When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

In a plague-stricken medieval convent, a nun works on a forbidden mystic manuscript. In rural South Carolina, an alligator named Dragon becomes a beloved pet for a precocious, tough-talking twelve-year-old. During a long, muggy July, an adolescent girl finds unexpected power as her family obsesses over the horror film The Exorcist. On the outskirts of a Southern college town, a young woman resists the tyranny of a shape-shifting older professor as she develops her own sorceress skills.

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

Twenty-six-year-old Ruth excels at microchip design but decides to get rich the old-fashioned way: robbing banks. She becomes a cybercriminal and devotes five years to siphoning more than $250 million out of the banking system using a hacked firewall chip that she created and only she knows how to access. Then one night an alarm goes off and she realizes she’s been discovered.

Word on the street is that this is the Tigers' last season. For Tomahawk “Tommy” Shields, an Indigenous, image-obsessed high school student from Winnipeg, the potential loss of his team serves as a stark reminder of his uncertain future. He can't help but feel that each of his peers has some skill or gift that he lacks, yet each of their perceived virtues hides darker truths, too.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

When a minor criminal is murdered in the smallest residential square in London, elderly heiress and landlady Celeste van Duren recruits two of her tenants to investigate. Her cleaner, Audrey, knows everyone and is liked by all, while failed writer Lewis is known by no one. He hates his job, hates his life, and he’s not that fond of Audrey either—but Celeste is persuasive. As they hunt for clues in and around the Square, they discover everyone has something to hide, including their fellow residents. Audrey and Lewis must find a way to work together if they’re to find the killer in their midst.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

In Rooms for Vanishing, the violence of war has fractured the universe for the Altermans, a Jewish family from Vienna. Moving across decades, and across the world, the novel finds the Altermans alone in their separate futures, haunted by the loss of their loved ones, each certain that they are the sole survivor of their family.

Widow Mimi lives on idyllic Mackinac Island, where cars are not allowed and a Gibson martini with three onions at the witching hour is compulsory. Her estranged granddaughter, Addie, is getting over the heartbreak of not only being dumped by her fiancé, Brian, but also being cut out of the deal for the brilliantly successful video game Murderscape they invented together (with Addie doing most of the heavy lifting).

Ireland 1973, a baby boy is found on the beach of a close-knit fishing village. Fisherman Ambrose Bonnar offers to bring the child into his own family: his son, Declan, wife, Christine, and up the lane, Christine's sister and aging father. The townspeople remain fascinated by the baby, now named Brendan, as he grows into a strange yet charismatic young man.

1926. On the cliffs of Yorkshire, men are lowered on ropes to steal the eggs of the sea birds who nest there. The most beautiful are sold for large sums. A small girl—penniless and neglected by her family—retrieves one such treasure. Its discovery will forever alter the course of her life. A century later. In a remote cottage in Wales, Patrick Fort finds his friend, Nick, and his mother tied up and robbed. The only thing missing: a carved case containing an incredible scarlet egg.

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic, as iconic as Walt Disney or Charles Schulz. Now, for the first time, Dan Nadel, a curator and writer specializing in comics and art, shares how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact.

It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the Manhattan streets below. Initially, Leo believes the visions are related to his terrible eyesight, something he and his wife, Addie, joke about. Then, he starts to experience occasional, but fleeting, oddities. He's unable to perform simple tasks and he hears things that aren’t real. The doctors have no answers, and his erratic disturbances multiply.