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Narrated by:
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Will Dao
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Desiree Mee Jung
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Greg Watanabe
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Paul Yen
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Jeena Yi
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By:
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Qui Nguyen
About this listen
Saigon has fallen, and two Vietnamese refugees meet in an Arkansas relocation camp before setting out on a rip-roaring road trip across America. Qui Nguyen tells the hilarious and only slightly not-true version of how his parents met and built a life for themselves in a new land. Recorded before a live audience at the UCLA James Bridges Theater in February 2020.
Director: Tim Dang
Original Music by Shane Rettig
Producing Director: Susan Albert Loewenberg
Greg Watanabe: Playwright, Giai, Bobby, Captain Chambers, Hippie Dude
Paul Yen: Quang
Jeena Yi: Tong
Desirée Mee Jung: Asian Girl, American Girl, Thu, Huong, Translator, Flower Girl, Redneck Biker Will Dao: Asian Guy, American Guy, Nhan, Khue
Associate Artistic Director: Anna Lyse Erikson
Recording Engineer and Sound Designer: Mark Holden.for The Invisible Studios, West Hollywood
Senior Radio Producer: Ronn Lipkin
Foley Artist: Jeff Gardner
Production Manager: Erica R. Christensen
Mixing Engineer: Charles Carroll
Editor: Mitchell Lindskoog
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- By: Kurt Vonnegut
- Narrated by: John Malkovich
- Length: 6 hrs and 27 mins
- Unabridged
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Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.
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Kurt Was Right to Grade This a C
- By Dubi on 01-10-16
By: Kurt Vonnegut
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Heads Will Roll
- By: Kate McKinnon, Emily Lynne
- Narrated by: Kate McKinnon, Emily Lynne, Tim Gunn, and others
- Length: 4 hrs and 6 mins
- Original Recording
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Heads Will Roll is an Audible Original from Saturday Night Live star Kate McKinnon and her cocreator/costar (and real-life sister) Emily Lynne. Produced by Broadway Video, this is not an audiobook - it’s a 10-episode, star-studded audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye’s Fab Five, and so many more. Please note: This content is not for kids.
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More like this please
- By Anon893 on 05-03-19
By: Kate McKinnon, and others
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Napoleon's Hemorrhoids…And Other Small Events That Changed History
- By: Phil Mason
- Narrated by: LJ Ganser
- Length: 8 hrs and 13 mins
- Unabridged
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Hilarious, fascinating, and a roller coaster of dizzying, historical what-ifs, Napoleon's Hemorrhoids is a potpourri for serious historians and casual history buffs. In one of Phil Mason's many revelations, you'll learn that Communist jets were two minutes away from opening fire on American planes during the Cuban missile crisis, when they had to turn back as they were running out of fuel. You'll discover that before the Battle of Waterloo, Napoleon's painful hemorrhoids prevented him from mounting his horse to survey the battlefield.
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They just throw the facts too fast
- By Concerned_llama on 12-11-20
By: Phil Mason
What listeners say about Vietgone
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- EAlex
- 06-15-21
A Non-Stop Potty Humor, F Word Galore Fest
First let me say that I appreciate what the playwright is doing here in his innovative, experiential approach to depicting what his parents encountered as Vietnamese refugees. And I also like how he addresses racism by having the white American actors sound idiotic the way that American films have portrayed Asian actors in the past. However this play is the most disgustingly bathroom humor, crude, F-word packed play I have ever experienced. I have nothing against profanity but the F word is literally every noun, adjective and verb. After awhile, it gets boring and very predictable. And then add on, the nonstop juvenile bathroom humor about bodily functions and the generic rap music that is like a parody of bad rap music. And then in the last ten minutes , there is a conversation between the playwright with his father that has some honest and interesting, if not politically controversial, dialogue. But it just seems tacked on and has absolutely nothing to do with the rest of the play. It's like he was just too lazy to weave it into the main storyline. I look forward to the day when plays don't have to be as disgusting as a broken toilet in a gas station bathroom to be considered edgy.
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