When Bernie replies to Leah’s ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie’s former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania.

A mission gone wrong leads to rising-star CIA operative Annie Weaver quitting her job and reinventing herself as a college student. But the CIA, desperate for her skills, refuses to let her go without a price. Annie finds herself juggling classes in criminology and falling for her beautiful landlord, Professor Helen Everton, while dealing with off-the-books secret missions for an increasingly controlling ex-boss. As the perceptive Helen circles ever closer to the truth, Annie has to figure out how to keep her freedom without putting Helen in danger—and without revealing her own past.

When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, sleeping with strangers, pushing away her friends. Then, she meets Vanya. Mysterious, terrifying Vanya. The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister conspiracy, the roots of which go deeper than she ever imagined.

Recently dumped and stuck with a mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi’s husband, Bryce, trace the Duncan’s 25-year marriage.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

While god is sending her signs through Instagram and Spotify demanding she break up with her girlfriend, Norma meets with a new therapist for one reason: she really needs to write again. With only one chapter missing in her manuscript, Norma is desperate to know if she needs to leave her girlfriend in order to write The Last Story. The new therapist diagnoses Norma with Depersonalization/Derealization Disorder, but Norma isn’t having it. It’s just Oblivion.

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

Aspiring author Zara Pines, who is reeling from the death of her father, accepts a job ghostwriting Jane Bailey’s memoir. Jane is the star of the hit cooking TV show 30 Bucks Tops and an iconic fan favorite. Zara is unimpressed by Jane’s celebrity status and annoyed that she has to spend the summer living in her East Hampton home. As the two women create Jane’s book, an attachment grows stronger. Soon they’re working out together and wearing the same clothes.

Helen, a jittery attorney with a self-destructive streak, is secretly reeling from a disturbing crime of neglect that her parents recently committed. Historically happy to compartmentalize—distracting herself by hooking up with lesbian couples, doting on her grandmother, and flirting with a young administrative assistant—Helen finally meets her match with Catherine and Katrina, a married couple who startle and intrigue her with their ever-increasing sexual and emotional intensity.

When Clara Eden is offered a job as an archivist working for eccentric estate owner Agatha Montague, she thinks her prayers have been answered. Soon, she finds herself sucked into the world of her research, captivated by a romantic correspondence thousands of years old. But as her feelings for her employer's assistant, Fiadh, deepen, so too does her suspicion that something about Agatha Montague isn't quite right. Unfortunately for Clara, by the time her suspicions are confirmed, it is far too late to run.

When a strange tear in the cosmos appears within Earth’s annual path, the consequences are disastrous. For one night a year, the vast majority of humans now undergo a frightening mental change, transforming into hateful, rage-fueled zombies who will stop at nothing to satiate their desire for brutality. While not much is understood about this horrific mass hysteria, the demographic it effects is very specific: cisgender straight people.

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin… The end times are coming.

So, here’s the thing: Cleo and her friends really, truly didn’t mean to steal this spaceship. They just wanted to know why, twenty years ago, the entire Providence crew vanished without a trace. But then the stupid dark matter engine started all on its own, and now these four twenty-somethings are en route to Proxima Centauri, unable to turn around, and being harangued by a snarky hologram that has the face and attitude of the ship’s missing captain, Billie.

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

Outside the island there is nothing: the world was destroyed by a fog that swept the planet, killing anyone it touched. On the island: it is idyllic. One hundred and twenty-two villagers and three scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they're told by the scientists. Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Who are the Sawkill Girls? Marion: The newbie. Awkward and plain, steady and dependable. Zoey: The pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Val: The queen bee. Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires. Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight…until now.

Ada is a seeker, a perpetually moving ball of excess. A twenty-six-year-old Australian living in London, she ekes out a living as a cabaret performer and part-time temp. Yet Ada can't imagine wanting to be any other age or any other place. Every night is an opportunity to be thrilled and every morning a chance to recount her escapades to friends. So when Ada falls for Sadie and Stuart at the same time, she sees no reason not to pursue them both.

Nessa Garvey’s sister Deena vanished without a trace in Philadelphia in 2004. In all that time, Nessa has never once doubted what her instincts told her: her sister’s ex-husband has gotten away with an unspeakable crime. Nessa’s niece, Ruby, is raised by her father, the man Nessa suspects, in rural Vermont, on the shores of Lake Champlain. Ruby learns how to hunt, how the plants and trees grow, how to avoid making her father angry. The one question she longs to ask is the one she knows she cannot voice: What really happened to her mother?

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

Mirae was meant to save her queendom, but the ceremony before her coronation ends in terror and death, unlocking a strange new power within her and foretelling the return of a monster even the gods fear. Amid the chaos, Mirae’s beloved older brother is taken—threatening the peninsula’s already tenuous truce. Desperate to save her brother and defeat this ancient enemy before the queendom is beset by war, Mirae sets out on a journey with an unlikely group of companions while her unpredictable magic gives her terrifying visions of a future she must stop at any cost.

From before the time of Christ, there have been rumors of a secret society called The Illuminati...a vicious tribe of Druids with mystical, supernatural powers. Many saw them as demons or gods. Those who opposed them simply disappeared...or met an even worse fate. Unknown to all but the very few, this group slowly infiltrated world organizations and financial institutions with a singular goal—to control the world's economic system. Now fast-forward to the year 2020. The Illuminati has succeeded in placing one of their people in the office of the presidency of the United States.

After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will. Now, Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death...by killing the sovereign’s daughter, Lady Crier.

Mickey Hayward dreams of writing stories that matter, but, for now, her days are filled with listicles about lip gloss and click-bait articles about celebrity haircare. Still, the job is flashy and her girlfriend is steady and supportive. The path may be long, but Mickey’s well on her way, and it’s far from the messy life she left behind in Maryland. Everything finally seems to be falling into place—until she finds out she’s being replaced.

Virgil Wounded Horse is the local enforcer on the Rosebud Indian Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that’s hard to forget. But when heroin makes its way into the reservation and finds Virgil’s own nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop.

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

Twin Peaks meets Pretty Little Liars in acclaimed author Maggie Thrash's new Strange Truth series. It's better to know the truth. At least sometimes. Halfway through Friday night's football game, beautiful cheerleader Brittany Montague - dressed as the giant Winship Wildcat mascot - hurls herself off a bridge into Atlanta's surging Chattahoochee River. Just like that, she's gone. Eight days later, Benny Flax and Virginia Leeds will be the only ones who know why.

Twelve tales, 12 dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that free hearts long kept tame, truths that explore life...and death.

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, Fourteen Days is an irresistibly propulsive collaborative novel from the Authors Guild, with an unusual twist: each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice—from Margaret Atwood and John Grisham to Tommy Orange and Celeste Ng.

Wil thought she had the world ahead of her—eight years of experience in her job, her temper under control and working for her, and a manager who understood her. All Wil's fears tumble out when her best friend's stepmom becomes her new manager. No longer able to hide who she is, Wil fights to control her temper and crush on the one person she's never been able to hold back on.

Simon Burke has always preferred animals to people. When the countdown to adopting his own dog is unexpectedly put on hold, Simon turns to the PetShare app to find the fluffy TLC he’s been missing. Meeting a grumpy children’s book illustrator who needs a dog walker isn’t easy for the man whose persistent anxiety has colored his whole life, but Jack Matheson’s menagerie is just what Simon needs. Being with Jack—talking, waking, making out—is a game changer for Simon. And Simon's company certainly…eases the pain of recovery for Jack.