Showing results for "Percival Everett" in All Categories

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

Percival Everett's The Trees is a must-listen that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Kevin Pace is working on a painting that he won't allow anyone to see: not his children, not his best friend, Richard, not even his wife, Linda. The painting is a canvas of 12 feet by 21 feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know or, more accurately, doesn't care. What Kevin does care about are the events of the past.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days."

Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman's murderer. But at the crime scene, his are the only footprints leading up to and away from her door. Something is amiss, and even his mother knows it. As other cases pile up, Ogden gives chase, pursuing flimsy leads for even flimsier reasons. His hunt leads him from the seamier side of Denver to a hippie commune as he seeks the puzzling solution.

A story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in a very narrow area—the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon—he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches. After a field trip to the desert yields nothing more than a colleague with a tenure problem and a student with an unwelcome crush on him, Wells returns home to find his world crumbling.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

Ernest Hemingway said, “All modern American literature comes from one book by Mark Twain called Huckleberry Finn". One hundred years after its author’s death, this classic remains remarkably modern and poignantly relevant. In this new edition, Elijah Wood reads Huck in a youthful voice that may be the closest interpretation to Twain’s original intent. His performance captures the excitement and confusion of adolescence and adventure.

Justice Beth Garner (Sanaa Lathan) just landed the appointment of a lifetime—a seat on the Supreme Court. Now a mysterious company is blackmailing her for her vote on a landmark case. Caught up in the checkered past of her hero and mentor, Chief Justice Clayton Erlenborn, Beth must cunningly maneuver through a dangerous web of secrets, deception, and cold-blooded murder. Armed with only her moral compass and unflinching nerve, she’s up against a sinister world full of undercover agents, domestic terrorists, and black ops assassins—all of whom want her to comply or die.

Jim spielt den Dummen. Es wäre zu gefährlich, wenn die Weißen wüssten, wie intelligent und gebildet er ist. Als man ihn nach New Orleans verkaufen will, flieht er mit Huck gen Norden in die Freiheit. Auf dem Mississippi jagt ein Abenteuer das nächste: Stürme, Überschwemmungen, Begegnungen mit Betrügern und Blackface-Sängern. Immer wieder muss Jim mit seiner Schwarzen Identität jonglieren, um sich und seinen jugendlichen Freund zu retten. Percival Everetts »James« ist einer der maßgeblichen Romane unserer Zeit, eine unerhörte Provokation, die an den Grundfesten des amerikanischen Mythos rüttelt.

Ray Midge is waiting for his credit card bill to arrive. His wife, Norma, has run off with her ex-husband, taking Ray’s cards, shotgun, and car. But from the receipts, Ray can track where they’ve gone. He takes off after them, as does an irritatingly tenacious bail bondsman, both following the romantic couple’s spending as far as Mexico.

Twelve-year-old Percy Jackson is about to be kicked out of boarding school...again. No matter how hard he tries, he can't seem to stay out of trouble. But can he really be expected to stand by and watch while a bully picks on his scrawny best friend? Or not defend himself against his pre-algebra teacher when she turns into a monster and tries to kill him? Of course, no one believes Percy about the monster incident; he's not even sure he believes himself.

The sudden death of Not Sidney Poitier's mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar winning actor, and serious amount of shares in the Turner Corporation. Percival Everett's novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn't know what to do with him.

Percival Everett by Virgil Russell is a story inside a story inside a story. A man visits his ageing father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.