A heart-warming story about family secrets and one woman’s escape to dreamy Sandy Cove on the stunning west coast of Ireland. The picturesque beach of Wild Rose Bay is the last place Lydia Butler thought she’d be. But having just lost everything, the run-down cottage she inherited from her Great Aunt Nellie is the only place she can take her daughter, Sunny. Hidden away in a tiny Irish village, she can protect Sunny from the gossip in Dublin, and the real reason they have nowhere else to live....

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes.

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment—Michael is not only Protestant but older and married—Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites.

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.

Sophie Whalen is a young Irish immigrant so desperate to get out of a New York tenement that she answers a mail-order bride ad and agrees to marry a man she knows nothing about. San Francisco widower Martin Hocking proves to be as aloof as he is mesmerizingly handsome. Sophie quickly develops deep affection for Kat, Martin's silent five-year-old daughter, but Martin's odd behavior leaves her with the uneasy feeling that something about her newfound situation isn't right.

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Jeanette Winterson’s bold and revelatory novels have established her as a major figure in world literature. This memoir is the chronicle of a life’s work to find happiness. It is a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser drawer; about growing up in a north England industrial town in the 1960s and 1970s; and about the universe as a cosmic dustbin.

Winter 1919: Norma is summoned home from France, Constance is called back from Washington, and Fleurette puts her own plans on hold as the sisters rally around their recently widowed sister-in-law and her children. How are four women going to support themselves? A chance encounter offers Fleurette a solution: clandestine legal work for a former colleague of Constance's.

In the home where Arabella Godwin was raised it is forbidden to speak her name, and her picture is turned to the wall. But in the turbulent America of the 1850s, everyone knows her as "Belle Cora", madam of San Francisco's finest bordello. Judges and senators do her bidding; a vicious newspaper editor plots her downfall; a preacher looks at her from across his pulpit and tries to forget that once she was his wife. Merchant's daughter, farm girl, prostitute, mother - the only thing that never changes is her tireless pursuit of the one man who can see her for who she really is.

When Lyddie and her younger brother are hired out as servants to help pay off their family farm's debts, Lyddie is determined to find a way to reunite her family once again. Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true.

Raised in a primitive one-room farmhouse with no indoor plumbing, the fourth of five children, Catherine Marenghi begins her life in poverty and isolation. She leaves home at the age of 17. A decade later, she is a successful journalist with the means to buy her family their first decent house. But the past will not be put to rest so easily. Catherine unravels a web of long-buried family secrets, and a terrible betrayal that robbed her family of the home that was rightfully theirs. And she finally uncovers the story her parents never shared: the gladiolus farm that was once their dream.

In the home where Arabella Godwin was raised it is forbidden to speak her name, and her picture is turned to the wall. But in the turbulent America of the 1850s, everyone knows her as "Belle Cora", madam of San Francisco's finest bordello. Judges and senators do her bidding; a vicious newspaper editor plots her downfall; a preacher looks at her from across his pulpit and tries to forget that once she was his wife. Merchant's daughter, farm girl, prostitute, mother - the only thing that never changes is her tireless pursuit of the one man who can see her for who she really is.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Martha’s Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston’s renowned Museum School, enrolling in art courses that were once deemed “unthinkable” for women to take and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband.

Thomas Savage, a recipient of the Guggenheim Fellowship and a PEN/Faulkner Award nominee, has long been a critically acclaimed author. The New Yorker calls him "a writer of the first order". This starkly elegant story details the lives of Emma Russell Sweringen and her family in the early 1900s. Emma’s daughter Beth secretly gave up a baby girl for adoption many years ago. Now, Beth’s secret life is being unraveled as her daughter comes looking for her long-lost family.

In Brooklyn's unforgiving urban jungle, Maggie Moore is torn between answering her own needs and catering to the desirous men who dominate her life. Confronted by her quarrelsome Irish immigrant father, the feckless lover who may become her husband, and others, Maggie must learn to navigate a cycle of loss, separation, and hope as she forges her own path toward happiness.

The Housekeeper's Tale reveals the personal sacrifices, bitter disputes and driving ambition that shaped these women's careers. Using secret diaries, unpublished letters, and the neglected service archives of our stately homes, Tessa Boase tells the extraordinary stories of five working women who ran some of Britain's most prominent households.

Winter 1919: Norma is summoned home from France, Constance is called back from Washington, and Fleurette puts her own plans on hold as the sisters rally around their recently widowed sister-in-law and her children. How are four women going to support themselves? A chance encounter offers Fleurette a solution: clandestine legal work for a former colleague of Constance's.

The classic 1939 collection of three novellas by the Pulitzer Prize and National Book Award-winning author and journalist, including the famous title story set during the influenza epidemic of 1918.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

The sudden death of the father of the family results in the drastic reduction of the Careys' income and they must leave their comfortable home in Boston. Nancy Carey, the eldest, recalls a vacation in Maine when they all picnicked in the garden of a big, vacant house that her father loved. She discovers that the house is available, the rent is cheap, and persuades her mother that life in The Yellow House in Beulah, Maine is the perfect place to begin their new life.

Determined to save the antiques store she has inherited from ruin after the unexplained disappearance of her parents, Sarah Lester discovers a jumbled collection of vintage postcards that leads her on a journey through time. Unprepared for the story the postcards weave about their reclusive former owner, Sarah’s life is thrown into disarray as she is transported to Victorian London, colonial New Zealand, and to the British Raj in 19th-century India.

The seat of the Trelawney family for over 700 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets, and follies. But as the centuries passed the Earls of Trelawney, their ambition dulled by generations of pampered living, failed to develop other skills.

Soon-to-be heiress Betty Stanhope is a runaway bride, but not for the usual reasons - she didn't flee because of a change of heart. Reluctant about the wedding at the outset, the dutiful Betty reaches the altar to find that her groom is a different man altogether and someone she's dreaded most of her life! Before the wedding can proceed, she is taken to a room to recover from her fainting spell.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.