Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

Teetapur, an unassuming village just a few hours outside of bustling Delhi, is famous for nothing—until one of its children, eight-year-old Munia, is found dead, hanging from the branch of a Jamun tree. In the largely Hindu village, suspicion quickly falls on an itinerant Muslim man, Mansoor. Suspicion ignites like wildfire, fueled by religious tensions that simmer beneath the surface.

A violent storm washes a mysterious house onto a rural Pacific Northwest beach, stopping the heart of the only woman who knows what it means. Her grandson, Simon Culpepper, vanishes in the aftermath, leaving two of his childhood friends to comb the small, isolated island for answers—but decades have passed since Melissa and Leo were close if they were ever close at all. Now they'll have to put aside old rivalries and grudges if they want to find or save the man who brought them together in the first place—and on the way they'll learn a great deal about the sinister house on the beach.

Lilly Bly desperately wants to have a baby. She is struggling with infertility and bad spending habits when her husband, Jack, gets a new job that moves them from Chicago to a small town in Wisconsin. Impractical Lilly falls in love with a decrepit mansion well out of their price range—she is convinced that she will finally get pregnant and have a baby in this house—and Jack agrees to it. But when Lilly learns that her dream house was the site of a gruesome triple homicide/suicide in the 1950s, she begins to experience strange occurrences that soon lead her to believe the house is haunted.

Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

Popular fitness influencer Gemma has transformed herself from a Before into an After, complete with washboard abs, thriving business, and gorgeous husband. But social media can be deceiving. Offline, the cutthroat world of bikini bodybuilding may just eat her alive. That’s if she’s not first devoured by the secret nemesis that lurks beneath her polished surface, waiting to destroy her.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

The last thing Nick Morrow expected to receive was an invitation from his father to return home. When he left rural Nebraska behind, he believed he was leaving everything there, including his abusive father, Carlyle, and the farm that loomed so large in memory, forever. But neither Nick nor his brother Joshua, disowned for marrying Emilia, a woman of Asian descent, can ignore such summons from their father, who hopes for a deathbed reconciliation. Predictably, Joshua and Carlyle quickly warm to each other while Nick and Emilia are left to their own devices.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

The last thing Nick Morrow expected to receive was an invitation from his father to return home. When he left rural Nebraska behind, he believed he was leaving everything there, including his abusive father, Carlyle, and the farm that loomed so large in memory, forever. But neither Nick nor his brother Joshua, disowned for marrying Emilia, a woman of Asian descent, can ignore such summons from their father, who hopes for a deathbed reconciliation. Predictably, Joshua and Carlyle quickly warm to each other while Nick and Emilia are left to their own devices.

Fegan has been a "hard man" - an IRA killer in Northern Ireland. Now that peace has come, he is being haunted day and night by 12 ghosts: a mother and infant, a schoolboy, a butcher, an RUC constable, and seven other of his innocent victims. In order to appease them, he's going to have to kill the men who gave him orders. As he's working his way down the list, he encounters a woman who may offer him redemption; she has borne a child to an RUC officer and is an outsider too.

Sara Keane's husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a "fresh start" in the wake of her nervous breakdown. But three sleepless nights into their new life, Sara understands it's not an entirely fresh start after all: Damien's new boss is his ex-con father, whose contracting business is run with violence and tinged by paramilitary association. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless - all but a prisoner in her own house.

In the grisly aftermath of a botched bank heist, career criminal Anne Heller has no choice but to return to her family’s cabin–a secluded shack in Colorado’s San Luis Valley, and the site of her mother’s untimely death. Along for the ride are Jessup, Anne’s badly wounded partner, and Dutch, the police officer she’s taken hostage. As they wait for help, Anne discovers strange relics from her mother’s past and begins to unfold the mystery of her childhood at the cabin.

From Eliza Clark, the author of the brilliant novels Boy Parts and Penance and one of Granta’s Best Young British Novelists, comes a fierce, visionary and darkly comic story collection. A woman welcomes a parasite into her body. A teenager longs for perfect skin. A scientist tends to fragile alien flora. A young man takes the night into his own hands. Unsettling, revelatory, and laced with her signature dark humor, Eliza Clark’s debut short story collection plumbs the depths of that most basic human feeling: hunger.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.

A violent storm washes a mysterious house onto a rural Pacific Northwest beach, stopping the heart of the only woman who knows what it means. Her grandson, Simon Culpepper, vanishes in the aftermath, leaving two of his childhood friends to comb the small, isolated island for answers—but decades have passed since Melissa and Leo were close if they were ever close at all. Now they'll have to put aside old rivalries and grudges if they want to find or save the man who brought them together in the first place—and on the way they'll learn a great deal about the sinister house on the beach.

I didn’t believe in the Rule of Three. Not at first. It was just one of those urban myths you hear about all the time. A story my boyfriend told me about a girl cursed by the number three. A girl whose parents had killed themselves after her sibling had died in an accident. Which meant that she was doomed to die too because that’s the Rule of Three. Bad things always happen in threes, they say, and they are right. Because it’s happening again.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

Ireland 1963. As the Irish people prepare to welcome President John F. Kennedy to the land of his ancestors, a German national is murdered in a seaside guesthouse. Lieutenant Albert Ryan, Directorate of Intelligence, is ordered to investigate. The German is the third foreigner to die within a few days, and Minister for Justice Charles Haughey wants the killing to end lest, a shameful secret be exposed: the dead men were all Nazis granted asylum by the Irish government in the years following World War II.

Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment.

After her parents' painful divorce, Evie Archer hopes that moving to Ravenglass, Massachusetts, is the fresh start her family needs. But Evie quickly realizes that her new home—known by locals as the Horror House—carries its own dark past after learning about Holly Hobbie, who mysteriously vanished from her bedroom one night. But traces of Holly linger in the Horror House and slowly begin to take over Evie's life. A strange shadow follows her everywhere she goes, and Evie starts to lose sight of what's real and what isn't the more she learns about The Lost Girl.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

It was just supposed to be a birthday party, a mobile celebration with a group of college friends on a modified fire truck. But at some point, things take a dark detour. As the pulsating beats of dance music reverberate over an endless stretch of asphalt, the temperature suddenly plummets, and the reality of the situation becomes chillingly clear: the driver will not stop. After frantically attempting to contact the mysterious motorist, the passengers begin to suspect this party may never end.