Showing titles in United States

Joey Green has returned to Beaufort, South Carolina, with its palmettos and shrimp boats, to look after his ailing father, who is succumbing to dementia, while his overstressed mother takes a break. Marshall Green’s short-term memory has all but evaporated, but his oldest memories are more vivid than ever. His mind keeps slipping backward in time, retreating into growing up in Beaufort as a boy. At first, this seems like a blessing of sorts, but Joey grows increasingly anxious as his father’s hallucinatory arguments with figures from his youth begin to hint at deadly secrets.

On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits girls for a mysterious duty in the capital, she seizes the opportunity to escape her impoverished village. It is only when Mei arrives at the Chairman’s opulent residence—a forbidden city unto itself—that she learns that the girls’ job is to dance with the Party elites. Ambitious and whip-smart, Mei beelines toward the Chairman.

In short vignettes, Galvin gives us a deeply personal portrait of the people who lived in a mountain meadow along the Colorado-Wyoming border over its hundred-year history. His portraits illuminate the Western character and evolve a sense of place like no other.

Corrie May Upjohn stands on the levee, watching men unload the riverboats and wishing she could travel far away. A poor preacher's daughter, she is only fourteen and her life is already laid out for her: marriage in a year or two, and then decades of drudgery. At nearby Ardeith Plantation, Ann Sheramy Larne lives in luxury, but feels just as imprisoned as Corrie May. Their lives could not be more different, but when the horrors of war and Reconstruction come to Louisiana and the Old South begins to fall, these two women will band together to survive.

The Kingston Trio’s folk song “Tom Dooley” tells the story of the murder of Laura Foster, a simple country girl involved with returning Confederate soldier Tom Dula. But Tom was also engaged in a passionate affair with his childhood sweetheart, the beautiful - and married - Ann Melton. One May morning in 1866, Laura Foster stole her father’s horse and left home, telling a neighbor that she was eloping to Tennessee. Three months later, her body was found in a shallow grave only a few hundred yards from where she was last seen.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Elizabeth Ann was orphaned at an early age and raised by her maiden aunts in the busy city. But suddenly illness forces the aunts to send her to other relatives: the Putnams, who live in the country on a farm. Elizabeth Ann learns all about the farm and making butter and applesauce and dearly loves the the life there. Then, one of the aunts comes back and wants to take her back to the city. Such a dilemma!

In this number one New York Times best-selling novel of first love and second chances, former high school sweethearts confront the painful truths of their past to build a promising future - together. "Everyone wanted to believe that endless love was possible. She'd believed in it once, too, back when she was 18". In the spring of 1984, high school students Amanda Collier and Dawson Cole fell deeply, irrevocably in love. Though they were from opposite sides of the tracks, their love for one another seemed to defy the realities of life in their small town in North Carolina.

Tennessee Williams’s Pulitzer Prize-winning masterpiece is one of the most enduring, explosive works in theater. Blanche DuBois, once a well-heeled Southern belle but now alcoholic and destitute, arrives in New Orleans to stay with her sister Stella and her brutish brother-in-law Stanley. And as Stanley terrorizes the fragile Blanche, reality slips slowly away from her.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

By fall of 1863, Union forces had taken control of Tidewater Virginia and established a toehold in eastern North Carolina, including along the Outer Banks. Thousands of freed slaves and runaways flooded the Union lines, but Confederate irregulars still roamed the region. In December, the newly formed African Brigade, a unit of these former slaves led by General Edward Augustus Wild—a one-armed, impassioned abolitionist—set out from Portsmouth to hunt down the rebel guerrillas and extinguish the threat.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where Black maids raise white children, but aren't trusted not to steal the silver. There's Aibileen, raising her 17th white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Holden Henry is every girl’s dream—kind, funny, outgoing. A catch in every sense. Despite my wrong-side-of-the-tracks upbringing, he’s been my friend forever. He has no idea I’ve had more-than-friends feelings for him for years, and I intend to keep it that way. When I’m forced to return to the small town where we grew up, I’m faced with a big, fat problem. Being a good pal, Holden offers me a too-tempting solution: a marriage of convenience. It’s a crazy plan...but I’m desperate enough to try it. Besides, he’s not just saving me; we’ll be helping each other.

Thirty-eight-year-old Posey Jarvis is the self-appointed “empress” of rural Spark in Cooke County, Tennessee. She spends her days following every word about her idol and look-alike Jackie Kennedy, avoiding her stalwart husband Vern, and struggling to control her newly defiant daughter Callie Jane—all while sneaking nips of gin. When Posey unexpectedly inherits a derelict mansion from her quirky old aunt Milbrey, she finagles her way into hosting her high school’s twentieth reunion there.

Japanese-American Rei Shimura is a 27-year-old English teacher living in one of Tokyo's seediest neighborhoods. She doesn't make much money, but she wouldn't go back home to California even if she had a free ticket (which, thanks to her parents, she does). Her independence is threatened, when a getaway to an ancient castle town is marred by murder. Rei is the first to find the beautiful wife of a high-powered businessman, dead in the snow. Taking charge, as usual, Rei looks for clues by crashing a funeral, posing as a bar-girl, and somehow ends up pursued by police and paparazzi alike.

A woman (Alison Pill) finds herself grappling with both grief and anger following the sudden death of her mother and the shocking revelation of her father’s infidelity. Her father (Reed Birney), on the other hand, is just trying his best to verbalize his own complicated feelings about love, loss, lust…and household chores. And the other woman (Marsha Mason) simply wonders: Is she still “the other woman” when the original woman is gone?

Meddy Chan has been to countless weddings, but she never imagined how her own would turn out. Now the day has arrived, and she can't wait to marry her college sweetheart, Nathan. They find the perfect wedding vendors: a Chinese Indonesian family-run company just like theirs. Meddy is hesitant at first, but she hits it off right away with the wedding photographer, Staphanie, who reminds Meddy of herself, down to the unfortunately misspelled name. But Meddy realizes that is where their similarities end, however, when she overhears Staphanie talking about taking out a target.

A poet like David Whyte turns words into transcendent vehicles for spirit. With What to Remember When Waking, this celebrated writer and teacher reveals how our reality is created through conversation with the universe-and how we can create an identity robust enough to meet life's gifts and demands.