It wasn't easy for Molly being the only girl in Flight Academy, but getting expelled was even worse. Abandoned by her family when she was young and now tossed from the only home she's ever known, her future looks bleak.

But then Molly hears that her father's old starship has turned up halfway across the galaxy. Setting off to retrieve the old craft, she hopes it will hold clues to his disappearance. Accompanying her as a chaperone is Cole, her old flight partner from the Academy.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.

When a robot defies his programming, is he broken? Or is he something else?

Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands.

John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater.

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

Deep in the Afghan mountains, Sergeant Michael Pitcher discovers an object with powers that defy explanation. After interacting with it, he suffers a traumatic seizure and is flown home for evaluation. Cleared by the doctors, Michael goes home to his relieved wife, Josie. But he’s a changed man. The once-loving husband is now coldly withdrawn. When a team of scientists connected to Sergeant Pitcher vanishes without a trace, CIA agent Dean Ninemeyer comes to him for insight - only to find that the recovering soldier has also disappeared.

The Tantalus 13 survey expedition went off the rails as soon as Mary Ketch and the crew of the Diamelen learned that the thing beneath their feet wasn’t a planet. An impossibly vast and ancient artificial structure lies below, hidden from the universe under a façade of cratered stone. SCARAB arrived on Tantalus 13 two years ago. An artificially intelligent, self-constructing factory, it was supposed to aid the crew in their mission, to meet their every need.

The Earth is changing. The alien invasion brought social upheaval, advanced technology, and an armada of peacekeeping robots. But Alan, a college student pursuing a now-useless degree, cares little about all of this. He has only one thing on his mind: the Game. A fully immersive virtual reality, the Game appears to be a major part of the invading civilization. Alan can't wait to play, recklessly diving into the digital universe. Soon though, Alan realizes the Game is anything but simple, and the stakes are higher than he ever imagined.

Amahle is a Light Chaser—one of a number of explorers, who travel the universe alone (except for their onboard AI), trading trinkets for life stories. But when she listens to the stories sent down through the ages, she hears the same voice talking directly to her from different times and on different worlds. She comes to understand that something terrible is happening, and only she is in a position to do anything about it. And it will cost everything to put it right.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

Sam and Sadie—two college friends, often in love, but never lovers—become creative partners in a dazzling and intricately imagined world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. It is a love story, but not one you have heard before.

When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.

Syd Chambers grew up on Earth with his human mother and barely remembers his alien father from Denza, who left on a mission when Syd was very young. After leaving Earth, Syd learned the truth of his father’s disappearance on the planet Ashfall—his father had died protecting a devastating secret about the history between humans and Denzans.

Fletcher Connolly hasn't got a lot to lose. Since he and half the galaxy signed on to the rat race of the technological relics trade, Fletch has come to terms with the idea that he will join the ranks of unlucky explorers that perish light years from home without a dime to his name. But bankruptcy is a great motivator. With friends and family counting on him to strike it rich, Fletch embarks on an unwilling quest for alien treasure.

A Red Peace, first in Spencer Ellsworth's Starfire trilogy, is an action-packed space opera in a universe where the oppressed half-Jorian crosses have risen up to supplant humanity and dominate the galaxy. Half-breed human star navigator Jaqi, working the edges of human-settled space on contract to whoever will hire her, stumbles into possession of an artifact that the leader of the Rebellion wants desperately enough to send his personal guard after. An interstellar empire and the fate of the remnant of humanity hang in the balance.

Devi Morris isn't your average mercenary. She has plans. Big ones. And a ton of ambition. It's a combination that's going to get her killed one day - but not just yet. That is, until she gets a job on a tiny trade ship with a nasty reputation for surprises. The Glorious Fool isn't misnamed; it likes to get into trouble, so much so that one year of security work under its captain is equal to five years everywhere else. With odds like that, Devi knows she's found the perfect way to get the jump on the next part of her plan.

In the 20th century Earth sent probes, transmissions, and welcoming messages to the stars. Unfortunately, someone noticed. The Galactics arrived with their battle fleet in 2052. Rather than being exterminated under a barrage of hell-burners, Earth joined their vast Empire. Swearing allegiance to our distant alien overlords wasn't the only requirement for survival. We also had to have something of value to trade, something that neighboring planets would pay their hard-earned credits to buy. As most of the local worlds were too civilized to have a proper army, the only valuable service Earth could provide came in the form of soldiers....

The U.S.S. Merrimack was the finest battleship class spaceship in Earth's fleet, able to stand up against the best the Palatine Empire could throw at them, even able to attack and kill swarms of the seemingly unstoppable Hive. But nothing could have prepared the captain and crew of the Merrimack to face the Myriad - three colonized worlds in the midst of a globular cluster that the Hive had somehow overlooked.

In the 25th century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person's consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or "sleeve") making death nothing more than a minor blip on a screen.

When humanity reaches for the stars, our probes are destroyed. They crash into an incredibly advanced piece of technology: a massive force-field. Unknown beings have placed a barrier around our star and planets, enclosing us within. We’re locked inside a Great Sphere. Was this invisible obstacle built to imprison us - or to protect us? No one knows the truth, but it soon becomes clear the barrier has leaks. Aliens infiltrate and try to sabotage our efforts to escape our cage.

Humankind has escaped a dying Earth and set out to find a new home among the stars aboard an immense generation ship affectionately named the Ark. Bryan Benson is the Ark's greatest living sports hero, enjoying retirement working as a detective in Avalon, his home module. The hours are good, the work is easy, and the perks can't be beat. But when a crew member goes missing, Bryan is thrust into the center of an ever-expanding web of deception, secrets, and violence.

Cities all around the world reported strange alien vessels descending. Some saw them as the heralds of a new age; others fired everything they had at them. All were taken as the beams lashed down and drew them into the sky. Dean was left behind, seemingly the last man on Earth. A trail of clues left by his dead wife guides Dean on a perilous journey across America and beyond to learn the truth behind the mysterious ships and save humanity from its doom.

It's the eve of the 22nd century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans. And it's all under surveillance by an alien presence. Daniel Bruks is a field biologist in a world where biology has turned computational.

Rob Dunbar is the world's best history professor. And with good reason: he's been alive for 3,000 years, keeping his existence a secret since before the days of Athens. But a stranger named Baxter has a better use for Rob's vast expertise. Baxter's looking to found a mining company in the Asteroid Belt. In exchange for Rob's help, he'll try to unravel the mystery of Rob's origin. As they're getting their outfit off the ground, they come under covert attack by HemiCo, a powerful Mars-based corporation.

Black Ops - the intelligence arm of the Meridian Alliance Fleet came calling with an offer Henricksen couldn't refuse: a ship - an entire squadron of ships, actually - and crew to command. A chance to get back to the stars. Too bad he didn't ask more questions before accepting the assignment. Too bad no one told him just how dangerous this particular skunkworks project was. They call the ship the RV-N: Reconnaissance Vessel-Non-combat, Raven for short. A stealth ship - fast, and maneuverable, and brutal as hell.

Convicted criminal James Griffin-Mars is no one's hero. In his time, Earth is a toxic, abandoned world, and humans have fled into the outer solar system to survive, eking out a fragile, doomed existence among the other planets and their moons. Those responsible for delaying humanity's demise believe time travel holds the key, and they have identified James, troubled though he is, as one of a select and expendable few ideally suited for the most dangerous job in history.

The Earth died when aliens rained thermonuclear warheads on her cities and sprayed the surface with a bio-terminator. A deadly poison drifted to every corner of the planet, threatening the last survivors with annihilation. For a soldier like Creed, there is only one way to keep breathing untainted air. He must bury his hatred of the extraterrestrials and join the Jelk Corporation as an assault trooper, leaving the planet for outer space. In return for his and other people's services, the corporation will house the last humans for as long as the assault troopers keep winning.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

It wasn't easy for Molly being the only girl in Flight Academy, but getting expelled was even worse. Abandoned by her family when she was young and now tossed from the only home she's ever known, her future looks bleak.

But then Molly hears that her father's old starship has turned up halfway across the galaxy. Setting off to retrieve the old craft, she hopes it will hold clues to his disappearance. Accompanying her as a chaperone is Cole, her old flight partner from the Academy.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

Wayfinding is the ancient seafaring art of navigating according to the natural signs. As a self-help philosophy, Wayfinding means being aware of our environment and our responses to outside stimuli. It also means learning about the environment for which we evolved, and how it differs from the environment in which we live. Wayfinding is not a destination. It is a neverending journey. It doesn't have to be yours; it is simply a description of the path that I am on, with all my bumbling and lack of expertise on full display.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

Daniel Stillman's Life: 42 Facebook friends, 18 Cell phone contacts, 6 Twitter followers, 4 blog subscribers. Now a category five storm is about to take this all away. And replace it with a neighbor he's never met.

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

The Life Engineered begins in the year 3594, when humanity is little more than a memory, a legend of the distant past - destined to reappear. Capeks, a race of artificial creatures originally created by humans, have inherited the galaxy and formed a Utopian civilization built on the shared goal of tirelessly working to prepare for their makers' return.

Adam Griffey is living two lives. By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world, the real world, and he sells it. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood?