The Seventh Victim
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Narrated by:
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Joanne Froggatt
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Mathew Horne
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By:
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Michael Wood
About this listen
On Sunday, February 3rd 1990, seven-year-old Danny Redpath disappeared from his home. Four months later, his body was found in the nearby forest, washed clean of all evidence. Over time, more bodies were discovered; more families devastated forever.
Apprehended while attempting to abduct another child, Jonathan Egan-Walsh was charged with the murders of thirteen boys. Convicted on all counts, he received life in prison and went unrepentant, still refusing to reveal the whereabouts of one of his victims, Zachery Marshall.
Twenty-five years later, Zachery’s mother Diane is still searching for his body. When Jonathan dies in custody, she realises she will never know its location – until she receives a letter he left in his cell, in which he admits he was guilty of all the crimes of which he was accused, except the murder of her son.
Diane tracks down the woman in charge of the case at the time, former DI Caroline Turner, and together with Jonathan’s biographer Alex Frost they start to investigate. Could this be the killer’s final twist of the knife – or is he telling the truth at long last? Sooner or later, this secret buried and undisturbed for a quarter of a century will come to light.
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Good read with a not so good ending.
- By Katie A Scribner on 12-26-24
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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George Orwell’s 1984
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
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Artemis
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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In the summer of 2006, Emma Price watched helplessly as her six-year-old son's red coat was fished out of the River Ouse. It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned. His body was never recovered. Ten years later Emma has finally rediscovered the joy in life...until Aiden returns.
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Jackie and Pete King have lived in Dunmore for years, running one of the two local pubs in the sleepy little town. Money has been tight after the bushfires, and it’s about to get tighter if they can’t find a way to pay their suppliers to keep their business going and keep the bank from foreclosing on their property. So when Jackie receives a mysterious phone call offering them $100,000 to let someone bury a body on their land, the answer isn’t as simple as they thought it would be.
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Kept me guessing the whole time
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Authors just should not put any twist they want
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Another selfish, weak, idiot woman.
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In the summer of 2006, Emma Price watched helplessly as her six-year-old son's red coat was fished out of the River Ouse. It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned. His body was never recovered. Ten years later Emma has finally rediscovered the joy in life...until Aiden returns.
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Another interesting story lost.
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For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.
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Very much worth your time
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When Mel receives an unexpected email from her oldest friend Abi, it brings back memories she thought she had buried forever. Their friendship belonged in the past. To those carefree days at university. But Abi is in trouble and needs Mel’s help, and she wants a place to stay. Just for a few days, while she sorts things out. It’s the least Mel can do. After all, friends look out for each other, don’t they?
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Excellent story, highly recommend
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In an abandoned warehouse, a schoolboy makes a grisly discovery: 96 containers, each filled with exquisitely preserved bodily remains. Detective Eva Harris knows the line between life and death better than most. Having survived a near fatal encounter with the criminal underworld once before, she is still haunted by the repercussions of her actions - and fearful of the whole truth emerging.
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Best Thriller I've Ever Heard
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On a near-abandoned research base in an Arctic ice field, a skeleton crew works to ensure the centre doesn’t collapse amid treacherous storms. Officially, Trieste Grayling arrives in order to explore and film a sunken shipwreck for a documentary film; privately, she's working through a complicated grief. Trieste soon realises she's not the only one who was attracted to this intense isolation in order to escape her ghosts.
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Death is a topic Bradford Douglas is intimately familiar with. The young attorney is on a crusade against capital punishment. He’s saved a number of death row inmates, but none of his cases has been as tough as the one he now faces: Henry Combs, a vicious serial killer, has only hours to live when Douglas is summoned for a Hail Mary attempt to have the man’s sentence commuted to life imprisonment. As Douglas races to pursue whatever strategies he can think of, he finds his passion for justice giving way to something altogether different. An obsession.
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Did Not See The End Coming
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Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.
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Not your normal book
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Jamie and Victoria are off for a last quick vacation before the arrival of their first baby. The remote country guesthouse Victoria chose seems like the perfect retreat—miles away from the distractions of work and their regular life. And the older couple that runs the establishment, Barry and Fiona, is more than accommodating. But when Jamie and Victoria awake on their first morning, they find the house deserted. Barry and Fiona are nowhere to be seen. All the doors are locked. And their cell phones and car keys have disappeared.
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1956. It's Ellen Crosby's first day as a student nurse at Ambergate Hospital. When she meets a young woman admitted by her father, little does Ellen know that a choice she will make is to change both their lives for ever...2006. Sarah is drawn to the now abandoned Ambergate. Whilst exploring the old corridors she discovers a suitcase belonging to a female patient who entered Ambergate fifty years earlier. The shocking contents, untouched for half a century, will lead Sarah to unravel a forgotten story of tragedy and lost love, and the chance to make an old wrong right.
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If you like Lifetime movies
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Dr Olivia Winter is a forensic psychologist whose job is to understand the minds of serial killers. There’s only one monster she can’t understand, her father.
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It was fine.
- By JJ on 04-08-24
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In this new novella from the number one internationally best-selling author of The Sisters and The Murder Rule, Dervla McTiernan, a mother and son fighting to prove her innocence are reunited with an estranged friend—a detective who may hold the key to her freedom—as they’re forced to put their differences aside to uncover the shocking truth behind the crime.
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Wow!
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A fictional true crime podcast starring BAFTA Award winner Sheridan Smith (Mrs Biggs, Cilla) and Golden Globe winner Joanne Froggatt (Downton Abbey), THE MARGATE MURDERS follows the hunt for an elusive serial killer who murders once every decade, and then changes his identity. In a story full of shocking twists and turns, a journalist, a survivor, a witness, a detective and a forensic psychologist are all interviewed for their perspective on the what went right, and what went horribly wrong, in the hunt for a killer. But everyone has their own agenda, and maybe even something to hide…
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Excellent writing
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What listeners say about The Seventh Victim
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Donna
- 10-30-22
Good, if a little predictable
I liked this story and enjoyed listening to it. Unfortunately the reader does use the wrong character name in a few sections which isn't great and I guesses the ending a bit early.
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- Trudi
- 04-01-21
interesting
good story line.
draws you in and might surprise you!
not too much gore, more mystery and not a lot of bad language (bonus for me!)
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- Kelly
- 03-20-20
Seriously? Why the good reviews?
I couldn't tell one character from another... man from woman because the narrator didn't change her voice even a little. She also sounded rushed.
The premise of the story was also highly improbable. A retired cop and author of the book about this serial killer get together and try to find who killed missing victim #7 because the killer insists on his deathbed it wasn't him. Where for me it goes off the rails, is when we realize the killer is distantly related which explains the clothes the police found in his house with the other victims. Uhm, flimsy explaination. There are so many trite remarks and silly plot holes not to mention dialogue. It's weird to have a high soft voice as a man too. The first part explanting there mothers grief is very good. The search for the real killer is predictable and amateurish. The rave reviews shock me now that I'm in it. I'll finish but I'm skipping to the end. To be honest it's a bit of a mess.
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3 people found this helpful
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- Megan
- 02-18-22
loved this book so much
enjoyed this book so much... will read this again..... you will not regret the credit. All Michael Woods books are great..
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1 person found this helpful
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- Amy Turki
- 05-21-20
Great crime story.
Between the storyline and the narrator's, it was hard to pause the book and it kept me guessing about the ending all the way through.
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2 people found this helpful
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- donnyk915
- 01-17-23
Chilling
Chilling, creepy & Suspenseful. This was a great story with a surprising ending.; The very end. Excellent narration by Joanne Froggat per usual.
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1 person found this helpful
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- "cstyles118"
- 07-28-22
Excellent book
This was such a well written and narrated book. The ending was a great twist!
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- Jennifer
- 04-27-22
Thank Goodness it’s Over!
How does this novel have 4.5 Stars?!!!!!
And how do novels (I use that term lightly here) like this one even get published? First of all, it’s evident this author just made up this story without doing any research or having the novel reviewed by an expert in the police force or the ranks of journalists. Then secondly, as I often ask, “where are the editors?” I continue to be surprised that such sloppy work manages to get published. And I have now purchased this novel via Audible. I feel like I’m an enabler to someone who should definitely not be a writer.
There are three major issues with this novel:
(1) It’s full of mistakes. Here are just a few examples:
~ It’s made clear that the murderer’s mother died when he was very young and yet at some point in the book, there’s a reference to “he only had his grandmother and mother”.
~In another scene, one of the main characters says something to the effect of “you don’t understand. You’re happily retired and I don’t want that for myself”. The husband replies with different options so she doesn’t need to be retired, but can focus on what he considers more positive activities to which she replies “you don’t understand. It’s about justice!” Say what? No wonder the husband doesn’t understand, right?
~The most egregious error is when Diane is having dinner with her ex-husband, Nick, and the narrator is reflecting on how she sees herself and says something to the effect of “Caroline wasn’t happy with her body”. So the author doesn’t remember this character’s name?”
There are many more. The above are just a few examples.
(2) In addition to the above, there’s what I call “continuity of character”. What I mean by that is, does the character essentially behave consistently through the novel? The answer in this novel is “no”. There is no consistent theme to any of the characters (save Alex). It’s difficult to get a sense of who they are at their core because there is no core.
(3) Then there’s the “who would do that” factor? I’m getting more and more frustrated by characters being written to behave in a way that no one would. Like would you call the DI who is on maternity leave when you found something? And heavily pregnant, would she run out to the scene? And furthermore, would a DI and her team run into the house to look for evidence? Or would they, perhaps, verify it there was an owner to ensure they could proceed without a search warrant to ensure they were compliant with police and legal procedures. So much inanity!
(4) Last, but not least, the reason I felt like taking a leap of faith on this author (in addition to the inconceivable
rating) was that Joanne Froggatt was the narrator. I’m a fan both from Downton Abbey as well as other novels she’s read. I think this one was a throw-away for her. There was so little range that sometimes I couldn’t catch who was talking. That was pretty disappointing.
Outside of a compelling prologue and epilogue, there’s nothing of value here.
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