Here he is, husband and father, scruffy romantic, a shambolic scholar - a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow - antagonist, trickster, goad, protector, therapist, and babysitter.

There’s a village an hour from London. It’s no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land’s past. It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

Everyone who lives at 23 Beulah Grove has a secret. If they didn't, they wouldn't be renting rooms in a dodgy old building for cash - no credit check, no lease. It's the kind of place you end up when you you've run out of other options.The six residents mostly keep to themselves, but one unbearably hot summer night, a terrible accident pushes them into an uneasy alliance. What they don't know is that one of them is a killer. He's already chosen his next victim, and he'll do anything to protect his secret.

For 60 years Jewish refugees and their descendants have prospered in the federal district of Sitka, a temporary safe haven created in the wake of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. The Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant and complex frontier city that moves to the music of Yiddish. But now the district is set to revert to Alaskan control, and their dream is coming to an end.

In 1850s London, the Great Exhibition is being erected in Hyde Park, and among the crowd watching the dazzling spectacle, two people meet by happenstance. For Iris, an arrestingly attractive aspiring artist, it is a brief and forgettable moment, but for Silas, a curiosity collector enchanted by all things strange and beautiful, the meeting marks a new beginning. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. She has no idea that evil is waiting in the shadows.

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his life... and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends who vow to discover the truth of van Gogh's untimely death.

Melody Shee is alone and in trouble. At 33 years old, she finds herself pregnant with the child of a 17-year-old Traveler boy, Martin Toppy, and not by her husband, Pat. Melody was teaching Martin to read, but now he's gone, and Pat leaves, too, full of rage. She's trying to stay in the moment, but the future is looming, while the past won't let her go. It's a good thing that she meets Mary Crothery when she does.

Award-winning poet and rapper Kae Tempest's electrifying debut novel takes us into the beating heart of the capital in this multigenerational tale of drugs, desire and belonging. It gets into your bones. You don't even realise it until you're driving through it, watching all the things you've always known and leaving them behind. Young Londoners Becky, Harry and Leon are leaving town in a fourth-hand Ford Cortina with a suitcase full of money.

Dr. Ainsley Graham is cultivating a reputation as an eccentric. Two years ago, he catastrophically ended his academic career by publicly claiming to talk to ghosts. When Joachim Cockburn, a WWI veteran studying the power of delusional thinking, arrives at his door, Ainsley quickly catalogs him as yet another tiresome Englishman determined to mock his life's work. But Joachim is tenacious and openhearted, and Ainsley's intrigued despite himself.

England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery.

From the eerily "real", almost holographic evocations of historical figures like Lyndon Johnson and over-televised game-show hosts and late-night comedians to the title story, in which terminal punk nihilism meets Young Republicanism, David Foster Wallace renders the incredible comprehensible, the bizarre normal, the absurd hilarious, and the familiar strange.

Among the Northern Cheyenne of the Great Plains lives a boy named Winterfox, whose family has fought monsters since the days of the Spanish conquistadors. In the aftermath of Westward Expansion, he has become the sole heir to their blood feud against the Beast. Winterfox comes of age in the long shadows of the American frontier, a time when magic has not yet passed into myth. It is a place where the mundane and fantastic still walk side by side, and the warrior society of the Rédo’osnin Dog Men will be remembered a little while longer.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

Nanzeen's inauspicious birth in a Bangladeshi village imbues in her a sense of fatalism that she carries across continents. Married off to a man old enough to be her father, Nanzeen moves to London and cares for her family. But gradually she begins to question whether fate controls her or whether she has a hand in her own destiny. She discovers both the complexity that comes with free choice and the depth of her attachment to her husband, her daughters and her new world.

Severin Unck's father is a famous director of Gothic romances in an alternate 1986 in which talking movies are still a daring innovation due to the patent-hoarding Edison family. Rebelling against her father's films of passion, intrigue, and spirits from beyond, Severin starts making documentaries, traveling through space and investigating the levitator cults of Neptune and the lawless saloons of Mars.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel Mill. A manhunt ensues - though the authorities aren’t sure if it's a man they should be looking for.

It's the end of the roaring twenties, and the exuberant and Honourable Phryne Fisher is dancing and gaming with gay abandon. But she becomes bored with London and the endless round of parties. In search of excitement, she sets her sights on a spot of detective work in Melbourne, Australia. And so mystery and the beautiful Russian dancer, Sasha de Lisse, appear in her life. From then on it's all cocaine and communism until her adventure reaches its steamy end in the Turkish baths of Little Lonsdale Street.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

Everyone who lives at 23 Beulah Grove has a secret. If they didn't, they wouldn't be renting rooms in a dodgy old building for cash - no credit check, no lease. It's the kind of place you end up when you you've run out of other options.The six residents mostly keep to themselves, but one unbearably hot summer night, a terrible accident pushes them into an uneasy alliance. What they don't know is that one of them is a killer. He's already chosen his next victim, and he'll do anything to protect his secret.

For 60 years Jewish refugees and their descendants have prospered in the federal district of Sitka, a temporary safe haven created in the wake of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. The Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant and complex frontier city that moves to the music of Yiddish. But now the district is set to revert to Alaskan control, and their dream is coming to an end.

Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people.

Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, author Norman Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the listener by the throat and refuses to let go.