Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

Author's Note - As I have mentioned in past books, this is a sequel to the previous and should be read after the others; The Reversion, The Revival and The Renewal, in order to fully understand it. My reason for this is simple; I’ve always found it tedious to read re-introductions of situations and characters, and so have no desire to write them. For those who have read the first three books in this series, you may have seen that I intended to title this one The Blessings of Freedom and make it the first in a new series called the New America series - my reason being that the action ...

As the world continues to rebuild after the collapse, groups across the country are coming together to form new communities. Some just want to survive. Some want to build a better place in which to live than the one that is now gone. And some want to conquer and enslave others in order to expand their own fledgling empires. In this evolving mix, Stonemont and their allies must navigate the ever-changing dynamics of friends and enemies - and attempt to build a new place in the world where people can live free.

Jim Wyatt had always said that if everything fell apart, he didn’t want to just survive - he didn’t want to notice. When the world did crash, his family’s home of Stonemont became not only a refuge, but a place where it might be possible to start over again, and reclaim the American ideal. Among the many novels in the SHTF/TEOTWAWKI genre, The Reversion stands apart – and, perhaps, alone. It does not follow the survival learning curve of the unprepared or minimally-prepared, as so many excellent books have already done so well. Rather, it is the story of a man who was prepared, and ...

In his first novel, The Reversion, Steven Smith took the modern post-apocalyptic genre to a new level of general fiction, introducing us to a world after a cataclysmic collapse and taking us into the lives of those who survive and begin to rebuild. In his second novel, The Revival, he once again broke a barrier into adventure fiction, mixing humor and intense action with social commentary, political philosophy and in-depth examinations of comparative justice and cultural constructs - all skillfully woven into a compelling story of personal and societal survival so as to be both powerful yet...

On its release, Steven Smith's first book, The Reversion, became an instant classic in the preparedness/ survival/TEOTWAWKI genre. But the reviews and growing readership proved that it was more. It transcended its original target audience to appeal to many who had no previous interest in survivalism or preparedness as a lifestyle and made the jump to general adventure fiction.The reasons for this were several. It was well written, expansive in scope yet easy to follow. It told an interesting, compelling, story - intricate in its construction but smooth in its presentation. It introduced ...