Imagine that your husband wrote you a letter, to be opened after his death. Imagine, too, that the letter contains his deepest, darkest secret - something with the potential to destroy not just the life you built together, but the lives of others as well. Imagine, then, that you stumble across that letter while your husband is still very much alive....

Sam and Clementine have a wonderful, albeit, busy life: they have two little girls, Sam has just started a new dream job, and Clementine, a cellist, is busy preparing for the audition of a lifetime. If there’s anything they can count on, it’s each other. Clementine and Erika are each other’s oldest friends. A single look between them can convey an entire conversation. But theirs is a complicated relationship, so when Erika mentions a last minute invitation to a barbecue with her neighbors, Tiffany and Vid, Clementine and Sam don’t hesitate.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

Ellen O’Farrell is a professional hypnotherapist who works out of the eccentric beachfront home she inherited from her grandparents. It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back. Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised.

For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.

Barrington Jedidiah Walker is 74 and leads a double life. Born and bred in Antigua, he's lived in Hackney, London, for years. A flamboyant character with a fondness for William Shakespeare, Barrington is a husband, father, grandfather - and also secretly gay. His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

Stephen Aston is getting married again. The only problem is, he's still married to his first wife, even though she is in a care facility for dementia. But he'll take care of that easily, by divorcing her—even if his adult daughters protest. Tully and Rachel Aston look upon Heather as nothing but an interloper. Heather is the same age as Rachel and even younger than Tully. Clearly she's a gold digger and after their father's money. Heather has secrets that she's keeping close, and reasons of her own for wanting to marry Stephen.

Clayton Miller's life is a mess. His career as one of the country's best comedy script writers has stalled and his long term girlfriend has left him for his ex best friend and ex writing partner. Just when he thinks his life couldn't get any worse, he commits a spectacularly public fall from grace and with the press hounding him, his agent banishes him to the middle of nowhere until the dust has settled.

Susie did something that she knows she will always regret: giving her baby son up for adoption, to keep her infidelity secret from her family. Louise, Susie's daughter, feels the effects of that decision echoing down through the years - her mother has always been difficult, too strict with her but not strict enough with her sister, Grace, who is wild and out of control. And Danny, Susie's husband, adores her but has always sensed something wrong at the heart of their marriage.

Finally, Cath has met someone: a man she loves, Robin, and who adores her in return. And after years of managing fine on her own, running a successful business, raising her son and caring for her elderly mother, she feels she deserves some happiness. She expected everyone to be delighted for her. But her friends and family are suspicious of Robin. And Rebecca, a desperate single mother whom Cath has hired as a live-in housekeeper, doesn’t trust him either.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

In the '60s, Athene Forster was the most glamorous girl of her generation. Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman.

When Lydia was a teenager, she made a decision that ruined her family's life. They've spent the last 30 years living with the consequences and doing their best to pretend it never happened. Lydia's husband, the gorgeous and reliable Mark, and her two teenage children know nothing about that summer back in 1982. And that's the way Lydia wants it to stay. The opportunity to come clean is long gone, and now it's not the lie that matters; it's the betrayal of hiding the truth for so long.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

When homicide detective Dexter J. Daley’s testimony helps send his partner away for murder, the consequences—and the media frenzy—aren’t far behind. He soon finds himself sans boyfriend, sans friends, and, after an unpleasant encounter in a parking garage after the trial, he’s lucky he doesn’t find himself sans teeth. Dex fears he’ll get transferred from the Human Police Force’s Sixth Precinct, or worse, get dismissed.