Welcome to Maple Bay, Nova Scotia. For nearly a century, people have ventured to the idyllic seaside town of Maple Bay in search of a legendary lost pirate treasure, but locals know there’s more than just gold buried in the sand. As the paths of three strangers converge in Maple Bay, the truth is about to be blown wide open. But not before the bodies start to pile up. Peter Barnett is rapidly approaching forty with little to show for it when a mysterious letter invites him to Maple Bay and the mansion his estranged family has called home for generations.

Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny—Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

Katie Vaughn has been burned by love in the past—now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole’s request, take a career-making gig profiling Tom “Hutch” Hutcheson, a Coast Guard rescue swimmer in Key West. The catch? Katie’s not exactly qualified. She can’t swim—but fakes it that she can. Plus: Cole is Hutch’s brother. And they don’t get along. Next stop paradise!

Meet Maggie Chase and Ethan Wyatt: She’s the new Queen of the Cozy Mystery. He’s Mr. Big-time Thriller Guy. She hates his guts. He thinks her name is Marcie (no matter how many times she’s told him otherwise.) But when they both accept a cryptic invitation to attend a Christmas house party at the English estate of a reclusive fan, neither is expecting their host to be the most powerful author in the world: Eleanor Ashley, the Duchess of Death herself.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

Cecilia "CeCe" Ashby is finally escaping the toxic relationship that has consumed her entire adult life. She's returning to her hometown of Laurel Creek, Kentucky, and her family's equestrian ranch, unsure of what the future holds. Nash Carter, the newly retired superstar of the Dallas Stars, is Laurel Creek's hometown hero, local business owner, and notorious bachelor. He's also the unofficial fourth sibling in the Ashby clan. It's been years since his days of tormenting CeCe with her older brothers Wade and Cole. So, when CeCe needs a job, he feels drawn to help her.

Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant. During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect.

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Hallie Barrett's life has imploded after she's dumped by her hotshot ex, who also happens to be her coworker and the star of the online series she was producing. Without a new show to present for the company competition, she’ll be out of a job. But inspiration can come from the strangest places . . . like the most handsome guy she’s ever seen passionately discussing Bigfoot on a late-night docuseries.

Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then...he hears the plot.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

When Jeanine Hammond is found dead in a hotel in the picture-perfect town of Oakhurst, newly-promoted Detective Jo Fournier is thrown into a disturbing case. Who would murder this shy, loving wife and leave her body posed like a ballerina? Jo wants to know why Jeanine’s husband is so controlling about money, and where Jeanine’s wedding ring is, but before she and her team can get close to the truth, another woman is found strangled in a hotel, arms placed gracefully above her head like a dancer.

The End of the Golden Gate is a penetrating journey that illuminates both what makes San Francisco so magnetizing and how it has changed vastly over time. With essays chronicling the impact of the tech-industry invasion and the evolution, gentrification, and radical cost of living that has transformed San Francisco's most beloved neighborhoods, these prescient essayists capture the lasting imprint of the 1960s counterculture movement, as well as the fight to preserve the art, music, and other creative movements that make this forever the city of love.

Imperial San Francisco is the epic saga of how all great cities parasitize their hinterlands for the sake of those elites who own and run them by using the mass media at their command to shape the thought of those who unwittingly serve their interests. Using San Francisco as an example of how cities employ remote control technology to exploit water, energy, natural resources, and labor from an expansive imperium, it takes the listener from ancient Rome to the University of California’s role in the creation of nuclear weaponry and its first use.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

When true-Crime obsessed Paige, along with her family, move across the Atlantic to her father's eerie hometown, it's not long before she uncovers the town's dark history—a string of unsolved murders and disappearances in the 90s. Soon after, notes start appearing at their home, about the secrets the old house is keeping. The clues lead Paige to a diary concealed in the walls that belonged to one of the missing girls. Could this be the key to solving a quarter-of-a-century mystery...or will the diary make Paige the next target?

It isn't how chef Bridget "Bunny" MacBride imagined her own cooking show unfolding. But, if preparing historic meals with a modern flair is what it takes to get her cooking on the air, she can deliver, even if her dinner guest is a ghost. For their first episode, the Food & Spirits team sets off to investigate Bramsford Manor, a historic house turned famously haunted hotel, in picturesque Hampshire, England. The sprawling estate is said to be home to the Mistletoe Bride, a young woman who died in the eighteenth century, the victim of a tragic accident on her Christmas wedding night.

For over a hundred years, girls have fought to attend St. Bernadette’s, with its reputation for shaping only the best and brightest young women. Unfortunately, there is also the screaming. When a student begins to scream in the middle of class, a chain reaction starts that impacts the entire school. By the end of the day, seventeen girls are affected—along with St. Bernadette’s stellar reputation. Khadijah’s got her own scars to tend to, and watching her friends succumb to hysteria only rips apart wounds she’d rather keep closed.

Jane Pyre was once half of the famous rock ‘n’ roll duo, the Lightning Bottles. Years later, she’s perhaps the most hated—and least understood—woman in music. She was never as popular with fans as her bandmate (and soulmate), Elijah Hart—even if Jane was the one who wrote the songs that catapulted the Lightning Bottles to instant, dizzying fame, first in the Seattle grunge scene, then around the world. But ever since Elijah disappeared five years earlier and the band’s meteoric rise to fame came crashing down, the hatred of Jane has taken on new levels, and all she wants to do is retreat.

18-year-old Janie has the world and her bright future ahead of her. She's about to leave behind the small seaside town she's known all her life to embark on a career in London in book publishing and couldn't be more excited. She'll miss home—especially her dad. They've only had each other since her mother died years earlier. But she's about to start her life and she can't wait. She's on her way home after her last early dawn swim in the bay when the peaceful stillness of the quiet Tuesday morning is suddenly shattered.

Grounds for Murder is the first in a new mystery series featuring protagonist Jeannie Wolfert-Lang. When Jeannie won’t sell her farm, someone tries to kill her. Who wants her land enough that they’d attempt to kill a 60-year-old widow? Jeannie must now grapple with ghosts from her past and solve the mystery.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

It's been years since screenwriter Georgie Johansen last visited her Aunt Olivia's farm in the coastal town of Twilight Cove, and things have certainly changed. First of all, it's now an animal sanctuary, and then there's the new farmhand who's as mysterious as he is handsome. Her first day on the farm, Georgie encounters the eccentric Dorothy Shale, an older woman who lives in a cabin in the woods. There are rumours that Dorothy's a witch, but Georgie doesn't believe that. Although, Dorothy does have an unusual magical presence around her.

Fashion-obsessed Samara finally has the life she’s always dreamed of: A high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line. But it’s not long before Samara’s dream life begins to turn into a living nightmare as Mota’s big fashion show approaches and the pressure on her turns crushing. Perhaps that’s why she begins hearing voices in her room at night.

When Congressional staffer Ben Walsh receives this cryptic text from his wife he initially doesn’t think much of it. But while waiting to hear from her again, Ben discovers that the text came an hour before a shooting that occurred along her daily running route. Veronica won’t pick up her phone, and when she doesn’t return home, he knows she is somehow involved. If she isn’t one of the victims, then where is she, and what did she know? While Ben searches for his wife, he stumbles upon another violent death, with clear connections to the shooting.

It’s 1927 in Victoria, Australia. A time after the Great War when women have more options opened to them. At a weekend house party at Thornton Park, Alexandra Thornton decides to break the news to her father that she wants to be an antiques dealer, like her father, grandfather and great-grandfather before her. Guests include Zhang Huo, a Chinese antiques dealer who, with his son, has brought a Ming dragon statue from China for Thomas Thornton, Alexandra’s father. Benedict Archer, manager of Thornton Antiques in Melbourne, is also invited.