
The Last Day
A Novel
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Narrated by:
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Gemma Whelan
About this listen
THE INTERNATIONAL BESTSELLER
“Wonderful: boldly imagined and beautifully written—the best future-shock thriller for years.”—LEE CHILD
A visionary and powerful debut thriller set in a terrifyingly plausible dystopian near-future—with clear parallels to today's headlines—in which the future of humanity lies in the hands of one woman, a scientist who has stumbled upon a secret that the government will go to any lengths to keep hidden.
A world half in darkness. A secret she must bring to light.
It is 2059 and the world has crashed. Forty years ago, a solar catastrophe began to slow the planet's rotation to a stop. Now one half of the globe is permanently sunlit, the other half trapped in an endless night. The United States has colonized the southern half of Great Britain—lucky enough to find itself in the narrow habitable region left between frozen darkness and scorching sunlight—where both nations have managed to survive the ensuing chaos by isolating themselves from the rest of the world.
Ellen Hopper is a scientist living on a frostbitten rig in the cold Atlantic. She wants nothing more to do with her country after its slide into casual violence and brutal authoritarianism. Yet when two government officials arrive, demanding she return to London to see her dying college mentor, she accepts—and begins to unravel a secret that threatens not only the nation's fragile balance, but the future of the whole human race.
“A tantalizing, suspenseful odyssey of frustration, deceit, treachery, torture, hope, despair, and ingenious sleuthing . . . Murray has so thoroughly thought through the ramifications of his conceit and conjured up such a dramatic plot and stellar cast of characters that he might have set a new standard for such tales.”—The Washington Post
©2020 Andrew Hunter Murray (P)2020 Penguin AudioListeners also enjoyed...
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Critic reviews
"A tantalizing, suspenseful odyssey of frustration, deceit, treachery, torture, hope, despair and ingenious sleuthing… Murray has so thoroughly thought through the ramifications of his conceit and conjured up such a dramatic plot and stellar cast of characters that he might have set a new standard for such tales."—The Washington Post
“A stunningly original thriller set in the world of tomorrow that will make you think about what’s happening today.”—Harlan Coben, #1 New York Times bestselling author
"A brilliant near-future thriller and a really cracking read."—Richard Osman, #1 New York Times bestselling author
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My favorite read this year!
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Amazing
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What kept my attention the most was the great world building. The writing really painted a very good picture of the surroundings and state of the world. It was very easy to see what was going on and get a clear picture in my head.
I didn't however like how sorta aimless it felt. The plot sorta drones on too long. I felt anxious for a plot to get going but it just took too long to come, by the halfway point I shouldn't still be waiting.
This is a unclear mystery sort of plot, MC knows she's supposed to find something, but doesn't know where, what it is, how to find it. So she ends up just taking shots in the dark constantly that of course conveniently work. It never felt exciting though, the writing never sells any of this fumbling around as interesting. This fumbling was weirdly unrealistically convenient as well, there's this scene where the MC is calling a collect line to get sensitive call records and the operator just sorta goes with the cheap story way too easily, eye rolling bad scenes like this kept happening like the writing wasn't smart enough to know how to move forward so old school tropes were resorted to but badly.
During all this fumbling, I was at least pleasantly distracted by all the exposition and world building. It was bleak, hard to enjoy at times because it was uncomfortably an awful state the world was in.
The characters kinda suck in this book too. The character is so busy fumbling around and so much world exposition keeps happening that it's hard to keep track on who to care about. I didn't like how blank of a slate she felt, I needed more time focused on her to get me to care, the character sorta gets lost amongst all the exposition and feels more like a vehicle for fumbly plot to move forward then a human.
Overall, it was alright. Cool premise and world but wish the plot, pacing and characters were handled better to make this stand out.
Poor pacing/plot/characters. Good world building.
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The world comes to a standstill
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Great read
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