Showing titles in Drama

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

The Folger Shakespeare Library, home to the world's largest Shakespeare collection, brings Julius Caesar to life with this new full-length, full-cast dramatic recording of its definitive Folger Edition.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

A classic comedy by the great Oscar Wilde. The Importance of Being Earnest is his short farce consisting of numerous noms de plume, a case of mistaken identity, an identity left in a case by mistake, and the mistake of revealing ones identity in the presence of a previous employer, which may result post-script in a case for Scotland Yard. Or to put much more simply, of Jack and his attempts to woo Gwendolyn, his would-be bride... even if she does seem to think his name is Earnest.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

The Peloponnesian War drags on and on with no end in sight, and the tough-minded Lysistrata has had enough. Men! - always making stupid decisions that affect everyone. Women's opinions are never listened to. Taking matters into her own hands, Lysistrata convenes a meeting of women from warring city-states across Greece and calls for a sex strike. It's a hard sell, but in the end, it is agreed: They will withhold sex until the war is brought to hasty a close.

Christopher Marlowe's play about a man who sells his soul to the devil is not only one of the first of many works to explore this theme but also one of the most startling. Eschewing the usual division of the drama into acts, it presents the story of Faustus' fall in a series of apparently disconnected scenes. However, the integrity of the drama is maintained by the remorseless unraveling of Faustus' fortunes as he approaches his inevitable damnation.

These four plays, translated into blank verse by C. A. Wheelwright, present to us the wide range of this ancient playwright's fertile imagination. From war and peace to politics and society to the relationships between mena nd women, no topic is off-limits.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

Euripides (c. 480-406 B.C.E.) is the author of eighteen extant plays and many more only surviving in fragments. He is the youngest of the three great Athenian tragedians with Aeschylus and Sophocles. Hippolytus, bastard son of Theseus and the Amazon Hippolyta, has sworn chaste allegiance to the goddess Artemis, thus severely offending the goddess Aphrodite by failing to revere her. Aphrodite swears revenge and promises that he will die before the day is done, taking with him Queen Phaedra, wife of Theseus.

A collection of four of Chekhov's most popular dramas together with his unusual one-act comedy, The Boor, presented by members of The Online Stage.

The dour, Mr. Darcy is anything but popular with the Bennets, especially when he fancies a member of their clan. And as Elizabeth reluctantly deals with Mr. Darcy’s advances, their romance seems destined to fail. Jane Austen’s Pride and Prejudice set the standard for romantic comedies when it debuted in 1813, and it still speaks to audiences worldwide through countless adaptations.

Oliver Twist is the well-loved tale of an orphan, who starts life in a workhouse and finds himself embroiled in London's criminal underworld, before being saved by a kind gentleman who knows something of his surprising family history. A satire and social commentary as well as a page-turning yarn, full of grit, wit, and some of the most memorable characters in English Literature. The second published serialised novel by Charles Dickens, The British Library remarks that "it has proven to be one of the best-loved novels in the history of literature".

When this groundbreaking serialized dramatization premiered on 320 U.S. radio stations, critics were unanimous in their praise. It won numerous honors including the George Foster Peabody Award and the Pulitzer Prize for broadcasting. Never before or since has such an ambitious undertaking been attempted in public radio, and it was accomplished, not by a major network, but by a small nonprofit independent producer in Chicago. That was in 1981. It has been sitting on the shelf ever since.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

It’s 1929 as The Jazz Singer hits the silver screen and the talkies promise to change movies forever. Enter three down-and-out vaudevillians who hatch a hare-brained scheme to “make it big” in Tinsel Town. Their plan? To open a voice academy for the witless stars of silent movies. The only things standing in their way are ditzy starlets and power-hungry movie moguls.

Suspense mounts when Paulina and her husband offer hospitality to a stranger. Paulina thinks she recognizes, in their guest, the man who tortured her in prison, and she subsequently takes him hostage to find out the truth. A stunningly blunt and compelling play, Death and the Maiden explores brilliantly the issues of torture, power, vulnerability, ethics, and trust. An award-winning play by Chilean writer Ariel Dorfman, forced into exile in 1973.

There’s something Constance Middleton’s friends are dying to tell her: her husband is having an affair – with her best friend! Despite their hints, Constance remains ever cool, and seemingly oblivious. Or is she? In this biting comedy of manners, marriages and mistresses, Constance – a not-so-desperate housewife - has some ideas of her own about extra-marital activity that surprise everyone in the end!