Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

2000. Bright, ambitious, and yearning for adulthood, 15-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful 42-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: Remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family - a tight-knit clan of rough-hewn, hard- drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective.

Celeste Price is an eighth-grade English teacher in suburban Tampa. But Celeste's devotion lies elsewhere. She has a singular sexual obsession: 14-year-old boys. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress driven by pure motivation. She deceives everyone, and cares nothing for anyone or anything but her own pleasure. With crackling, rampantly unadulterated prose, Tampa is a grand, uncompromising, seriocomic examination of want and a scorching literary debut.

Eva never really wanted to be a mother - and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his 16th birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

When Alice was 10, Ray took her away from her family, her friends - her life. She learned to give up all power, to endure pain. She waited for the nightmare to be over. Now Alice is 15 and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Oliver Fitch has a troubling issue: He lives in a state of constant terror. After purchasing a convenience store in a once civil society, the streets around him have rapidly devolved into utter lawlessness. They're now festering with sinister gutter scum that live only to harass and intimidate him. His pathetic profits are gouged under the threat of violence, and there isn't a damn thing he can do about it. Because in a city with no rules, where the sun never shines, the authorities are no help. In fact, they're an equal part of the problem.

Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost - she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand.

It’s 1849 on the west coast of Ireland. Resilient Honora O’Donoghue is accustomed to fending for herself and to reading the language of the natural world. It was always said she’d been marked for something different, but it’s not until she suffers devastating losses in a country gripped by the Famine that Honora begins to understand how that difference will save her. With the hope of a better life in America calling, Honora keeps moving toward her freedom.

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River - off season - awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall.

Fifteen-year-old equestrian prodigy Roan Montgomery has only ever known two worlds: inside the riding arena and outside of it. Both, for as long as she can remember, have been ruled by her father, who demands strict obedience in all areas of her life. The warped power dynamic of coach and rider extends far beyond the stables, and Roan's relationship with her father has long been inappropriate. She has been able to compartmentalize that dark aspect of her life, ruthlessly focusing on her ambitions as a rider heading for the Olympics, just as her father had done.

After years spent living on the run, Samuel Hawley moves with his teenage daughter, Loo, to Olympus, Massachusetts. There, in his late wife's hometown, Hawley finds work as a fisherman, while Loo struggles to fit in at school and grows curious about her mother's mysterious death. Haunting them both are twelve scars Hawley carries on his body, from twelve bullets in his criminal past - a past that eventually spills over into his daughter's present, until together they must face a reckoning yet to come.

Best friends Jack and Conner can’t stay away from Marbury. It’s partly because of their obsession with this alternate world and the unresolved war that still wages there. But it’s also because forces in Marbury - including the darkest of the dark, who were not revealed in The Marbury Lens - are beckoning the boys back in order to save their friends… and themselves.

From the day Caitlin vanishes the lives of her family members are irrevocably altered, each assuming blame for that day's tragic events. As the initial days of hope are replaced by weeks of anxiety and despair, they find themselves increasingly isolated, each wondering: Is she still alive? Will we ever know what happened?

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it's Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies - before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

Few authors write with such sheer love of story and language as T. C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. Here are 14 new tales previously unpublished in book form. By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle's stories have mapped a wide range of human emotions. The stories here reflect his maturing themes.

Evie and her uncle Jim have just moved to an isolated cabin in a remote beach town - a far cry from their hometown of Melbourne. But Evie isn't her real name. And Jim isn't really her uncle. Jim tells Evie she did something terrible back home, that he's hiding her to protect her. But Evie can't remember anything about that night - for all she knows, he's lying. As fragments of her memory return, she starts to wonder if Jim is really her savior...or her captor.

Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago.

Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music - broadcast at ever-shifting frequencies by a phantom radio statio - is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.

Hidden away from the world by his famous father, Quinn Kelly strives to find meaning in his life while struggling with a deformity that has kept him from leaving the only home he has ever known. On the eve of his departure a sudden and deadly virus sweeps across the nation, killing nearly all it touches. Within days Quinn is left to fend for himself in an empty world. But there is something still very much alive beyond the walls of his sanctuary.

Recently widowered and grieving, Gavin flees New York City for the quiet of the country. His new home on Lake Caldasac has surprisingly few visitors, and the author soon learns why: a suspiciously high number of people have gone missing in the small town. The deaths have all been ruled accidents, but Finn Horn, a handicapped boy obsessed with fishing, knows the truth. There’s a monster in the lake. And it wants to feed.

In this psychological thriller, Jake Cole returns to his childhood home after his elderly father nearly kills himself by setting himself on fire and plowing through a plate-glass window. Jake’s father - a great American painter - is a man whose shadow Jake has tried to outrun since he was a boy. Now a contractor for the FBI who possesses a unique gift for recreating crime scenes, Jake is pulled into a hauntingly familiar double homicide investigation. He recognizes the artistic signature in the slayings from his childhood.

Miriam Black knows when you will die. Still in her early twenties, she’s foreseen hundreds of car crashes, heart attacks, strokes, suicides, and slow deaths by cancer. But when Miriam hitches a ride with truck driver Louis Darling and shakes his hand, she sees that in thirty days he will be gruesomely murdered while he calls her name. Miriam has given up trying to save people; that only makes their deaths happen. No matter what she does, she can’t save Louis. But if she wants to stay alive, she’ll have to try.

Sixteen-year-old Jack gets drunk and finds himself in the wrong place at the wrong time: he is kidnapped, but escapes, narrowly. The only person he tells is his best friend, Conner. When they arrive in London as planned for their summer break, a stranger hands Jack a pair of glasses. Through the lenses, he sees another world called Marbury. There is war in Marbury, which is a desolate and murderous place where Jack is responsible for the survival of two younger boys.

With a head plagued by hallucinations, a medicine cabinet full of pills, and a closet stuffed with frilly, violet dresses, Hanna's tired of being the outcast, the weird girl, the freak. So she runs away to Portero, Texas, in search of a new home. But Portero is a stranger town than Hanna expects. She discovers secrets that would terrify any normal soul. Good thing for Hanna, she's far from normal. As this crazy girl meets an even crazier town, only two things are certain: Anything can happen, and no one is safe.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

After her mother's suicide, 15-year-old Lane Roanoke came to live with her grandparents and fireball cousin, Allegra, on their vast estate in rural Kansas. Lane knew little of her mother's mysterious family, but she quickly embraced life as one of the rich and beautiful Roanoke girls. But when she discovered the dark truth at the heart of the family, she ran...fast and far away. Eleven years later Lane is adrift in Los Angeles when her grandfather calls to tell her Allegra has gone missing. Did she run, too? Or something worse?

Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot is a stunning fiction debut about the legacies - of magic and madness, faith and secrets, passion and loss - that haunt one family across the generations, from the Great Depression to today. The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path.

Wendy C. Ortiz was an only child and a bookish, insecure girl living with alcoholic parents in the San Fernando Valley of Los Angeles in the late 1980s and early 1990s. Her relationship with a charming and deeply flawed private school teacher 15 years her senior appeared to give her the kind of power teenagers wish for, regardless of consequences.

À quatorze ans, Turtle Alveston arpente les bois de la côte nord de la Californie avec un fusil et un pistolet pour seuls compagnons. Elle trouve refuge sur les plages et les îlots rocheux qu'elle parcourt sur des kilomètres. Mais si le monde extérieur s'ouvre à elle dans toute son immensité, son univers familial est étroit et menaçant : Turtle a grandi seule, sous la coupe d'un père charismatique et abusif. Sa vie sociale est confinée au collège, et elle repousse quiconque essaye de percer sa carapace.

After years spent living on the run, Samuel Hawley moves with his teenage daughter, Loo, to Olympus, Massachusetts. There, in his late wife's hometown, Hawley finds work as a fisherman, while Loo struggles to fit in at school and grows curious about her mother's mysterious death. Haunting them both are twelve scars Hawley carries on his body, from twelve bullets in his criminal past - a past that eventually spills over into his daughter's present, until together they must face a reckoning yet to come.