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We Play Ourselves
- A Novel
- Narrated by: Renata Friedman
- Length: 12 hrs and 9 mins
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Publisher's summary
After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects.
FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
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Critic reviews
“We Play Ourselves offers a delightful, satirical glimpse into the entertainment industry and the price of fame. ... Silverman balances wit with earnestness, the laugh-out-loud moments highlighting the absurdity of writing - whether plays, films or poetry, the genre she skewers most adroitly in a pitch-perfect parody of an overhyped ingénue. Cass’s desperation for a new, simpler life is universal. As she falls again and again, the reader believes she has the heart to pick herself back up.” (The New York Times Book Review)
“We Play Ourselves is not only a story about how all-consuming artistic ambition can be - but also a poignant portrait of how much an artist can learn to love her work.” (Ploughshares)
“[A] beautifully realized novel about choice, ambition, and revelation. ... This memorable novel deserves a standing ovation.” (Booklist, starred review)
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Claire "Mac" Woods—a professor enjoying her newfound hotshot status at an academic conference—finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend.
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Outstanding!
- By SLuzaz on 02-15-21
By: Amy Gentry
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You Say It First
- By: Katie Cotugno
- Narrated by: Jorjeana Marie, Kirby Heyborne
- Length: 8 hrs and 49 mins
- Unabridged
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One conversation can change everything. Meg has her entire life set up perfectly: She and her best friend, Emily, plan to head to Cornell together in the fall, and she works at a voter registration call center in her Philadelphia suburb. But everything changes when one of those calls connects her to a stranger from small-town Ohio.
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Good for a placeholder
- By KJzCola on 07-16-21
By: Katie Cotugno
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No Hiding in Boise
- By: Kim Hooper
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- Length: 9 hrs and 38 mins
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Angie is awakened by a midnight call from an officer with the Boise Police Department and thinks there must be a misunderstanding. The officer tells her that her husband was involved in a shooting at a local bar, but how can that be when her husband is sleeping right next to her? But when she turns to wake him, he isn’t there. Tessa is the 23-year-old bartender who escapes to a backroom storage closet during the shooting. When it comes to light that five people were killed, she is burdened with the question of why she survived.
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fantastic audio involving contemporary issues
- By Barbara S on 07-07-21
By: Kim Hooper
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The Stuff that Never Happened
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- By: Maddie Dawson
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- Length: 11 hrs and 20 mins
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Annabelle McKay knows she shouldn’t have any complaints. She’s been in a stable marriage that’s lasted almost three decades and has provided her with two wonderful children and thousands of family dinners around a sturdy oak table. Other wives envy the fact that Grant is not the type of man who would ever cheat on her or leave her for a younger woman. The trouble is Annabelle isn’t sure she wants to be married to Grant anymore. The trouble is she’s still in love with someone else.
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Don’t pass this one up.
- By Lauren on 03-10-20
By: Maddie Dawson
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F*ck Marriage
- By: Tarryn Fisher
- Narrated by: Meg Sylvan, Connor Crais
- Length: 9 hrs and 8 mins
- Unabridged
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Two years ago, Billie Tarrow's husband left her for another woman. Shamed and divorced, Billie retreated to her family home in Port Townsend, far from her old life in New York. After a near-death encounter, Billie decides to return to the city that took everything from her. But sometimes in the midst of heartache, hope suffocates the pain. Satcher Gable has carried a torch for Billie for 10 years. When she suddenly returns to New York a single woman, he can't believe his good fortune. But convincing Billie to walk away from her heartache is proving more difficult than he anticipated.
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So many emotions
- By KK on 06-16-20
By: Tarryn Fisher
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Where I Left Her
- By: Amber Garza
- Narrated by: Vivienne Leheny
- Length: 9 hrs and 8 mins
- Unabridged
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Overall
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Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.
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Kept me guessing!!
- By Sheppardspie on 09-13-21
By: Amber Garza
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If You See Her
- By: Ania Ahlborn
- Narrated by: Brian Holden
- Length: 10 hrs and 11 mins
- Unabridged
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Overall
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The house on Old Mill Road has stood in an open field for longer than Jesse Wells has been alive, its crooked windows and jutting turret tormenting the kids of Warsaw, Michigan the way only a haunted house knows how. Everyone imagines that something terrible lurks within the house’s abandoned rooms - especially Jesse and his two closest friends, Casey and Reed. But when Reed chooses the house as a backdrop for his own suicide, childhood ghost stories are transformed into a nightmare that sends Jesse into a downward spiral of grief.
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DNF. Quit halfway through. A slog.
- By Smart, AZ on 07-10-22
By: Ania Ahlborn
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What listeners say about We Play Ourselves
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mary
- 12-08-21
Medicine
We play ourselves is medicine for anyone with the audacity to call themselves an artist.
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- Jeannette P
- 10-29-22
Weird, Self-aware, funny, and hopeful
The story was unexpected without relying on twists to be interesting. All the characters feel like fully realized people, and the narrative maintains a sympathetic but humorously ironic perspective on many bulwarks of progressive belief that allows it to explore some heavy topics while avoiding self righteousness or gloom. I enjoyed the entire book and finished it more quickly than I wanted to.
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- Amazon Customer
- 11-06-21
Cool, interesting debut
A great read that got my mind moving into places it hadn’t before. A little slow near the center but I expect that for lit fic. I was concerned she wouldn’t wrap up the story well since there’s a bit of a “hard break” after the 75% mark, but everything ended up coming together rather magnificently. I especially loved the parts with Tara-Jean Slater! I found myself saying that name out loud even after I finished listening for the day. It’s so euphonic.
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1 person found this helpful
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- markymarQ
- 03-12-21
Loved it
I didn't start listening to audiobooks until the pandemic, and this is maybe my 40th? I'd say it's easily in my top 3 favorites so far. Really exceptional listen--super meta. The primary character, Cass (a playwright), tells her story from a first person perspective, so it doesn't feel like an outside narrator, more like Cass is inhabiting the characters? LIke you're listening to her perform her story as a solo play, or like a friend telling you a crazy yarn, playing all these bizarre characters.
The story is sweetly elliptical with some surprising sharpness and peculiar twists. Cass flees New York after a professional ruckus and finds herself in a bizarre L.A. dreamscape, complete with a teen girl fight club. Eventually she finds her way home.
Yummy story, exceptional performance. I know this writer's work from theater and was genuinely delighted to encounter this novel. :)
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- Audrey Fine
- 07-03-22
So strange. And long.
I kept waiting for this to get good. Silverman is a skilled writer and a keen observer but this book is SO self indulgent and meandering and, frankly, exhausting and unsatisfying. There are so many loose ends that, if I cared enough about the characters, I’d be supremely frustrated by. Happily, I don’t.
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- T
- 08-28-24
Brilliant Satire
Dark feminist satire in the vein of Mona Awad's Bunny, but without the batsh*t supernatural horror element. We Play Ourselves questions how success is defined for young women in an age where people are famous for simply being famous, and where fame is measured by the quantified approval of others. How do these metrics affect art, and those who create it?
Narrator has to do a LOT of accent work for this book, and while some of it is a bit... cringe, it isn't bad enough to be distracting. While not every accent and voice the narrator does is necessarily likable, I do think they should be commended for the sheer number of different voices they managed to portray.
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- Lionel
- 10-01-24
Relatable
A great example of the universality of specificity. On the surface, I don't have much in common with the protagonist, and for that reason I am able to see clearly through her. This is a balm for today's world of endless ambition. Success and the artistic process just don't talk to each other very well You can't create and be worried about success. I love this book.
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- waitwhat
- 04-09-21
Very good
A story about finding yourself after perceived failures. Finding the will to step forward again and again in new and unimaginable ways. So Beautiful.
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- Dani
- 02-28-21
EXCELLENT
Fantastically lovely and weird. Just kept getting stranger and darker and more honest. This audiobook felt like a mille-feuille. I kept changing my mind about what it was: humor/snark/satire/confection/confession/fairy tale?
Superb narration and storytelling. Would recommend listening to instead of reading this--it felt particularly apt considering the story (you'll see). Beautiful stuff.
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- Len78
- 03-15-21
Recommended!
Awesome. Heard this narrator do Detransition Baby and wanted to keep listening. This is a different kind of book but both were terrific. Didn''t know this author but will look for more things from her. An entertaining distraction from life. Love this narrator.
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