When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Of all Somerset Maugham’s novels this is the most entertaining and arguably his best ever. Rosie is a barmaid with a heart of gold and a skeleton in her closet. Maugham’s portrait of her makes his novel fairly glow with witty observations of the contemporary literary scene. Features Willie Ashenden, who resurfaces in Maugham’s Ashenden.

Philip Carey, a sensitive orphan born with a clubfoot, finds himself in desperate need of passion and inspiration. He abandons his studies to travel, first to Heidelberg and then to Paris, where he nurses ambitions of becoming a great artist. Philip's youthful idealism erodes, however, as he comes face-to-face with his own mediocrity and lack of impact on the world. After returning to London to study medicine, he becomes wildly infatuated with Mildred, a vulgar, tawdry waitress, and begins a doomed love affair.

William Somerset Maugham (1874�1965) was born at the height of British imperial power. When he died, the British Empire was all but a memory. In Maugham's lifetime, as his civilization slowly disappeared, people from all walks of life, the proud, the urbane, the crude, and the desperate, passed beneath the lens of his dispassionate scrutiny. Transformed into some of the most unforgettable literary works of the 20th century, his experiences re-emerged in his plays, fiction, and essays.

First published in 1925, The Painted Veil is an affirmation of the human capacity to grow, change, and forgive. Set in England and Hong Kong in the 1920s, it is the story of the beautiful but shallow young Kitty Fane. When her husband discovers her adulterous affair, he forces her to accompany him to a remote region of China ravaged by a cholera epidemic.

William Somerset Maugham (1874 - 1965) took his reading material quite seriously. He said, "When I read a book, I seem to read it with my eyes only. But now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me." Maugham's work has certainly become a part of millions of his fans today. To judge by his short story masterpieces, it was in the tiny crevasses and pinched corners of humanity that Maugham illuminated those elemental qualities that were to fascinate him all his life.

There have been few masters of the short story as popular as W. S. Maugham. His dry wit, worldweary loftiness, pungent cynicism, and penetrating powers of observation have contributed to the creation of some of the greatest short stories ever written.

In 1938 Maugham wrote, "Fact and fiction are so intermingled in my work that now, looking back on it, I can hardly distinguish one from the other." Maugham also wrote that most of his short stories were inspired by accounts he heard firsthand during his travels to the lonely outposts of the British Empire. In volume three of this series, we present all of the remaining short stories which Maugham published after World War I and which he subsequently caused to be republished in various collections.

On his way home from a remote Pacific island, Dr Saunders travels with two strangers: the treacherous Captain Nichols, and Fred, a handsome Australian with a shadowy past. Driven to shelter from a storm on the island of Banda, the trio meets good-natured Erik Christessen and his fiancée, the cool and beautiful Louise. A tense, exotic tale of love, jealousy, murder and suicide, which evolved from a passage in Maugham's earlier masterpiece, The Moon and Sixpence.

Renowned English surgeon Arthur Burdon is engaged to the beautiful Margaret Dauncey, who is studying art in Paris. The match is met with approval from all sides, and everyone is happy - until the mysterious Oliver Haddo enters the picture. Both Arthur and his fiancée dislike the enormously fat and eccentric Oliver but are fascinated by his stories of black magic, by his demonstrations of a power that seems inhuman. And while they scoff at his boasts, their dislike turns to loathing.

Somerset Maugham set out on an extraordinary trip in September of 1922. He would remain abroad for nine months and end up traveling by canoe, riverboat, rickshaw and mule from Rangoon to Mandalay in Upper Burma, down through Thailand to Bangkok, then to Phnom Penh and across the jungle by river to Angkor Wat. From there he went down river to Saigon, then by ship to Hue and Haiphong. He ends the audiobook with an anecdotal story of his fellow passengers while on shipboard to Haiphong.

A collection of the BBC’s dramatisations and readings of W. Somerset Maugham’s fiction, with star casts including Alex Jennings, Dirk Bogarde, and Janet Maw.

In the winter of 1919 Somerset Maugham, at the age of 45, undertook an arduous journey up the Yangtze River in China. Ever the astute observer of people and places, he wrote down his experiences and collected them into 58 exquisite vignettes which were subsequently published a few years later. No one is spared his searching intelligence, especially the company managers, salesmen, missionaries, bureaucrats, military officials and adventurers he encounters.

The Great War changed everything and everyone, and Larry Darrell is no exception. Though his physical wounds from the war heal, his spirit is changed almost beyond recognition. He leaves his betrothed, the beautiful and devoted Isabel; studies philosophy and religion in Paris; lives as a monk, and witnesses the exotic hardships of Spanish life. All of life that he can find - from an Indian Ashrama to labor in a coal mine - becomes Larry's spiritual experiment as he spurns the comfort and privilege of the Roaring 20s.

William Somerset Maugham's remarkable first novel was such an instant success that the 23-year-old medical student left school to become a full-time author. Liza, a vibrant but poverty-stricken London girl, is the most graceful and daring dancer that anyone has ever seen, wildly moving to the music of the Italian organ player on Old Kent Road. But her bright light begins to dim as the tragic effects of illness and poverty overtake her body, if not her spirit.

The Painted Veil is the story of Kitty Garstin, a young woman living a high social life, who marries Walter Fane, a man that’s declared his love for Kitty, just to avoid being upstaged by her younger and less attractive sister getting married first. Shortly after the marriage, they depart England and head to China where Walter, a bacteriologist and physician, is stationed.