Welcome to Maple Bay, Nova Scotia. For nearly a century, people have ventured to the idyllic seaside town of Maple Bay in search of a legendary lost pirate treasure, but locals know there’s more than just gold buried in the sand. As the paths of three strangers converge in Maple Bay, the truth is about to be blown wide open. But not before the bodies start to pile up. Peter Barnett is rapidly approaching forty with little to show for it when a mysterious letter invites him to Maple Bay and the mansion his estranged family has called home for generations.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.

Meet Maggie Chase and Ethan Wyatt: She’s the new Queen of the Cozy Mystery. He’s Mr. Big-time Thriller Guy. She hates his guts. He thinks her name is Marcie (no matter how many times she’s told him otherwise.) But when they both accept a cryptic invitation to attend a Christmas house party at the English estate of a reclusive fan, neither is expecting their host to be the most powerful author in the world: Eleanor Ashley, the Duchess of Death herself.

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.

Cecilia "CeCe" Ashby is finally escaping the toxic relationship that has consumed her entire adult life. She's returning to her hometown of Laurel Creek, Kentucky, and her family's equestrian ranch, unsure of what the future holds. Nash Carter, the newly retired superstar of the Dallas Stars, is Laurel Creek's hometown hero, local business owner, and notorious bachelor. He's also the unofficial fourth sibling in the Ashby clan. It's been years since his days of tormenting CeCe with her older brothers Wade and Cole. So, when CeCe needs a job, he feels drawn to help her.

Maddie Sanderson would be proud to honor her older brother’s dying wish, that she scatters his ashes over eight destinations that the adventurous 29-year-old never got to visit before he died from cancer. But in his will, Josh assigned her an impossible partner to help complete the mission—Dominic Perry. Seriously, if Maddie weren’t already at her brother's funeral, she would have killed him for this.

Katie Vaughn has been burned by love in the past—now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole’s request, take a career-making gig profiling Tom “Hutch” Hutcheson, a Coast Guard rescue swimmer in Key West. The catch? Katie’s not exactly qualified. She can’t swim—but pretends that she can. Plus, Cole and Hutch are brothers. And they don’t get along. Next stop: paradise!

Pony has been passed from owner to owner for longer than he can remember. Fed up, he busts out and goes on a cross-country mission to reunite with Penny, the little girl whom he was separated from and hasn’t seen in years. Penny, now an adult, is living an ordinary life when she gets a knock on her door and finds herself in handcuffs, accused of murder and whisked back to the place she grew up. Her only comfort when the past comes back to haunt her are the memories of her precious, rebellious pony.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

Hallie Barrett's life has imploded after she's dumped by her hotshot ex, who also happens to be her coworker and the star of the online series she was producing. Without a new show to present for the company competition, she’ll be out of a job. But inspiration can come from the strangest places . . . like the most handsome guy she’s ever seen passionately discussing Bigfoot on a late-night docuseries.

Hazel Elliot never looks back. If a door closes, she burns the whole house down. But when she’s invited to her father’s wedding, she’s forced to return to Lockett Prairie, Texas, for the first time since she fled for college. Ash Campbell has been in love with Hazel since she dated his best friend in high school. Now, Ash and Hazel’s relationship is limited to playful feuding over the best chair in their favorite coffee shop, but his attraction to the prickly girl from home has only grown stronger.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

I'm addicted to my stalker. He watches me at night, sneaking in through my living room window and making my blood turn to ice. I feel him all around me as chills snake down my spine. Each night he becomes bolder, getting closer and welcoming himself into my bedroom, feeding his addiction.

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

FBI agent and former military codebreaker Daniela “Dani” Vega witnesses a murder on a Manhattan sidewalk. The victim is chief of staff for a powerful New York senator. The assassin turned informant is Gustavo Toro. His code: hit the target and don’t ask questions. When Dani suspects a complex conspiracy, the only way to take down the mastermind is from the inside, forcing her to partner with Toro. Together they must infiltrate the inner circle at a remote facility. Except it’s a trap. For all of them.

Memory is Copeland-Stark’s business. Yet after months of reconsolidation treatments at their sleek new flagship facility, Hope Nakano still has no idea what happened to her lost year, or the life she was just beginning to build with her one great love. Each procedure surfaces fragmented clues which erode Hope’s trust in her own memories, especially the ones of Luke. As inconsistencies mount, her search for answers reveals a much larger secret Copeland-Stark is determined to protect.

When freelance journalist Khin Haymar is assigned by Vogue to get a scoop on Tyler Tun, Hollywood’s hottest movie, she's determined to succeed. Tyler has returned home to Myanmar to shoot his latest film, and if Khin’s able to get an exclusive, there may well be a permanent position waiting for her at Vogue Singapore.

Eustacia Rose is a Professor of Botanical Toxicology with only her extensive collection of poisonous plants for company. Her life is quiet, her schedule is unchanging, and her closest friends are the specimens she tends to. But she does have one other hobby: watching her neighbors through her telescope, taking extensive notes on their lives for research. When Eustacia hears a scream one evening, the temptation to investigate proves irresistible. Through her telescope, she catches a glimpse of her extraordinarily beautiful new neighbor, Simone, and soon becomes obsessed with her and her life.

The End of the Golden Gate is a penetrating journey that illuminates both what makes San Francisco so magnetizing and how it has changed vastly over time. With essays chronicling the impact of the tech-industry invasion and the evolution, gentrification, and radical cost of living that has transformed San Francisco's most beloved neighborhoods, these prescient essayists capture the lasting imprint of the 1960s counterculture movement, as well as the fight to preserve the art, music, and other creative movements that make this forever the city of love.

Imperial San Francisco is the epic saga of how all great cities parasitize their hinterlands for the sake of those elites who own and run them by using the mass media at their command to shape the thought of those who unwittingly serve their interests. Using San Francisco as an example of how cities employ remote control technology to exploit water, energy, natural resources, and labor from an expansive imperium, it takes the listener from ancient Rome to the University of California’s role in the creation of nuclear weaponry and its first use.

Librarian Sherry Pinkwhistle keeps finding bodies—and solving murders. But she's concerned by just how many killers she's had to track down in her quaint village. None of her neighbors seem surprised by the rising body count...but Sherry is becoming convinced that whatever has been causing these deaths is unnatural. When someone close to Sherry ends up dead, and her cat, Lord Thomas Crowell, becomes possessed by what seems to be an ancient demon, Sherry begins to think she’s going to need to become an exorcist as well as an amateur sleuth.

Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers' market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma's queer scene, where skirts and trousers don't signify and everyone's free to suit themselves.

Lenny Marks is excellent at not having a life. She bikes home from work at exactly 4pm each day, buys the same groceries for the same meals every week, and owns thirty-six copies of The Hobbit (currently arranged by height). The closest thing she has to a friendship is playing Scrabble against an imaginary Monica Gellar while watching Friends reruns. And Lenny Marks is very, very good at not remembering what happened the day her mother and stepfather disappeared when she was still a child. The day a voice in the back of her mind started whispering, You did this.

Ruby Young's new Boston apartment comes with all the usual perks. Windows facing the brick wall of the next-door building. Heat that barely works. A malfunctioning buzzer. Noisy neighbors. A dead body on the sidewalk outside. And of course, a ghost. Since Cordelia Graves died in her apartment a few months ago, she's kept up her residency, despite being bored out of her (non-tangible) skull and frustrated by her new roommate. When her across-the-hall neighbor, Jake Macintyre, is shot and killed in an apparent mugging gone wrong outside their building, Cordelia is convinced there’s more to it.

Iris narrowly escaped her twin sister’s fate as a teen: abducted in broad daylight and long gone before she could convince the cops there was anything to investigate. With Piper presumed a runaway and no evidence to go on but Iris’s scattered memories, the case quickly goes cold. Ever since that terrible day, Iris’ search for Piper has bordered on obsession. Chasing leads across years and following clues that all seem to point to a single name, Iris does everything she can to get close to the only person who might know the answer to the question that still haunts her: where did Piper go?

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.