Vivian Quackenbush enjoys a typical life. She has winesday evenings with her two best friends. Her son is in college. She and her husband, Mitch, are planning the next move for their empty-nester future. But to Vivian’s blindsided surprise…not together. After nearly twenty-five years of marriage, Mitch wants a divorce. He confesses that he doesn’t love her anymore. He never even liked her chicken salad! Brutal. What is Vivian to do but channel her anger, frustration, and pain into a video she posts online.

A city girl leaves her life behind in LA to start over in a small town… It’s a cliché, but it’s also Amelia Taylor’s life. And her new life as a romance novelist and motelier is going great—until Nathan Hart checks in. Of course he’s disastrously handsome, thoroughly disagreeable, and seems to be set against Amelia on sight. Of course there’s smoldering tension between them that can’t be ignored. They’d make the perfect enemies to lovers story. It’s one of Amelia’s favorite tropes.

Phronsie Linnelle was conceived at Woodstock in a serendipitous liaison between a free-spirited hippie and a farmer’s son and was born with magical wonder flickering in her DNA and rationality knit into her bones. All her life she’s been torn between the two. But now that she’s been betrayed by both love and the mother she once idolized, her rational side is winning. So when her best friend from childhood proposes that they give up on romance and marry each other, Phronsie agrees.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.

Annabelle McKay knows she shouldn’t have any complaints. She’s been in a stable marriage that’s lasted almost three decades and has provided her with two wonderful children and thousands of family dinners around a sturdy oak table. Other wives envy the fact that Grant is not the type of man who would ever cheat on her or leave her for a younger woman. The trouble is Annabelle isn’t sure she wants to be married to Grant anymore. The trouble is she’s still in love with someone else.

Emma Rini is in a rut so deep she could shelve books there. While her sister awaits her first baby, and her parents kick off retirement with vow renewals and travel, Emma stays put among the stacks of the family bookshop. In fact, she can’t remember the last time she took a vacation. Or had a romance that hovered above disappointing. When her parents assume she’ll take over the shop for them without a break, she realizes she needs to get away—back to the nineteenth century.

As a relationship therapist, Nora helps patients explore their feelings honestly. But she’s hiding an embarrassing relationship secret of her own: she’s in love with someone she’s never even met. J edits the advice column Nora’s been writing anonymously for the last seven years. He’s in London, she’s in New York, and they communicate solely through shared files. When he confides that his girlfriend’s out of the picture, and her boss asks her to come to London, Nora takes both as a sign.

Entertainment journalist Dawn Roberts has a lot to work through: a widow’s grief, betrayals of family and friends, and scandals that almost tanked her reputation. Not that Dawn dwells on the past. Well, hardly. When she returns to Baltimore with her husband’s ashes, she can’t avoid it. In fact, she’s diving into decades of backstabbing and treachery for her first trip home in years. She’s looking at you, Joe Perkins. Her former mentor, whose explosive exposé about big-city corruption is being turned into a slanderous movie, is also back in town.

After three marriages and a lot of living, resilient Billie Slate knows exactly what trouble love can bring. Now she’s reinvented herself as the Heartbreak Bunny, an on-call performance artist who can heal anyone who’s been burned by that four-letter word, LOVE, by hopping about and whisking away sad mementos from their past relationships. Call it magic. Call it peculiar. But her bunny costume is as perfect as her breakup mantra: SNAP OUT OF IT.

Growing up, sisters Libby and Nicky never knew who they’d find at breakfast. Their parents fostered children of all ages, and although the girls loved playing their part in providing a safe haven, it meant that life was rarely peaceful. Now as a single mother of two, Libby’s life is still anything but peaceful.

What you see isn’t always what you get. Take Ainsley. The gorgeous mother of two lives a picture-perfect life with her husband, Ben—aspiring politician and heir to a candy fortune—in suburban Washington, DC. But in reality, Ainsley has no idea what she’s doing and is terrified someone will figure out who she really is and where she came from.

On the eve of her wedding to Adam, Lily’s best friend Josh unexpectedly walked out of her life, and she hasn’t seen him since. Lily and Adam are blissfully happy, until he falls ill. As she cares for him in his final hours, Adam asks her to make a mysterious promise: to find Josh—and forgive them both.

Remi Finch has spent the better part of her adult life avoiding family—especially her sisters. They just don’t click. Besides, her unconventional upbringing and major anxiety have convinced Remi that she can’t build a relationship with anyone. Period. When her parents plan a family reunion camping trip to celebrate their anniversary, Remi’s willing to reconnect, if only because she doesn’t have a choice. But then a dead body turns up at their campsite, and their sisterly bonding kicks into high gear.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

After three marriages and a lot of living, resilient Billie Slate knows exactly what trouble love can bring. Now she’s reinvented herself as the Heartbreak Bunny, an on-call performance artist who can heal anyone who’s been burned by that four-letter word, LOVE, by hopping about and whisking away sad mementos from their past relationships. Call it magic. Call it peculiar. But her bunny costume is as perfect as her breakup mantra: SNAP OUT OF IT.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.

“You know what people really need? Somebody who will listen hard and then find a way to tell them, ‘It’s not all your fault. It’s going to work out fine. Don’t give up.’” So advice columnist ‘Dear Lily’ Brown deeply believes. But Lily could write a letter to herself, asking what to do about an ex-husband who still wants her dating advice, how to redecorate the family home she’s kept exactly the same since her parents died tragically young, how to move on with her strangely becalmed life...and what to do when your wild-child estranged sister storms back into town.

The last thing Alice expects to see at her husband’s graveside on his birthday is a giant, talking frog. On closer inspection, it’s a grown man dressed as Kermit. Turns out Alice’s husband is buried next to Ben’s older brother Harry, who—as a parting practical joke in his will—insisted that Ben visit his grave each year, on this specific day, dressed in an as-yet-undisclosed pageant of embarrassing fancy dress.

After years of hard work, Madeleine’s life is very nearly perfect. She’s about to move to LA to pursue her dream job—and there’s a new man on the scene too. But when her mother falls ill, pulling her back to the world she’s tried so hard to leave behind, the repercussions of a life-changing decision Madeleine made seven years ago resurface, threatening to jeopardise everything she’s worked for.

Jonathan and Rosie have been together so long they finish each other's sentences - so when he (finally) proposes and asks her to move across the country with him, everyone is happily surprised. But when things suddenly unravel, Rosie sends Jonathan packing and moves back home with Soapie, the irascible, opinionated grandmother who raised her.

Phronsie Linnelle was conceived at Woodstock in a serendipitous liaison between a free-spirited hippie and a farmer’s son and was born with magical wonder flickering in her DNA and rationality knit into her bones. All her life she’s been torn between the two. But now that she’s been betrayed by both love and the mother she once idolized, her rational side is winning. So when her best friend from childhood proposes that they give up on romance and marry each other, Phronsie agrees.

Legal investigator Finley O’Sullivan searches for evidence the police overlooked, wading through secrets, lies, and betrayal to find answers. With the unsolved murder of her husband still very much on her mind, Finley must confront her own personal trauma on a daily basis. Lies are part of her livelihood, but they’re also the reason she can’t get justice for the man she loved. When a man imprisoned for murder recants his confession, claiming he cleaned up the mess for his girlfriend—the victim’s own daughter—Finley takes on the case.

Penelope Auberge is at her breaking point. With an overbearing mother, a married boyfriend, and a boss who gives Pen’s high-profile finance clients to male colleagues, it feels like nothing she’s accomplished in her thirty-two years belongs to her. Determined to build a life entirely her own, Pen moves from Minnesota to Tennessee to open a solo financial business. There, she meets siblings Deanna and Grant, who attempt to coax Pen out of her socially anxious shell.

When Eve returns to her family home Fox House, the tension with her mother, Agatha, is palpable. But when Eve’s daughter, Lyra, and her granddaughter, Skye, arrive unexpectedly, four generations of women under one roof set the stage for explosive revelations. Lyra seems troubled, but refuses to explain why. And when she lays claim to the crumbling cottage on the estate, Agatha drops a bombshell – she’s already promised it to a mysterious man named Dylan.

When her nineteen-year marriage ends, stay-at-home mom Effie Baker takes the first step into her new life with an extreme makeover. She assumes she’ll wake up with a renewed sense of confidence, not a vision of country music icon Patsy Cline telling her she needs to “set things right.” But like everything else lately, the last thing Effie expected is exactly what she gets.

Four years into her marriage, Jenna is blindsided when her husband asks for a divorce. With time on her hands and her life in flux, she agrees to accompany her eccentric grandmother Evelyn on a road trip to the seaside Massachusetts town where much of their family history was shaped. When they hit the road, Evelyn spins the tale of the star-crossed teenage romance that captured her heart more than seventy years ago and changed the course of her life.

Emma Rini is in a rut so deep she could shelve books there. While her sister awaits her first baby, and her parents kick off retirement with vow renewals and travel, Emma stays put among the stacks of the family bookshop. In fact, she can’t remember the last time she took a vacation. Or had a romance that hovered above disappointing. When her parents assume she’ll take over the shop for them without a break, she realizes she needs to get away—back to the nineteenth century.

Beatrice Leal’s personal life is complicated between her divorce and her precocious six-year-old. But the job she loves is the one thing she counts on to be straightforward—that is, until her boss’s own divorce prompts a move from NYC back to Ireland. Now Bea’s in Ireland twice a month for work. It’s wreaking havoc on the custody agreement she and her moody ex are sorting out while he lives downstairs in the brownstone they co-own. And to top it off, her company’s new CTO turns out to be the boy who once broke her heart: Jack Sander.