When Anna Hartley’s husband, Henry, calls her with a terrible, guilty confession, she can’t believe what she hears. It has to be a bad joke—the mild, predictable artist she married would never hurt a fly, let alone commit murder. But her confusion turns to horror when police find his body washed up on the banks of the Rio Grande.

High school senior Andrew Perrault finds refuge in the twisted fairy tales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve.

Mary Fawcett refines the healing recipes she’s inherited from generations of women before her—an uncanny and moral calling to empathize with the sick. When witchfinder Matthew Hopkins arrives in her small village, stoking the fires of hate, he sees not healing but the devil at work. Mary’s benevolent skills have now cast her and her young brother under suspicion of witchery. Soon, the husband of one of Mary’s patients is found murdered, his body carved with strange symbols.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Raised in the wilderness by her late great-uncle, Vida is a young woman with an almost preternatural affinity for nature, especially for the wolves that also call the forested mountains home. Formed by hard experience, by love and loss, and by the prophecies of a fortuneteller, Vida just wants peace. If only nearby Kettleton County didn’t cast such a dark shadow.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

After experiencing a terrible loss, New York City psychiatrist Meredith McCall feels painfully adrift. When she crosses paths with a man with whom she has a tragic connection, she follows him, sparking an unhealthy obsession with Gabriel Wright. How is he doing so well while her life is in shambles? But when Gabriel walks into her office as a patient, seemingly unaware of who she is, she knows it crosses all ethical and moral bounds to treat him. Yet, Meredith can’t bring herself to turn him away and becomes further entangled.

Perla Wultz lives with her husband, Grant, and their precious daughter, Sophie, in a gated Pasadena community. Affluent, sociable, and accomplished, Perla plays the part of loving wife and mother to perfection. It seems an ideal life, if not for a decades-old crime that has become Perla’s dark and consuming secret obsession. Twenty-three years ago, Leewood Folcrum confessed to murdering two young girls during a birthday party. Though he’s been condemned to a life sentence, his crime is not forgotten.

Connie can't deny she's nervous about meeting her boyfriend's family. Spending the weekend at their ritzy woodland summer home, Evan's already given her fair warning that his parents are cold, snobbish, and especially unpleasant toward those outside their usual social circles. So when Evan's mother warmly greets them with open arms, Connie is as confused as he is. They're so friendly, in fact, Evan himself can hardly believe they're real. Then, while helping Evan's mother with dinner, Connie overhears strange noises coming from the basement—what almost sounds like voices calling out for help.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

For fans of Cottonmouths by Kelly J. Ford comes Negative Girl: an evocative, moody, neo-noir thriller that explores obsession and people dying across America's forgotten spaces.

Michael is coming undone. Adrift after his wife's departure, he has begun taking himself on long, solitary walks across the English countryside. Becoming ever more reclusive, he’ll do anything to avoid his empty house. Marnie, on the other hand, is stuck. Hiding alone in her London flat, she avoids old friends and any reminders of her rotten, selfish ex-husband. Curled up with a good book, she’s battling the long afternoons of a life that feels like it’s passing her by.

Charlie knows he’s not the main character in his own story. He’s just another schmuck in the Ivy League looking to be somebody. He plays in a terrible jazz band, falls in love too easily, and struggles with the human being business. Written in a wry, comedic style, A Comedy of Nobodies: A Collection of Stories traces one fall semester in the lives of four typical but unforgettable university students who, as compensation for their existential anxieties, just want to feel understood.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess. By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes. But when Gideon Green—her best friend’s brother—moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet. Untethered, Maeve ditches her discontented act and tries on a new persona.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

When a stranger comes ashore to rent an abandoned cottage, Agnes and the other islanders are abuzz with curiosity. Who is this wealthy foreigner and why on earth would he come to Eynhallow? Her curiosity is soon replaced with vexation when her husband hires her out as cook and washerwoman, leaving Agnes with no say in the matter. Agnes begrudgingly befriends this aristocrat-in-exile; a mercurial scientist who toils night and day on some secret pursuit. Despite herself, she’s drawn to his dark, brooding charm.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant parents: a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

In 1980s Appalachia, sisters Sheila and Angie couldn’t be more different. While their mother works long shifts at the nearby asylum, Sheila cares for their home and keeps to herself, even when enduring relentless bullying. Her fearless younger sister, Angie, is more focused on fighting imaginary zombies and creating tarot-like cards that seem to have minds of their own. When the brutal murder of two female hikers on the nearby Appalachian Trail stuns their small community, the sisters find themselves tangled in a dangerous game of cat and mouse.

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle.

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Mary used to be such a nice girl. She was the resident whiz kid of Liberty Lake, Minnesota—the quiet, chubby teen with the scholarship to an Ivy League school. But three years later, “Ivy League Mary” is back—a thinner, cynical, restless failure who was kicked out of Cor­nell at the beginning of her senior year and won’t tell anyone why. Taking a job at the local grocery store, Mary tries to make sense of her life’s sharp downward spiral.

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin… The end times are coming.

Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she satisfies her burning appetite by picking apart their bodies. But Mama’s want is stronger than her hunger sometimes.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize - a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.