Showing results by author "Julia Alvarez" in All Categories

It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of General Raphael Leonidas Trujillo's dictatorship.

En esta novela, Julia Álvarez recrea magistralmente la historia real de tres hermanas que fueron brutalmente asesinadas por oponerse a la dictadura de Rafael Trujillo en República Dominicana. Treinta años después del crimen, la autora dio voz a cada una de ellas en un sentido homenaje a su valentía. Incluyo también a Dedé, la hermana sobreviviente que cuenta un capítulo muy oscuro de la historia con ternura y bondad.

Yolanda García—Yo, for short—is the literary one in the family. Her first published novel, in which she uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo.

After Tyler's father is injured in a tractor accident, his family hires migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’ t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?

La primera novela para adultos en casi 15 años de la autora internacionalmente superventas de "In the Time of the Butterflies" y "How the García Girls Lost Their Accents". Antonia Vega, la escritora inmigrante en el centro de "Afterlife", ha sacado la alfombra de debajo de ella. Acaba de retirarse de la universidad donde enseñó inglés cuando su amado esposo, Sam, muere repentinamente.

This is the story of Anita de la Torre, a 12-year-old girl living in the Dominican Republic in 1960. Most of her relatives have immigrated to the United States, her Tio Toni has disappeared, Papi has been getting mysterious phone calls about butterflies, and someone named Mr. Smith and the secret police have started terrorizing her family. While Anita deals with this frightening series of events, she also struggles with her adolescence and her own personal fight to be free.

Alma Cruz ha decidido ponerle punto final a su carrera de escritora, pero teme acabar como su amiga, una exitosa novelista arrastrada a la locura por un libro que jamás terminó de escribir. Por eso, cuando hereda un modesto terreno en República Dominicana, se le ocurre sepultar allí sus decenas de manuscritos inconclusos. Quiere que descansen en paz en la misma tierra donde yacen sus raíces.

How the Garcia Girls Lost Their Accents captures the vivid lives of the Garcia sisters, four privileged and rebellious Dominican girls adapting to their new lives in America. In the 1960s, political tension forces the Garcia family away from Santo Domingo and toward the Bronx. The sisters all hit their strides in America, adapting and thriving despite cultural differences, language barriers, and prejudice.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition of el Trujillo’s dictatorship.

Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep.

Tyler isn't sure what to make of the workers hired to help save his family's farm. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?

Abandonando la tensión política de la República Dominicana de los explosivos años 70, las cuatro hermanas García acompañadas de sus padres se autoexilian en el Bronx Neoyorquino, arribando a un ambiente totalmente desconocido y en extremo liberal para sus conservadores padres. La excelente narrativa de Julia Alvarez nos lleva de la mano por el recorrido de las dinámicas hermanas García, por caminos deliciosamente divertidos y también plagados de conflictos generacionales.

A delightfully entertaining story of family and culture from acclaimed author Julia Alvarez. Moving to Vermont after his parents split, Miguel has plenty to worry about! Tía Lola, his quirky, carismática, and maybe magical aunt makes his life even more unpredictable when she arrives from the Dominican Republic to help out his Mami. Like her stories for adults, Julia Alvarez’s first middle-grade audiobook sparkles with magic as it illuminates a child’s experiences living in two cultures.

De cómo tía Lola vino de visita a quedarse, una novela juvenil de Julia Alvarez, cuenta la deliciosa historia de una familia dominicana, instalada en Vermont, que recibe la visita de una pariente muy especial. La irresistible, incontrolable e incluso mágica tía Lola transforma la vida de su familia. Sombreros, pañuelos, vestidos alegres, tacones, maracas, un tambor par alas fiestas, café, hierbabuena, orégano, anís, hojas de guanábana, ajíes…, su alegría invade la casa y—poco a poco—a todo el pueblo.

Milly Kaufman is an ordinary American teenager living in Vermont, until she meets Pablo, a new student at her high school. His exotic accent, strange fashion sense, and intense interest in Milly force her to confront her identity as an adopted child from Pablo's native country. As their relationship grows, Milly decides to undertake a courageous journey to her homeland and along the way discovers the story of her birth is intertwined with the story of a country recovering from a brutal history.

Tía Lola recibe la invitación para enseñar español en la escuela primaria de sus sobrinos, pero Miguel no está de acuerdo. Le ha costado mucho adaptarse a su nueva escuela en Vermont y, a pesar de las indudables buenas intenciones de tía Lola, él piensa que su presencia no hará sino emporar las cosas. Por otro lado, su hermana Juanita se muere de ganas de que sus compañeros conozcan a la tía, con sus coloridos vestidos. En cuestión de pocos días, la tía estara organizando una búsqueda del tesoro en español y una fiesta de carnaval en la escuela. ¿Querrá Miguel unirse a la diversión?

Camila Henríquez Ureña is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salomé Ureña, who died when Camila was three. In stark contrast to Salomé, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation.

Tía Lola has been invited to teach Spanish at her niece and nephew’s elementary school. But Miguel wants nothing to do with the arrangement. On the other hand, Miguel’s little sister, Juanita, can’t wait to introduce her colorfully dressed aunt to all her friends at school—that is, if she can stop getting distracted long enough. Before long, Tía Lola is organizing a Spanish treasure hunt and a Carnaval fiesta at school. Will Miguel be willing to join the fun?

The quinceañera, the 15th birthday celebration for a Latina girl, is quickly becoming an American event. This legendary party is a sight to behold: lavish ball gowns, extravagant catered meals, DJs, limousines, and multi-tiered cakes. The must haves for a "quince" are becoming as numerous and costly as a prom or wedding. And yet, this elaborate ritual also hearkens back to traditions from native countries and communities, offering young Latinas a chance to connect with their heritage.