When an eccentric Englishman named Phileas Fogg makes a daring wager that he can circle the globe in just eighty days, it’s the beginning of a breathlessly-paced world tour. With his devoted servant Passepartout at his side, Fogg sets off on an adventurous journey filled with amazing encounters and wild mishaps. Pursued all the way by the bumbling Detective Fix, who believes the two travelers are bank robbers on the run, Fogg and Passepartout must use every means of transportation known to 19th-century man - including a hot-air balloon, a locomotive, and an elephant - to win the bet.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

"Call me Ishmael." Thus starts the greatest American novel. Melville said himself that he wanted to write "a mighty book about a mighty theme" and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting. Woven into the story of the last journey of The Pequod is a mesh of philosophy, rumination, religion, history, and a mass of information about whaling through the ages.

One of Jane Austen's most popular novels. Arrogant, self-willed, and egotistical, Emma is her most unusual heroine.

Enjoy the first novels that brought the world two of Agatha Christies’ most enduring detectives: Miss Marple and Hercule Poirot. The Murder at the Vicarage is the first Miss Marple mystery, one which tests all her powers of observation and deduction. In The Mysterious Affair at Styles, Captain Arthur Hastings, invalided in the Great War, is recuperating as a guest of John Cavendish at Styles Court, the "country-place" of John's autocratic old aunt, Emily Inglethorpe.

A thrilling little adventure told in nonsense verse about a young man on an adventure to slay a fearsome beast.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

Prince Prospero invites several dozen of the local nobility to his castle for protection against an oncoming plague, the Red Death. Prospero orders his guests to attend a masked ball and, amidst a general atmosphere of debauchery and depravity, notices the entry of a mysterious hooded stranger dressed all in red.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

This classic novel has been thrice adapted for the screen by the BBC. Mary Smith relates the story of her time with middle-aged spinster sisters Miss Matty and Miss Deborah. Witty, poignant, and often ironic, Cranford is the tale of what these two women will do to remain respectable, proper, and kind with only moderate means.