Disgraced
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By:
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Ayad Akhtar
About this listen
Amir has left his Pakistani heritage behind in an attempt to make partner at his corporate law firm, but his wife Emily doesn’t share his negative feelings about Islam - she’s encouraged Amir to help with the case of a controversial imam. When they throw a dinner party for Amir’s colleague Jory and her husband Isaac, the hard truths revealed lead to the unraveling of their carefully constructed lives.
Winner of the 2013 Pulitzer Prize for Drama. An L.A. Theatre Works full-cast production starring:
Geoffrey Arend as Isaac
Behzad Dabu as Abe
Hari Dhillon as Amir
Sameerah Luqmaan-Harris as Jory
Emily Swallow as Emily
Directed by Brian Kite. Recorded live at UCLA’s James Bridges Theater in April 2018.
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Story
My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
- By TerriSweeta on 12-04-24
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The Answer Is No
- A Short Story
- By: Fredrik Backman, Elizabeth DeNoma - translator
- Narrated by: Stacy Gonzalez
- Length: 1 hr and 49 mins
- Unabridged
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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- By joey1603 on 12-01-24
By: Fredrik Backman, and others
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
What listeners say about Disgraced
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cheryl
- 02-24-22
After Discussion Necessary
The play is not complete without taking the time to listen to the critiques and discussions afterward.
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Overall
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Performance
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Story
- Maria Herrera
- 12-16-20
Enthralling, Messy and Complicated
Enthralling because too often in our effort to avoid course discourse we avoid the delicate work of precise language which helps in addressing the topics raised here. Consequently we might pave over pertinent issues of what we are living through in constructing our day to day identities and the outcome is the banal vacuous affirmations that get us no where. Here is a work with characters whose invested identities are so co-dependent on one another that when one questions the essence of ones identity journey the others squirm and jump in discomfort.
At one point or another I found myself inhabiting the voice of all the characters and alternatively castigating them the next minute. Fantastic that this work can achieve that! Sophisticated people, savvy individuals who in a moment of heightened emotion lose the handle on the cool heads and suddenly the fissures appear.
I heard Amir express that at one point, briefly he cheered the horrific events of 9-11 and yes that was shocking to hear but it also provided a moment / opportunity to talk about a particular rage and where this might live in a otherwise lovable person. Many of my acquaintances heard his confession as a statement of present emotional charge, as if he still felt that way. How did you hear it? Why did you hear it so? I think this is a very important aspect to our understanding of each other - the how we filter each other.
I was least happy with Abe. Not because he was upset at his uncle but that he needed someone to look up to. Why to begin with are some people seemingly romantically involved with the notion of having a hero or mode in their lives. Why is it that it is hard to construct that hero in the interior of ourselves? Why is it that in failing to construct that interior hero we turn in anger and disenfranchisement against forces outside the self?
I needless to say enjoyed this very digestible work. Chapeau!
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