Women who opt not to be mothers are frequently warned that they will regret their decision later in life, yet we rarely talk about the possibility that the opposite might also be true - that women who have children might regret it. Drawing on years of research interviewing women from a variety of socioeconomic, educational, and professional backgrounds, sociologist Orna Donath treats regret as a feminist issue: as regret marks the road not taken, we need to consider whether alternative paths for women currently are blocked off.

Foregoing motherhood has traditionally marked a woman as “other.” With no official place setting for her in our society, she has hovered on the sidelines: the quirky girl, the neurotic career obsessive, the “eccentric” aunt. Instead of continuing to paint women without kids as sad, self-obsessed, or somehow dysfunctional, what if we saw them as boldly forging a first-in-a-civilization vision for a fully autonomous womankind? Or as journalist and thought leader Ruby Warrington asks, What if being a woman without kids were in fact its own kind of legacy?

Not having children is on the rise in many countries across the globe. August 1 has been named International Childfree Day, with a Childfree Woman and Man of the Year Award. Yet being childless is a subject not much talked about—the focus tends to be on having families and raising children, in rural, town, or city life. Let’s talk about not having children, about what people like us do with our time, about how we spend our money, and—most of all—how we find purpose and fulfilment in our lives.

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all.

Discover a story of healing and personal transformation. Marlena’s childhood was full of contradictions. Her father was both a heroic doctor for people with leprosy and an abusive parent. Her Mennonite missionary community was both a devoted tribe and a controlling society. And Marlena longed to both be accepted in Paraguay and escape to somewhere new. In Nothing Bad Between Us, follow Marlena’s journey as she takes control of her life and learns to be her authentic self, scars and imperfections included.

Years of trying unsuccessfully to conceive a child have broken more than Angie DeSaria’s heart. Following a painful divorce, she moves back to her small Pacific Northwest hometown and takes over management of her family’s restaurant. In West End, where life rises and falls like the tides, Angie’s fortunes will drastically change yet again when she meets and befriends a troubled young woman.

Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had. But in the thick of motherhood's exhausting early days, Blythe becomes convinced that something is wrong with her daughter - she doesn't behave like most children do. Or is it all in Blythe's head? Her husband, Fox, says she's imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.

In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest.

Emma London never thought she had anything in common with her grandmother Genevieve London. The regal old woman came from wealthy and bluest-blood New England stock, but that didn't protect her from life's cruelest blows. Genevieve rose from the ashes of grief and built a fashion empire that was respected the world over, even when it meant neglecting her other son. When Emma's own mother died, her father abandoned her on his mother's doorstep. Genevieve took Emma in and reluctantly raised her - until Emma got pregnant her senior year of high school.

One summer morning, twelve-year-old Edward Adler, his beloved older brother, his parents, and 183 other passengers board a flight in Newark headed for Los Angeles. Among them are a Wall Street wunderkind, a young woman coming to terms with an unexpected pregnancy, an injured veteran returning from Afghanistan, a business tycoon, and a free-spirited woman running away from her controlling husband. Halfway across the country, the plane crashes. Edward is the sole survivor.

In 1977, pregnant Genevieve Russell disappeared. Twenty years later, her remains are discovered and Timothy Gleason is charged with murder. But there is no sign of the unborn child. CeeCee Wilkes knows how Genevieve Russell died, because she was there. And she also knows what happened to the missing infant, because two decades ago she made the devastating choice to raise the baby as her own. Now Timothy Gleason is facing the death penalty, and she has another choice to make: tell the truth, and destroy her family, or let an innocent man die in order to protect a lifetime of lies....

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

At age 36, while serving on a jury, author Molly Wizenberg found herself drawn to a female attorney she hardly knew. Married to a man for nearly a decade and mother to a toddler, Wizenberg tried to return to her life as she knew it, but something inside her had changed irredeemably. Instead, she would discover that the trajectory of our lives is rarely as smooth or as logical as we'd like to believe.

A rainy-day ritual - a tea party between three little girls - becomes the framework of not only their friendship, but their lives. Blonde, curly-haired Zoe Alexander is openhearted, kind, and free-spirited, but struggles with body image. Emily Waters is shy, diminutive, and would prefer to live vicariously through books. And Shannon Morell - tall, athletic, strong - has a deep sense of loyalty, but will always fear abandonment. As years pass, they forge careers, have their hearts broken, marry, and have children, but the one constant that remains is each other and their tea parties.

As an apple-cheeked bubbly child, Julianna was bestowed with the family nickname “Sunshine Girl”. Shuttled back and forth between her divorced parents, often on different continents, she quickly learned how to be of value to her eccentric mother and her absent father.

The author of Break in Case of Emergency follows up her the “extraordinary debut” (The Guardian) with a moving novel about motherhood and marriage, adolescence and bodily autonomy, family and love, religion and sexuality, and the delicate balance between the purity of faith and the messy reality of life.

Rose Napolitano is fighting with her husband, Luke, about prenatal vitamins. She promised she’d take them, but didn’t. He promised before they got married that he’d never want children, but now he’s changed his mind. Their marriage has come to rest on this one question: Can Rose find it in herself to become a mother? Rose is a successful professor and academic. She's never wanted to have a child. The fight ends, and with it their marriage.

When Lark Ashwood's beloved grandmother dies, she and her sisters are bequeathed an unfinished quilt. Finishing it could be the reason Lark's been looking for to stop running from the past. Hannah can't believe she's back in Bear Creek, the tiny town she sacrificed everything to escape from. But the driven musician's plan is to renovate her grandmother's house and leave as fast as humanly possible. Stay-at-home mom Avery has built her perfect life, but at a cost. This summer, the Ashwood women must lean on each other like never before if they are to stitch their family back together.

Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term.

Annabelle McKay knows she shouldn’t have any complaints. She’s been in a stable marriage that’s lasted almost three decades and has provided her with two wonderful children and thousands of family dinners around a sturdy oak table. Other wives envy the fact that Grant is not the type of man who would ever cheat on her or leave her for a younger woman. The trouble is Annabelle isn’t sure she wants to be married to Grant anymore. The trouble is she’s still in love with someone else.

It’s been 17 years since the tragic summer the McAvoy sisters fell apart. Lindy, the wild one, left home, carved out a new life in the city, and never looked back. Delia, the sister who stayed, became a mother herself, raising her daughters and running the family shop in their small Ohio hometown on the shores of Lake Erie. But now, with their mother’s ailing health and a rebellious teenager to rein in, Delia has no choice but to welcome Lindy home.

In an idyllic Los Angeles neighborhood, where generations enjoy deep roots in old homes, the O’Rourke family fits right in. Miriam and Craig are both artists and their four children carry on the legacy. When their teenage son, Nick, is diagnosed with schizophrenia, a tumultuous decade ensues in which the family careens off the conventional course. Like the 10 Biblical plagues, they are hit by one catastrophe after another: violence, evictions, arrests, a suicide attempt, a near-drowning - even cancer and a brain tumor - play against the backdrop of a wild teenage bacchanal.

Lucy Scarborough is 17 when she discovers that the women of her family have been cursed through the generations, forced to attempt three seemingly impossible tasks or to fall into madness upon their child's birth. How can Lucy succeed when all of her ancestors have tried and failed? But Lucy is the first girl who won't be alone as she tackles the list. She has her fiercely protective foster parents beside her. And she has Zach, whose strength amazes her more each day. Do they have enough love and resolve to overcome an age-old evil?

Cimarron County knows the youngest son of the fabled Prince family as a womanizing hell-raiser, but Luca has changed, and he intends to prove it. There's just one problem - a woman with sparkling eyes and more fight than a barnyard cat. After a childhood of living in foster homes, Ella Kendall has exactly three things to her name: a dog, a pig, and the rundown house she just inherited. Luca may not remember her from high school, but she definitely remembers him. He is as seductive as he was then, but Ella isn't about to fall for his flirting.

Daffodil Caron is not a princess, even though she once dreamed of being one. After all, she grew up as a playmate to royal princes, running through the halls of Perrigwynn Palace in the North Sea’s Lauchtenland. But the day she stumbled upon a royal secret, everything changed. Flash forward eighteen years, and Daffy’s living a sweet, non-royal life. A skilled art curator for the Royal Trust, she has friends, a flat in the heart of the capital city, and a handsome, successful boyfriend. The last person on her mind is Gus, the prince she once called her best mate.