Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Lana Fleming’s sister has vanished from the set of TV’s hottest show, and no one seems to care. Desperate for answers, Lana sneaks in as an extra, only to get stranded with Griffin Hart, an A-list action star with a reputation for good abs and bad decisions. Though Griffin didn’t expect to be cast as a librarian’s sidekick in a real-life thriller, he’s weirdly into it—and into her. Even more unsettling—she sees right through his playboy persona. But their meet-cute soon turns deadly when they uncover a Hollywood scandal for the ages.

Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Sometimes the darkest mysteries are homegrown. When Zephyr Nelson returns home to look after her ailing mother, she discovers that her younger brother, Cotter, has become obsessed with a malevolent influencer on a mysterious voice app. Just as a series of puzzling deaths begin plaguing their small town of Sugarland. With the help of her college best friend and occasional lover, Teddy, Zephyr unravels truths about Sugarland that are impossible for her to accept ...

In the comfortable English Dorsetshire village of Anneypenny in the 1930s, fruit farmer Douglas Sewell–narrator of the story–sees his friend John die in agony. The death certificate states gastric ulcers but the post mortem’s revealing of poison punctures Anneypenny’s idyllic backdrop. Soon every friend and neighbour seems to harbour something suspicious. Douglas challenges his readers, or listeners, to answer the key questions before throwing out several scenarios and turning them upside-down in a tantalising path to the truth.

Life in an English seaside town in the 1790s is harsh, and ‘captious, capricious’ Sylvia has a dilemma when the dashing harpooner to whom she is secretly engaged disappears, and her dull cousin Philip (who has more information about his rival than he lets on) offers her love and security.

Elizabeth Barrett Browning’s ‘novel in verse’ is an epic poem that voices with enchanting beauty and literary courage the perspective of Victorian women. Aurora Leigh forges her own path to become a poet, successfully proving her worth, defying the ideals of her era, and rescuing her spirit from the suppression of a routine domestic life. Infusing the work with her own experience and passion, Browning produced a true masterpiece.

Published in 1820 and written by the Protestant curate Charles Maturin, Melmoth the Wanderer is considered one of the greatest works of Gothic literature. Consisting of a series of stories within stories, the narrative features the scholar John Melmoth, condemned to wander the earth in search of a victim to take his place and free him from his eternal torment.

Fourteen years after the publication of his landmark travel narrative Among the Believers, V.S. Naipaul returned to the four non-Arab Islamic countries he reported on so vividly at the time of Ayatollah Khomeini’s triumph in Iran. Beyond Belief is the result of his five-month journey in 1995 through lands where descendants of Muslim converts live at odds with indigenous traditions.