. The story follows Victor Frankenstein, a brilliant scientist who becomes obsessed with discovering the secret to life. After extensive experimentation, he successfully brings a creature to life, but is horrified by its grotesque appearance and abandons it.The creature, abandoned and rejected, is left to fend for itself in a world that views it with fear and hostility. As it grapples with its own existence and seeks acceptance, it becomes increasingly isolated and ...

Mary Shelley wished with her classic Gothic novel Frankenstein to "make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart". Mary Shelley succeeded. Victor Frankenstein finally fulfills his dream of creating his own living creature, stitched together from the macabre remains of corpses. To his horror he finds he has created something even more ghastly than in his worst imaginings. Frankenstein has created a monster with a soul!

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Frankenstein, or The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on January 1, 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.

Narrating from her deathbed, Mathilda, a young woman barely in her twenties, writes her story as a way of explaining her actions to her friend, Woodville. Her narration follows her lonely upbringing and climaxes at a point when her unnamed father confesses his incestuous love for her. Mathilda has also been seen as an example of redefining female Gothic narratives which includes the first person female narrator having more control over the story than was common at the time.