Sixteen-year-old Henry was ejected from the enormous St. Martin ranch and told never to return, or he would be shot on sight. He vowed to return and seek revenge against the entire family. When he finally returned, it wouldn’t be as Henry St. Martin, it would not be as a 16-year-old boy seeking justice for his mother, but as a hardened lawman with the name of Alex Paine.

Justice is a drifter with no fear and no memory, trailed by a violent past. Nora is a beautiful widow bravely raising her young son on an isolated New Mexican ranch. When a ruthless cattle baron pushes longhorns into the valley, Justice vows to protect Nora and her boy. But how can he succeed against thirty hired guns… including the four outlaws who left him for dead?

US Deputy Marshal Earl Crawford had just entered the office after returning from a typically Texan assignment where bullets flew like dirt in a twister. He hadn’t even hung his hat when the boss approached him about an even more dangerous mission, but only if he chose to accept the job. Normally, he wasn’t given the choice, but in this case, even though he could have turned it down, he knew that he had to go.

Once, Frank Morgan had a wife and a future on the land — until a rich man with a grudge drove him out of Colorado. Since then, Morgan's taken up the one skill that always came easy — gunfighting — and drifted to a mining town in the New Mexico Territory. But there's nothing easy about two vicious gangs descending on the town and threatening to wreak havoc. With his reputation preceding him, Morgan is elected to stand in the outlaws' way.

Ranch foreman Ward McQueen recognizes trouble when he sees it - and trouble is what the Texan sees when he spies the tracks of a wounded man in the middle of the big Tumbling K spread. In town, he learns that a tinhorn gambler has just won the ranch next to the Tumbling K in a dirty card game - and is turning his oily gaze toward the K's pretty owner, Miss Ruth Kermitt.

In these extraordinary stories, we meet a man who is forced to defend himself by taking another’s life - and must pay for his actions in a most punishing manner; a young thrill-seeker who finally finds a place he can call home, and vows to stay there - regardless of the man who tries to stand in his way; and a drifter who honors a deathbed promise to a stranger by embarking on an unlikely mission of mercy.

Wagon trains heading west were forced to defend themselves against Indians, cope with injuries and illness, and struggle to find food. The group of easterners Rock Bannon was scouting for faced another problem. They were being deceived. When he warned them to remain on the Humboldt Trail, Sharon Crockett and the others refused to listen. Mort Harper, a stranger riding a beautiful black mare, had dazzled them with his charm and good looks. The southern route was the best way to go, Harper told them. But best for whom?

Donovan was supposed to be dead. The town of Dry Fork, southern Texas, had buried him years before when Uncle Joe Vickers had fired off both barrels of a shotgun into the vicious outlaw's face as he was escaping from jail. Now Uncle Joe has been shot - in just the same way. And Judge Upshaw had found a noose hanging on his door.

Clay Bell spent the last six years fighting Indians, rustlers, and the wilderness itself to make the B-Bar ranch the prize of the Deep Creek Range. But Jud Devitt, a ruthless speculator from the East, now threatens everything Clay has worked for. Devitt, holding a contract with the Mexican Central to deliver railroad ties, wants to harvest timber off the land where Clay grazes his cattle. Backing Devitt are shady politicians, a dishonest banker, and fifty of the toughest lumberjacks in the county.

Colonel Utah Blaine, held captive by the Army of the Revolution, broke out of jail and headed north from Mexico with nothing but the clothes on his back. Then he found new trouble struggling at the end of a noose - and stepped in just in time to save the life of a Texas rancher. The would-be executioners were the rancher’s own men, looking to steal his land.

No one more vividly captures the rugged majesty and enduring spirit of the American West than Louis L'Amour. Collected for the very first time are seven unabridged frontier tales from a legendary master of the genre. Volume One celebrates this remarkable voice in American fiction with a captivating blend of some of his best-loved work.

Ross Hardy had made his decision. He sat in the middle of all he owned, a splendid Appaloosa gelding, a fine California saddle, a .44 Winchester rifle, and two walnut-stocked Colt .44 pistols. These were his all. It was a life that had left him rich in experience, but poor in goods of the world. The experience was the hard-fisted experience of cold winters, dry ranges, and the dusty bitterness of cattle drives.

Most folks would call Kim Sartain an easygoing, peace-loving man. But the few who crossed the young drifter knew there was nothing he liked better than a good fight. When cattleman Jim Targ challenges Sartain's right to ride across an unclaimed stretch of meadow, Sartain decides he'll do better than ride through: He'll put down stakes there and homestead the land. So there's more at risk than land and pride when Targ hires a gunman to teach Sartain a permanent - and deadly - lesson

There will never be another Western writer like Louis L’Amour. A legendary author and indisputably the greatest storyteller in his genre of all time, L’Amour captivated millions of readers and has sold well over three hundred million copies of his works, which includes nearly ninety novels and countless short stories. Mistakes Can Kill You highlights an essential selection featuring nine of L’Amour’s earlier short stories, sometimes written under the pen name Jim Mayo, that exemplify the rugged morality of the best Western writing.

Louis L'Amour was the most decorated author in the history of American letters and a recipient of the Medal of Freedom. Now collected here in a single book are several of Louis L'Amour's finest Western stories the way Mr. L'Amour wrote them. At the time Louis L'Amour was writing, it was common practice for editors to rewrite the manuscript to fit certain publishing criteria. The text of The Strong Land has been restored, and the stories within it appear as Mr. L'Amour intended.