When a famous theatre actor is found dead in his changing room, it is initially labelled a suicide. But Inspector Alleyn believes there is more to it, and soon the cast of the production find themselves under suspicion.

Mr. Richard Dodsley, owner of a fine second-hand bookshop on Charing Cross Road, has been found murdered in the cold hours of the morning. Shot in his own office, few clues remain besides three cigarette ends, two spent matches and a few books on the shelves which have been rearranged. In an investigation spanning the second-hand bookshops of London and the Houses of Parliament - since an MP's new crime novel Death at the Desk appears to have some bearing on the case - John Ferguson's series sleuth MacNab is at hand to assist Scotland Yard in an atmospheric fair-play bibliomystery.

Miss Busby helped Major Heathcliff Lennox solve a series of murders at Bloxford in the Cotswolds. Now, she finds herself drawn into a new murder, but this time, it's just her, and she must rely on her sharp mind and sharper wits to catch a Cotswolds killer, along with a handsome police inspector and a reporter who's keen to make her mark.

After Arthur Penfold’s wife reveals she is leaving him to care for her ailing aunt, he sets upon a path of murder and deceit to avoid the social embarrassment of a second marital breakdown. But the purchase of a poetry book triggers a sequence of events that begins to unravel both Arthur and a seemingly open-and-shut murder case.

In the Welsh borders, isolated by heavy snow and flooding from the thaw, cut off from telephone access, a tragedy has occurred. Old Dr Robinson known to be 'a menace' on the roads has met his end in a car crash, his big saloon thrown from the track down the steep hillside. But when the police arrive there is more to the tragedy than meets the eye: why was there a second body - an outsider to these parts - in the back of the vehicle?

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.