What's right is right. Sonya Kantor knows this slogan—she lived by it for most of her life. For decades, everyone in the Seattle-Portland megalopolis lived under it, as well as constant surveillance in the form of the Insight, an ocular implant that tracked every word and every action, rewarding or punishing by a rigid moral code set forth by the Delegation. Then there was a revolution. The Delegation fell. Its most valuable members were locked in the Aperture, a prison on the outskirts of the city. And everyone else, now free from monitoring, went on with their lives.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. This is just the beginning. Soon women are not permitted to hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words a day, but now women only have 100 to make themselves heard. But this is not the end. For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses...well, it doesn’t seem so bad. It’s more than anyone else is offering.

A ship captain, unfettered from time. A mute child, burdened with unimaginable power. A millennia-old woman, haunted by lifetimes of mistakes. In this captivating debut of connection across space and time, these outsiders will find in each other the things they lack: a place of love and belonging. A safe haven. A new beginning. But the past hungers for them, and when it catches up, it threatens to tear this makeshift family apart.

In a corporate-controlled future where the ruling conglomerates genetically engineer their employees, Millicent Foster is the best of the best. Physically perfect and exceptionally intelligent, Millicent is granted the uncommon privilege of breeding. But her daughter inherits more than superior genetics...little Marie has a rare ability that the world has never seen, and her conglomerate, Moxidone, will stop at nothing to have sole possession of the child.

Miranda Reynolds always thought she would rather die than live in Femlandia. But that was before the country sank into total economic collapse and her husband walked out in the harshest, most permanent way, leaving her and her 16-year-old daughter with nothing. The streets are full of looting, robbing, and killing, and Miranda and Emma no longer have much choice - either starve and risk getting murdered or find safety. And so they set off to Femlandia, the women-only colony Miranda's mother, Win Somers, established decades ago.

In the near future, advances in medicine and quantum computing make human cloning a reality. For the wealthy, cheating death is the ultimate luxury. To anticloning militants, it’s an abomination against nature. For young Constance “Con” D’Arcy, who was gifted her own clone by her late aunt, it’s terrifying. After a routine monthly upload of her consciousness - stored for that inevitable transition - something goes wrong. When Con wakes up in the clinic, it’s eighteen months later. Her recent memories are missing. Her original, she’s told, is dead.

In The Power, the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.

It seems like any other day. You wake up, drink a cup of coffee, and head out. But today, when you open your front door, waiting for you is a small wooden box. The contents of this mysterious box tells you the exact number of years you will live. From suburban doorsteps to desert tents, every person on every continent receives the same box. In an instant, the world is thrust into a collective frenzy. Where did these boxes come from? What do they mean? Is there truth to what they promise?

Rachel’s worst nightmare comes true when a rare auto-immune illness leaves 4-year-old daughter Emily in a coma the doctors say she may never come out of. And Rachel has to make a heartbreaking decision - one that her ex-husband, Emily’s dad James, doesn’t agree with. Terrified she’s going to lose her daughter for good, Rachel knows she must find a way to keep the hope alive for Emily. But there is only one person she can turn to for help to convince James - and it’s his new wife, Eva.

Calla knows how the lottery works. Everyone does. On the day of your first bleed, you report to the station to learn what kind of woman you will be. A white ticket grants you marriage and children. A blue ticket grants you a career and freedom. You are relieved of the terrible burden of choice. And once you've taken your ticket, there is no going back. But what if the life you're given is the wrong one? When Calla, a blue ticket woman, begins to question her fate, she must go on the run.

Josephine Morrow is Girl One, the first of nine “Miracle Babies” conceived without male DNA, raised on an experimental commune known as the Homestead. When a suspicious fire destroys the commune and claims the lives of two of the Homesteaders, the remaining Girls and their Mothers scatter across the United States and lose touch. Years later, Margaret Morrow goes missing, and Josie sets off on a desperate road trip, tracking down her estranged sisters who seem to hold the keys to her mother’s disappearance.

Early one morning, 26-year-old Yu-jin wakes up to a strange metallic smell and a phone call from his brother asking if everything's all right at home - he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory.

They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation and no memory of their crimes. While it tears the nation apart, one woman sees something unlikely in the chaos—an opportunity.

Edgar Hill is 35 and caught in his own headlock. Overweight slob, underperforming husband, and reluctant father - for Ed, the world may as well have already ended. So when it does end in a catastrophic asteroid strike and Edgar and his family find refuge in an Edinburgh army barracks, it comes as something of a relief. But nothing's ever that simple. Returning from a salvage run in the city, Edgar finds his family gone, taken to the south coast for evacuation by an international task force.

Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses...well, it doesn’t seem so bad. It’s more than anyone else is offering.

Men have been the dominant sex since - well, the dawn of mankind. And yet, as journalist Hanna Rosin discovered, that long-held truth is no longer true. At this unprecedented moment, women are no longer merely gaining on men; they have pulled decisively ahead by almost every measure. Already "the end of men" - the phrase Rosin coined - has entered the lexicon as indelibly as Simone de Beauvoir’s "second sex", Betty Friedan’s "feminine mystique", Susan Faludi’s "backlash", and Naomi Wolf’s "beauty myth" have.

It is 2059, and the world has crashed. Forty years ago, a solar catastrophe began to slow the planet's rotation to a stop. Now, one half of the globe is permanently sunlit, the other half trapped in an endless night. Ellen Hopper is a scientist living on a frostbitten rig in the cold Atlantic. She wants nothing more to do with her country after its slide into casual violence and brutal authoritarianism. Yet when two government officials arrive demanding she return to London to see her dying college mentor, she accepts—and begins to unravel a secret.

Miranda Reynolds always thought she would rather die than live in Femlandia. But that was before the country sank into total economic collapse and her husband walked out in the harshest, most permanent way, leaving her and her 16-year-old daughter with nothing. The streets are full of looting, robbing, and killing, and Miranda and Emma no longer have much choice - either starve and risk getting murdered or find safety. And so they set off to Femlandia, the women-only colony Miranda's mother, Win Somers, established decades ago.

Hannah Payne awakens to a nightmare. She is lying on a table in a bare room, covered only by a paper gown, with cameras broadcasting her every move to millions at home. She is now a convicted criminal, and her skin color has been genetically altered. Her crime, according to the State of Texas: the murder of her unborn child, whose father she refuses to name. Her color: red. The color of newly shed blood.

Bea’s five-year-old daughter, Agnes, is slowly wasting away, consumed by the smog and pollution of the overdeveloped metropolis that most of the population now calls home. If they stay in the city, Agnes will die. There is only one alternative: the Wilderness State, the last swath of untouched, protected land, where people have always been forbidden. Until now.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. This is just the beginning. Soon women are not permitted to hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words a day, but now women only have 100 to make themselves heard. But this is not the end. For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it's Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies - before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost - she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York.