
The Witches of El Paso
A Novel
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Narrated by:
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Raquel Beattie
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By:
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Luis Jaramillo
About this listen
A lawyer and her elderly great-aunt use their supernatural gifts to find a lost child in this richly imagined and empowering story of motherhood, magic, and legacy in the vein of The Inheritance of Orquídea Divina and La Hacienda.
If you call to the witches, they will come.
1943, El Paso, Texas: teenager Nena spends her days caring for the small children of her older sisters, while longing for a life of freedom and adventure. The premonitions and fainting spells she has endured since childhood are getting worse, and Nena worries she’ll end up like the scary old curandera down the street. Nena prays for help, and when the mysterious Sister Benedicta arrives late one night, Nena follows her across the borders of space and time. In colonial Mexico, Nena grows into her power, finding love and learning that magic always comes with a price.
In the present day, Nena’s grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta’s own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.
“Sexy, smart, and soulful, Luis Jaramillo’s The Witches of El Paso pulls us across borders and time to get to the essence of what it means for families to survive this beautiful, fractured world” (Mira Jacob, author of Good Talk).
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Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.
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Volcanic Lairs, Death Rays & Cats… Oh My! 😼
- By C. White on 09-19-23
By: John Scalzi
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What listeners say about The Witches of El Paso
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Corrine's Courage
- 03-09-25
Generational
Anyone else struggle to title their reviews? No just me? Loved this story of generations of witches and mothers and daughters.
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- Petrea
- 10-13-24
I loved this book and its perofrmance
When I listen to some books it seems that they were written to be read. The Witches of El Paso is such a book. Ordinarily witches and the supernatural and time travel are not my favorite genre, but Jaramillo makes it feel so right. It is full of sumptuous smells, tastes, sights, and intense feeling. I would be happy for a sequel--unless the magic is gone!
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- Jenna Rae Waldo
- 03-26-25
Beautiful
This book was beautifully written, and it was easy to connect with the characters. I loved hearing the details of the region and my hometown
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- Cindy Dore
- 10-26-24
Family
It was an interesting story on witchcraft with some time travel. Story got a bit slow in some parts.
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- Marisol
- 12-06-24
Mystical & Powerful
I loved this story. Just the right kind of beautiful, mysterious feel for understanding power and the rich history of Mexican & Indigenous cultures of the borderlands. Really loved that the narrator also pronounced the Spanish words with expertise.
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- Ellie
- 03-13-25
Eh.
I couldn’t follow the story. It jumped from different people, places, and timeframes. It was too hard to follow. The story lacked a solid storyline. I felt like there were holes in the story.
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- Jenna Segovia
- 01-18-25
Disappointed
This book was a challenging listen. The narrative often felt disjointed, making it difficult to stay engaged, and the reliance on stereotypical portrayals undermined the story’s potential depth. At times, the themes and characters seemed forced, as if ticking boxes rather than organically developing. While there were moments of insight and promise, they were overshadowed by a lack of cohesion. Overall, it was difficult to connect with the material, and finishing it felt more like a task than an experience.
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