
Hallowe'en Party
A Hercule Poirot Mystery: The Official Authorized Edition
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Narrated by:
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Hugh Fraser
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By:
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Agatha Christie
About this listen
At a Hallowe'en party, Joyce - a hostile thirteen-year-old - boasts that she once witnessed a murder. When no one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub.
That night, Hercule Poirot is called in to find the "evil presence". But first he must establish whether he is looking for a murderer or a double murderer.
©1969 Agatha Christie Limited (P)2002 HarperCollins PublishersListeners also enjoyed...
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the incomparable Hugh Frasier
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classic Christie
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Luckily, once things get going, there is intrigue to be found.
My guess is that the upcoming film that is (loosely, it seems) based on this will be far more enjoyable than the book itself.
Definitely Not Her Best - But Worth Checking Out
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The narrator did a fantastic job, and I loved the voice he gave to Poirot. I definitely recommend this.
Amazing
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Overall, it is a nice read. This is Hallowe'en Party not a novelization of the upcoming Kenneth Branagh film, so don't let the name fool you. It's set in England and not Venice like the movie (and I'm sure lots will be changed in the movie too).
Fun Poirot Outing, but Not The Best
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Good story. Great storyteller.
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I loved humor around the apples!
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God, it was boring
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Which makes it a shame that Hallowe'en Party is something of a mixed bag.
Don’t get me wrong: all the ingredients are there. The village full of secrets that both Poirot and Ariadne Oliver come into as outsiders feels like classic Christie. So, too, does the wide-ranging cast of characters (and suspects) that occupy the village. The opening chapter or so, building up to the party and the murder, offer a blurry snapshot of it all and get the ball rolling solidly. Everything that should make this a solid offering are here.
Yet something feels off about the whole novel. Perhaps it’s seeing Poirot in the 1960s (with Ariadne Oliver even comparing him to a computer, which feels both apt and odd at the same time). Alternatively, it could be the repetitive debates the detective has with numerous characters about the changing social mores of the 1960s or mental health. Or, ultimately, that all the ingredients might be present but the eventual solution and the identity of the murderer feels under-cooked. Christie could certainly write to capture changing times (The Pale Horse at the start of the decade, a favorite of this reviewer, proves that) but Hallowe'en Party is a novel that feels out of time.
Dare I say, this might be a case where the adaptations (both featuring David Suchet on television and the ground-up reworking of it for actor/director Kenneth Branagh) are the better versions of this? In both cases, the ingredients and the recipe could be tweaked into something more cohesive. It’s still worth seeing where the inspiration for both came from, even if the source novel isn’t quite the sum of its parts.
A Mixed Bag of Hallowe'en Mystery
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Halloween Party
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