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The Death of Us
A Novel
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Narrated by:
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Andi Arndt
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Michael David Axtell
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Mark Bramhall
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By:
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Lori Rader-Day
About this listen
From the award-winning author of Death at Greenway and The Lucky One comes a chilling suspense novel in which the discovery of a submerged car in a murky pond reveals betrayals and family secrets that will tear a small town apart.
One rainy night fifteen years ago, a knock at the door changed Liss Kehoe’s life forever.
On that night, Ashley Hay stood on Liss’s front porch and handed over her brand-new baby Callan.
She was never seen or heard from again.
Since then, Liss has raised Callan as her own, and loves him as fiercely as any mother would. But in the back of her mind, she’s always wondered whether Ashley is still out there somewhere—and feared what might happen if she comes back.
When Ashley does reappear, it’s not in the way Liss expected. After all these years, Ashley’s car has been found…in the quarry pond on Kehoe property. But the discovery of the car dredges up more questions than answers. What really happened on the night of Ashley’s disappearance? Was it a tragic accident, or something far more sinister? Someone in town knows the truth, and they’ll go to great lengths to keep it quiet.
As tensions rise in the small community, Liss must fight to protect her family and keep her own secrets hidden—or risk losing everything she loves.
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- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- By alicia in athens on 02-13-25
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
What listeners say about The Death of Us
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- MonyMommy
- 10-11-23
Rader-Day Does it Again!
I read a LOT of mystery books and watch more than my fair share of murder cases on TV. This means I can usually guess who did it. I have yet to correctly guess who the murderer was in a Lori Rader-Day novel.
The characters in a Lori Rader-Day book are all well developed. It’s easy to live in the world of her books because she does does such a smooth, easy job of crafting the characters and the setting the scene.
You get to know the characters so well that they live on in your head. Any of her books could become a series or at least have a sequel because I don’t want the character’s stories to end. I want to learn more about them in subsequent books.
The Death of Us is well-crafted and flows easily. It would make a good movie.
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- Jennifer R Kincheloe
- 10-10-23
Rader-Day does it again
I’m a big Lori Rader-Day fan. She’s one of the best in the mystery genre. All her books are layered, exciting, and surprising. All her characters are authentic and multifaceted. This book was no exception. Everything about it feels real. I was quickly drawn in and could not put this fabulous book down. I highly recommend this book and any book by this author.
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- Maryanne T.
- 09-11-24
A Mindless Mystery
3 stars for The Death of Us. This was a lot like what a podcaster I like calls, "brain candy." Just a quick, easy read with a neat and tidy ending. If you enjoy dysfunctional family drama and a slow burn mystery - this is a good choice.
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- Amazon Customer
- 10-31-23
Couldn’t finish
So boring. Nothing really all that significant happened and all of the characters are freaking out, for seemingly no reason. I couldn’t find myself to care about what was going on. The inner dialogue of the main character was awful and the excessive use of “said” was over the top.
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