Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

Nora Levine has everything she dreams of: a leading role on a successful tv show and a quiet life with her best friends, away from the spotlight. When the new production company CEO takes an unusually hands-on approach to her job, Nora’s hackles go all the way up. Mimi St James just wants the best for everyone: her large family, her colleagues, and employees; even the aloof star of her company’s hit show. And she’ll go the extra mile to make all of them happy. Nora can’t help but warm to Mimi’s kind nature—and what she first saw as meddling.

Over the past twenty years, Melissa Etheridge has been blessed with success, love, joy, contentment, freedom, and release. She became a mother again, recorded eleven albums, toured the world, performed at the Grammy Awards, won an Oscar, discovered her one true love, and underwent a profound spiritual awakening. She also experienced illness, incomparable loss, heartache, guilt, shame, and devastating grief. Yet through it all, Melissa found the strength and courage to carry on. Talking to My Angels is a profoundly honest look into her inner life as a woman, an artist, a mother, and a survivor.

Mac and Jamie had their life together all planned out. Until Jamie did the unforgivable and left Mac for another woman. Twenty years later, they meet again for the first time at a friend’s wedding. Mac’s pain lingers, while Jamie is still haunted by regret.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

What exactly is sexual attraction and what is it like to go through life not experiencing it? What does asexuality reveal about gender roles, about romance and consent, and the pressures of society? This accessible examination of asexuality shows that the issues that aces face - confusion around sexual activity, the intersection of sexuality and identity, navigating different needs in relationships - are the same conflicts that nearly all of us will experience.

In bawdy, moving prose, Rita Mae Brown tells the story of Molly Bolt, the adoptive daughter of a dirt-poor Southern couple who boldly forges her own path in America. With her startling beauty and crackling wit, Molly finds that women are drawn to her wherever she goes - and she refuses to apologize for loving them back.

Despite all the welcome changes that have happened in our culture and laws over the past few decades in regards to sexuality, the subject remains one of the most influential but least understood aspects of our lives. For psychologist and bestselling author Julia Shaw, this is both professional and personal—Shaw studies the science of sexuality and she herself is proudly and vocally bisexual. Despite statistics that show bisexuality is more common than homosexuality, bisexuality is often invisible.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

Maila Nurmi, the beautiful and sheltered daughter of Finnish immigrants, stepped off the bus in 1941 Los Angeles intent on finding fame and fortune. She found men eager to take advantage of her innocence and beauty but was determined to find success and love. Her inspired design and portrayal of a vampire won a costume contest that led to a small role on the Red Skelton show, which grew into a persona that brought her the notoriety she desired yet trapped her in a character she could never truly escape.

So begins Spinster, a revelatory and slyly erudite look at the pleasures and possibilities of remaining single. Using her own experiences as a starting point, journalist and cultural critic Kate Bolick invites us into her carefully considered, passionately lived life, weaving together the past and present to examine why­ she—along with over 100 million American women, whose ranks keep growing—remains unmarried.

Wild and Precious: A Celebration of Mary Oliver is a first of its kind audio commemoration of one of the greatest poets in modern history. Actress and activist Sophia Bush guides listeners on a journey of contemplation and discovery into the artistry of Mary Oliver as remembered by many who were most greatly impacted by it.

Farewell Yellow Brick Road is a celebration of Elton John's record-breaking, globe-spanning farewell tour—from Allentown to Auckland, from Sydney to San Francisco. Featured concerts include Elton’s dazzling performances at Los Angeles’ Dodger Stadium in November 2022, the finale of which streamed live on Disney+. Fans will be treated to a behind-the-scenes glimpse into every aspect of these spectacular shows, including Elton’s legendary touring wardrobe by Gucci, the set design, official photography, and more.

From the outside, Oliver Radclyffe spent four decades living an immensely privileged, beautifully composed life. As the daughter of two well-to-do British parents and the wife of a handsome, successful man from an equally privileged family, Oliver played the parts expected of him. He checked off every box—marriage, children (four), a white-picket fence surrounding a stately home in Connecticut, and a golden retriever named Biscuit. But beneath the shiny veneer, Oliver was desperately trying to stay afloat as he struggled to maintain a facade of normalcy.

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

Penelope Boswell is my best friend. She’s my person. She’s who I call when I have good news and bad. She’s my comfort. My solace. But in the same breath, she’s my want, my longing, my ache. She isn’t mine. She never will be. It’s a special kind of cruel to be in love with someone you shouldn’t. To know your heart beats for someone you can never have. One phone call in the middle of the night, two thousand miles between us, and everything changes. She’s hurt. Sad. Broken. She needs me. He broke her, and now it’s my responsibility to step in and pick up the pieces…

Parker Chase is everyone's friend and every woman's conquest. She's always looking for her next one-night companion until a statuesque blonde strolls up to her bar one night. She never believed in love at first sight before now, but can she overcome a troublesome past that leaves her feeling unworthy of any lasting affection?

Vera's life changes forever when her sister's best friend, Aspen, shows up drunk at her doorstep one fateful night. While Vera’s sister, Layla, likes to dance and party, Vera prefers to read a good book and stay in for the night. Layla and her best friend Aspen are the most popular girls at Hilltop High. Vera never had a boyfriend—she barely even had her first kiss. But when Layla and their parents leave for a dance competition, Aspen shows up drunk at her doorstep and changes everything. Putting a twist on the familiar trope, My Sister’s Best Friend is a short and sweet, feel-good ...

In 2000, Elizabeth Gilbert met Rayya. They became friends, then best friends, then inseparable. When tragedy entered their lives, the truth was finally laid bare: The two were in love. They were also a pair of addicts, on a collision course toward catastrophe. What if your most beautiful love story turned into your biggest nightmare? What if the dear friend who taught you so much about your self-destructive tendencies became the unstable partner with whom you disastrously reenacted every one of them? And what if your most devastating heartbreak opened a pathway to your greatest awakening?

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet for many reasons—some complicated, some not—so many of us don’t talk about it. Our deepest, most intimate fears and fantasies remain locked away inside of us, until someone comes along with the key. Here’s the key. In this generation-defining book, Gillian Anderson collects and introduces the anonymous letters of hundreds of self-identifying women from around the world (along with her own anonymous letter).

Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life.