One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the twenty-first century, becoming the beating heart of a multigenerational found family.

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punch line who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash course with her past, spending a week on Long Island with the last man she thinks might make her believe in love.

Corsica, 1993. As a sun-drenched Mediterranean summer heads into full swing, beautiful and brash seventeen-year-old Séverine Guimard is counting down the days until graduation, dreaming of stardom while smoking cigarettes, and seducing boys in her class to pass the time. The pampered French American daughter of a politician, Séverine knows she’s destined for bigger things.

It’s 2011 and Deecie Jeffries’s missing person’s case in Austin, Texas, is still cold. New mom Bee, struggling with postpartum depression, is living in Portland, Maine, having left Austin–and those memories–far behind. Until Leo, her childhood crush and her estranged twin Gus’s best friend, suddenly resurfaces, drawing Bee back into their shared past. Bee’s predictable life is upended, pushing her to return to her childhood home and piece together a neighborhood’s shattered history.

In the summer of 1996, teenage Tess Murphy’s mom gave her two rules to abide by: keep quiet and stay out of trouble. Her mother landed a new job as a cook at an affluent Virginia estate and didn’t want anything to risk the opportunity, least of all her outspoken daughter. What no one saw coming was Tess falling deeply in love with the boy next door, high-society Grant Alexander.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

Legal secretary by day, aspiring novelist by night, Ziya Khan pours herself into writing stories featuring the kinds of diverse characters she loves. In exchange, she’s got a growing pile of rejection letters. When yet another “thanks but no thanks” arrives on the eve of her thirtieth birthday, Ziya decides to throw her novel and her dreams in the trash. End of story. Except that when Ziya wakes up, there’s a flesh-and-blood version of her muse standing in her kitchen. His name is Aashiq, and it’s his job to inspire Ziya to write again.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Fehmi and Şener have been together forty years—no small feat for any pair, but especially admirable for a gay couple in Turkey. Behind closed doors, their life on Büyükada, an idyllic island near Istanbul, is like a powder keg that needs only one spark to blow. That spark soon comes in the form of Deniz, the wildly handsome and troubled teenager next door, who immediately catches Fehmi’s eye.

Four wine experts, each at a crucial point in their lives, arrive at a French vineyard estate for an unforgettable experience—but not the kind they expected. Avery gave up her hard-won but exploitative sommelier job to come, while wine prodigy Cosmo is trying to disguise that his life is in freefall. The chemistry between the pair is unmistakable, but so are the signs of danger. Millionaire Sonny owns a tacky wine brand and can’t help aggravating Cosmo, while caustic magazine writer Maëlys hovers with her pen poised.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

The Brooke family are gathering in their eighteenth-century ancestral home—twenty bedrooms of carved Sussex sandstone—to bury Philip: husband, father, and the blinding sun around which they have orbited their entire lives.

Thirty years old with a lifetime of dysphoria and irritating exes rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity.

April, a smart and lonely tech worker, worries work from home has gotten out of hand: She’s left an anonymous note in a book for Westley, the clerk at her Seattle neighborhood bookstore who has a gentle smile and looks great in flannel. But thanks to fate, Laura—a busy single mom who had given up on love—buys the book, finds the note, and thinks Westley has left it for her. A handsome man who loves books seems like just the plot twist she has been looking for.

In 1965 America, women can’t have their own bank accounts, credit cards, or sign their own leases; divorce is scandalous and difficult; and abortion is illegal. Every week, a group of suburban housewives meet for their Tuesday canasta game. As cards are drawn and discarded, the women share advice and confidences. When prim and proper Lily Berg, a doctor’s wife, discovers she’s pregnant with their second child, she follows her friend Becca’s suggestion and takes in Betsy, a pregnant teen from the local home for unwed mothers.

Jane’s father is far from perfect. But his sudden death brings crushing grief. As Jane grapples with her pain, life delivers another blow: a stack of letters pointing to a secret life. A life her father shared with another woman…who may have had his child. Across the country, sixteen-year-old Adam is self-destructing. His adoptive parents never intended to show him the unsigned letters from his birth mother, but he is desperate for answers, even if they hurt. Jane and Adam are on a collision course, but not for the reasons we might suspect.

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.

Four romance writers. Four failed marriages. Can they create the perfect man? Romance writers should be experts on love, but that’s not the case with Libby Day and her friends. Although they can come up with great stories on the page, their relationships in real life are all miserable failures. While on a writing retreat in the mountains, they decide to try to pen the perfect man—the kind that only exists in a novel.

Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

After suffering through her first year of graduate school at Columbia following her senator father’s death, Betsy Whiting is hoping to spend the summer with her boyfriend…and hopefully end the summer as his fiancée. Instead, her mother—a longtime feminist and leader in the women’s movement—calls Betsy and her sisters back home to Martha’s Vineyard, announcing that they need to sell their beloved summer house to pay off their father’s debts.