-
Disgraced
- Narrated by: Geoffrey Arend, Behzad Dabu, Hari Dhillon, Sameerah Luqmaan-Harris, Emily Swallow
- Length: 1 hr and 38 mins
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Publisher's summary
Amir has left his Pakistani heritage behind in an attempt to make partner at his corporate law firm, but his wife Emily doesn’t share his negative feelings about Islam - she’s encouraged Amir to help with the case of a controversial imam. When they throw a dinner party for Amir’s colleague Jory and her husband Isaac, the hard truths revealed lead to the unraveling of their carefully constructed lives.
Winner of the 2013 Pulitzer Prize for Drama. An L.A. Theatre Works full-cast production starring:
Geoffrey Arend as Isaac
Behzad Dabu as Abe
Hari Dhillon as Amir
Sameerah Luqmaan-Harris as Jory
Emily Swallow as Emily
Directed by Brian Kite. Recorded live at UCLA’s James Bridges Theater in April 2018.
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about Disgraced
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cheryl
- 02-24-22
After Discussion Necessary
The play is not complete without taking the time to listen to the critiques and discussions afterward.
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- Maria Herrera
- 12-16-20
Enthralling, Messy and Complicated
Enthralling because too often in our effort to avoid course discourse we avoid the delicate work of precise language which helps in addressing the topics raised here. Consequently we might pave over pertinent issues of what we are living through in constructing our day to day identities and the outcome is the banal vacuous affirmations that get us no where. Here is a work with characters whose invested identities are so co-dependent on one another that when one questions the essence of ones identity journey the others squirm and jump in discomfort.
At one point or another I found myself inhabiting the voice of all the characters and alternatively castigating them the next minute. Fantastic that this work can achieve that! Sophisticated people, savvy individuals who in a moment of heightened emotion lose the handle on the cool heads and suddenly the fissures appear.
I heard Amir express that at one point, briefly he cheered the horrific events of 9-11 and yes that was shocking to hear but it also provided a moment / opportunity to talk about a particular rage and where this might live in a otherwise lovable person. Many of my acquaintances heard his confession as a statement of present emotional charge, as if he still felt that way. How did you hear it? Why did you hear it so? I think this is a very important aspect to our understanding of each other - the how we filter each other.
I was least happy with Abe. Not because he was upset at his uncle but that he needed someone to look up to. Why to begin with are some people seemingly romantically involved with the notion of having a hero or mode in their lives. Why is it that it is hard to construct that hero in the interior of ourselves? Why is it that in failing to construct that interior hero we turn in anger and disenfranchisement against forces outside the self?
I needless to say enjoyed this very digestible work. Chapeau!
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