Chizmar assembles 35 stories, including a previously unpublished novella, and presents us with A Long December. This massive new collection features more than 150,000 words of Chizmar's very best short fiction and includes 8,000 words of autobiographical story notes. Eerie, suspenseful, poignant, the stories in A Long December range from horror to suspense, crime to dark fantasy, mainstream to mystery.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

Springerville is famous for the legend of the Mongolian Monster. Of course nobody really believes it. It’s just a good campfire story, something to attract gullible tourists ­until an excavation team unearths the figurine of a screaming woman, the jawbone of a deformed animal, and a child’s toy. How odd that they were buried together. Odd, too, is the foul odor lingering in the air, the strange noises at night, and the man’s face found hanging from a tree. Now the locals are locking their doors. Because after sundown, campfire stories can seem very, very real.

Six months after he almost died in a caving accident, sculptor Tim Overleigh spends his time crutching his broken body from bar to bar in downtown Annapolis. He has told no one that it was his dead wife, Hannah, who helped him survive—and that he's still seeing her . . . But a chance meeting with an old friend—and a plane ticket to Kathmandu—reawaken Tim's passion for adventure.

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Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

When young Henry Thorne is kidnapped and held prisoner in a remote farmhouse surrounded by miles of forest, he finds himself connecting with a strange force living in the woods—using that bond to wreak havoc against his captors. Unknown to the boy, however, is that this ancient being has its own reasons for wanting the interlopers gone—there is something hidden beneath the house, tucked away in the dark, damp root cellar . . . waiting for its return.

The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.

Kim Devland nearly has it all. A great marriage. A baby on the way. All that’s missing is a house—one idyllic enough to fill the Norman Rockwell-shaped spaces in her mind. When Kim’s husband, Eddie, books a property tour of a home Kim has been eyeing online, it’s love at first sight. Far too expensive for them to afford, Kim and Eddie make an offer anyway...and score the deal of a lifetime. The house is suddenly theirs, and Kim sees it as destiny. But something begins to squirm beneath Kim’s skin. Something portentous. A warning.

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

Dean Evers, an elderly widower, sits in front of the television with nothing better to do than waste his leftover evenings watching baseball. It’s Rays/Mariners, and David Price is breezing through the line-up. Suddenly, in a seat a few rows up beyond the batter, Evers sees the face of someone from decades past, someone who shouldn’t be at the ballgame, shouldn’t be on the planet. And so begins a parade of people from Evers’s past, all of them occupying that seat behind home plate. Until one day Dean Evers sees someone even eerier….

Something festive is growing in the sewer... After last year’s tragedy, Douglas’ parents are ignoring Christmas. But when Douglas finds an eerie strand of lights slithering through the sewer, he unwittingly unleashes merry terror upon his neighborhood’s tacky lights contest. String lights spread like invasive kudzu, turning festive decorations into surreal, predatory nightmares.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

Struggling with money, raising a child alone, and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner—a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life. Flo's vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts. And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether.

Chizmar assembles 35 stories, including a previously unpublished novella, and presents us with A Long December. This massive new collection features more than 150,000 words of Chizmar's very best short fiction and includes 8,000 words of autobiographical story notes. Eerie, suspenseful, poignant, the stories in A Long December range from horror to suspense, crime to dark fantasy, mainstream to mystery.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, 12-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zigzag up the cliffside. At the top of the stairs, Gwendy catches her breath and listens to the shouts of the kids on the playground. One day a stranger calls to Gwendy: "Hey, girl. Come on over here for a bit. We ought to palaver, you and me."

Based on the best-selling, award-winning graphic novel series Locke & Key - written by acclaimed suspense novelist Joe Hill (NOS4A2, Horns) and illustrated by Gabriel Rodriguez - this multicast, fully dramatized audio production brings the images and words to life.