In this course, Prof. Anthony Esolen will examine ancient Mesopotamia, Greece, Rome and Israel, seeing the disappointment and Messianic longing in the pagan Roman poet Virgil, and the fulfilled Messianic longing among the prophets and the inspired authors of the Old Testament. You will discover the ways in which the fulfillment of the person of Jesus Christ never ceases to surprise mankind, because it never ceases to contradict what fallen man accepts as great.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

It’s time to end the apology tour for traditional masculinity. A generation of young men and boys are being raised in self-loathing, taught that the core of their identity as men is not only abhorrent but the fountainhead of humanity’s ills. In No Apologies, veteran author and professor Anthony Esolen issues a powerful defense of the virtues of masculine strength.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

C. S. Lewis had one of the great minds of the 20th century. Many know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker?

For thousands of years, Homer's ancient epic poem the

Iliad has enchanted readers from around the world. When you join Professor Vandiver for this lecture series on the Iliad, you'll come to understand what has enthralled and gripped so many people. Her compelling 12-lecture look at this literary masterpiece -whether it's the work of many authors or the "vision" of a single blind poet - makes it vividly clear why, after almost 3,000 years, the

Iliad remains not only among the greatest adventure stories ever told but also one of the most compelling meditations on the human condition ever written.

In Tending the Heart of Virtue, Vigen Guroian illuminates the power of classic tales and their impact on the moral imagination. He demonstrates how these stories teach the virtues through vivid depictions of the struggle between good and evil, while he also unveils components of the good, the true, and the beautiful in plot and character. With clarity and elegance, Guroian reads deeply into the classic stories.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

What is the nature of God? How can we recapture a real sense of God's majesty and truly live in the Spirit? This beloved book, a modern classic of Christian testimony and devotion, addresses these and other vital questions, showing us how we can rejuvenate our prayer life, meditate more reverently, understand God more deeply, and experience God's presence in our daily lives.

The Consolation of Philosophy is one of the key works in the rich tradition of Western philosophy, partly because of the circumstances in which it was written. Anicius Manlius Severinus Boethius (c480-c524) was of aristocratic Roman birth and became consul and then master of offices at Ravenna, one of the highest posts under the Ostrogothic Roman ruler Theodoric. But Boethius was unjustly charged with treason in 524, and this led to house arrest, then torture and execution.

This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.

The author of such acclaimed books as The Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

The Confessions by Saint Augustine is considered an all-time number one Christian classic. Augustine undertook his greatest piece of writing with the conviction that God wanted him to make this confession. The Confessions is, in fact, an extended poetic, passionate, intimate prayer.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

This version of Nature is an 1843 revision to the popular essay written and published in 1836. In the original essay, Emerson put forth the foundation of transcendentalism and suggested that reality can be understood by studying nature. Within the essay, Emerson divides nature into four usages: commodity, beauty, language and discipline. These distinctions define how humans use nature for their basic needs, their desire for delight, their communication with one another, and their understanding of the world.

"Whether by design or by chance," Terryl and Fiona Givens write, "we find ourselves in a universe filled with mystery. We encounter appealing arguments for a Divinity that is a childish projection, for prophets as scheming or deluded imposters, and for scripture as so much fabulous fiction. But there is also compelling evidence that a glorious Divinity presides over the cosmos, that His angels are strangers we have entertained unawares, and that His word and will are made manifest through a sacred canon that is never definitively closed."

At the beginning of his career, Joseph Campbell developed a lasting fascination with the cultures of the Far East, and explorations of Buddhist and Hindu philosophy later became recurring motifs in his vast body of work. However, Campbell had to wait until middle age to visit the lands that inspired him so deeply. In 1954, he took a sabbatical from his teaching position and embarked on a year-long voyage through India, Thailand, Cambodia, Burma, Hong Kong, Taiwan, and finally Japan.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Two dozen select prayer poems to learn from and live with. Poetry and prayer are closely related. We often look to poets to give language to our deepest hopes, fears, losses - and prayers. Poets slow us down. They teach us to stop and go in before we go on. They play at the edges of mystery, holding a tension between line and sentence, between sense and reason, between the transcendent, and the deeply, comfortingly familiar. When Poets Pray contains thoughtful meditations by Marilyn McEntyre on choice poems/prayers and poems about prayer.

At its heart, De Profundis is a love letter and is better known as the De Profundis papers. Written in 1897, while Oscar Wilde was imprisoned in Reading Gaol, De Profundis would become one of his best-known works. The papers include Wilde's account of living a lavish lifestyle and his relationship with Lord Alfred Douglas, both of which he credited for his eventual downfall and imprisonment. The second half of the papers is Wilde's account of prison life and his spiritual awakening.

Ralph Waldo Emerson's "Nature" is perhaps the greatest original work of philosophy written by an American. This specially-prepared edition includes a foreword on the origin and significance the book.

During a train trip from Chicago to Texas in the late 1940s, A.W. Tozer began to write The Pursuit of God. He wrote all night, and when the train arrived at his destination, the rough draft was done. The depth of this book has made it an enduring favorite.

From the perspective of an unbeliever, Fear and Trembling explores the paradox of faith, the nature of Christianity, and the complexity of human emotion. Kierkegaard examines the biblical story of Abraham, who was instructed to sacrifice his son Isaac, and forces us to consider Abraham's state of mind. What drove Abraham, and what made him carry out such an absurd and extreme request from God? Kierkegaard argues that Abraham's agreement to sacrifice Isaac, and his suspension of reason, elevated him to the highest level of faith.

With Professor Esolen you will enter the terrible gates of Hell and progress level by infernal level to its diabolical depths. Professor Esolen places a special emphasis on the drama of the poem, leading you through each canto in succession. Professor Esolen will more than satisfy your curiosity about Hell and the fate of the damned. He will reveal in all its starkness the horror of sin and awaken in your heart a longing for divine love.

In this course, Prof. Anthony Esolen will examine ancient Mesopotamia, Greece, Rome and Israel, seeing the disappointment and Messianic longing in the pagan Roman poet Virgil, and the fulfilled Messianic longing among the prophets and the inspired authors of the Old Testament. You will discover the ways in which the fulfillment of the person of Jesus Christ never ceases to surprise mankind, because it never ceases to contradict what fallen man accepts as great.

One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

For thousands of years, Homer's ancient epic poem the

Iliad has enchanted readers from around the world. When you join Professor Vandiver for this lecture series on the Iliad, you'll come to understand what has enthralled and gripped so many people. Her compelling 12-lecture look at this literary masterpiece -whether it's the work of many authors or the "vision" of a single blind poet - makes it vividly clear why, after almost 3,000 years, the

Iliad remains not only among the greatest adventure stories ever told but also one of the most compelling meditations on the human condition ever written.

Alone among the creatures of the world, man suffers a pang both bitter and sweet. It is an ache for the homecoming. The Greeks called it nostalgia. Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart.