Showing titles in United States

One of the most viewed paintings in American history, Custer's Last Fight, copied and distributed by Anheuser-Busch at a rate of more than two million copies a year, was destroyed in a fire at the 7th Cavalry Headquarters in Fort Bliss, Texas, in 1946. Or was it? When Charley Lee Stillwater dies of an apparent heart attack at the Wyoming Home for Soldiers & Sailors, Walt Longmire is called in to try and make sense of a piece of a painting and a Florsheim shoebox containing a million dollars, sending the good sheriff on the trail of a dangerous art heist.

Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft and contend with the works of writers overrepresented in textbooks and anthologies and those often underrepresented.

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Cousins Mari, Erica, Selena, and Gracie are inseparable. They aren’t just family but best friends—sharing secrets, traditions, and a fierce love for their abuelita. But their idyllic childhood ends when Mari’s parents divorce, forcing her to move away. With Mari gone, the girls’ tight-knit bond unravels.

In the rigid theocracy of Salem, Massachusetts, rumors that women are practicing witchcraft galvanize the town. In a searing portrait of a community engulfed by panic—with ruthless prosecutors, and neighbors eager to testify against neighbor—The Crucible famously mirrors the anti-Communist hysteria that held the United States in its grip in the 1950’s.

Viena, 1938. Samuel Adler es un niño judío de seis años cuyo padre desaparece durante la Noche de los Cristales Rotos, en la que su familia lo pierde todo. Su madre, desesperada, le consigue una plaza en un tren que le llevará desde la Austria nazi hasta Inglaterra. Samuel emprende una nueva etapa con su fiel violín y con el peso de la soledad y la incertidumbre, que lo acompañarán siempre en su dilatada vida.

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.

Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead on a rural Minnesota farm in the next installment of the acclaimed Native crime series.

Carretera no siempre fue este showman eminente. Antes de convertirse en subastador ejerció como vigilante en una fábrica de jugos durante muchos años, hasta que el ataque de pánico de una compañera de trabajo cambió su vida de manera irremediable. En el tránsito hacia su destino Carretera deberá enfrentarse a la ira de un hijo al que ha abandonado, llevar a cabo una subasta para ayudar a un cura a salvar su iglesia, y realizar a manera de gran performance final «La historia de mis Gustavos personales», una subasta alegórica.

Tommy Lee is a rising star of pro-rodeo saddle bronc riding when he wonders if he should trade in his fame and fortune in the rodeo scene for an honest job on the T6 Ranch, punching cows. Following a series of accidents that threatens the chain of command on the T6 Ranch, Tommy Lee finds himself saddled with more responsibility than his young shoulders have ever borne. The voices of the individuals surrounding him echo the voices in his head, some telling him that he doesn't have what it takes to do his job, and others telling him that he's the only one who can do what needs to be done.

1969. When Mattie Taylor’s twin brother was killed in Vietnam, she lost her best friend and the only person who really understood her. Now, news that her mother is dying sends Mattie back home, despite blaming her father for Mark’s death. Mama’s last wish is that Mattie would read some old letters stored in a trunk, from people Mattie doesn’t even know. Mama insists they hold the answers Mattie is looking for.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Now Charles Martin’s Awakening series, The Dead Don’t Dance and Maggie, are available as a 2-in-1 audiobook!

After twenty years of anguish, after twenty years of pain, defense attorney Joe Hennessy has the chance to confront the man who ordered the murder of his ten-year-old son. In Charleston, South Carolina, Hennessy uncovers evidence that Senator Richard Longhouse has links to his son's unsolved murder. Desperate to know the truth, Hennessy digs deep into the past, following the evidence trail into the criminal underworld. Clashing with corrupt cops, dishonest politicians, and ruthless felons, Hennessy uncovers information that has been buried for twenty years.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to 12 years for a crime Celestial knows he didn't commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding.

From the former Poet Laureate of the United States and New York Times bestselling author of Aimless Love comes a wondrous new collection of poems focused on the joys and mysteries of daily life.

Claudia Lin—mystery novel superfan and, until recently, clichéd underemployed English major—has scored her dream job: co-running Veracity, a dating detective agency for chronically online New Yorkers who want to know if their prospective partners are telling the truth. Unfortunately, along the way, she and her colleagues—tech savant Squirrel, and the elegant and intimidating Becks—have uncovered a far-reaching AI conspiracy. And the corporate matchmakers may be resorting to murder to protect their secrets.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

She was a Cartel Princess. I was a soldier. A helping hand. A life that didn’t matter. None of that stopped me from falling in love with her the first time I laid eyes on her. This Cartel Princess was everything to me. And I was able to show her, but only in secret.

I had two things in life that mattered–my mother and my music. Mama was taken from me too soon, and now music is all I have left. It’s the thing that’s pushed me right out of backwoods Georgia into Los Angeles, where the line between fantasy and reality shimmers and blurs.