Showing results by narrator "Georgina Sutton" in All Categories

Elizabeth Gaskell’s biography of her friend Charlotte Brontë—the first full-length biography of a woman novelist by a woman novelist—is a true classic. It transports us with a deft hand straight into 19th-century Haworth, Yorkshire and crafts an extensive account of Brontë’s life, quoting throughout from letters she sent and received. From her challenging, isolated childhood to her death shortly before the age of 39, newly married and pregnant, the enigmatic author of Jane Eyre is portrayed with enormous care.

Margery Allingham, already a successful crime writer, was living quietly in the Essex village of Tolleshunt D’Arcy ("Auburn") when the Second World War broke out. Her house became an Air Raid Wardens’ post and a First Aid centre, and Allingham herself became responsible for 275 East London evacuees in a rural community of just over 600.

George MacDonald, described by W.H. Auden as "one of the most remarkable writers of the 19th century", was valued in his own time as an original thinker and spiritual guide. Of all his writing, it is the fairy tales that have retained their fascination, and this collection includes all 11 stories. The fairy tales feature the stock characters of traditional tales—fairies both good and bad, and children undertaking precarious journeys. Often adopting paradox and nonsense as Lewis Carroll did, the stories invite adults to deploy the same open-mindedness as children.

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heartwarming series that seems tailor-made for audio. This second volume contains the second three books.

Set in a chaotic time in England, during the height of the Napoleonic Wars, Caroline Helstone's world is turned upside down when she meets the vivacious Shirley Keeldar. Shirley becomes a beacon of light for Caroline as the two become close friends. However, Caroline is soon shocked to discover that Shirley has won the affections of Robert Moore, the impoverished mill owner whom she loves. Fully representative of Yorkshire life at the time, Brontë's second novel is completely gripping, unrelenting and utterly wrenching in its portrayal.

Vincentio di Vivaldi has fallen in love with Ellena Rosalba. However, his proud and noble family vehemently oppose the match: they cannot allow him to wed someone with no money or social standing. Thus, his mother, the mean-spirited Marchesa, and her minion, the evil monk Father Schedoni, set in motion a malign plot that has Ellena kidnapped and imprisoned in a convent, to prevent a hasty marriage.

Penelope Devereux arrives at Queen Elizabeth's court, where she and her brother, the earl of Essex, are drawn into the aging queen's favor. Young and naive, Penelope, though promised elsewhere, falls in love with Philip Sidney, who pours his heartbreak into the now classic sonnet series Astrophil and Stella. But Penelope is soon married off to a man who loathes her. Never fainthearted, she chooses her moment and strikes a deal with her husband.

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books.

Hester (1883) is a dramatic story of female power and family tensions within Victorian society. Using her own money, Catherine Vernon manages to save the family bank from collapse after her cousin John absconds with some of its money. As the matriarch of Redborough, Catherine is used to commanding authority, but this is challenged with the arrival of John’s strong and capable teenage daughter, Hester. Ignorant of her father’s conduct, Hester takes against Catherine and a mutual antipathy soon sets in. A masterpiece of domestic realism, the novel is one of Mrs Oliphant’s most admired works.

Early in Mary Tudor's turbulent reign, Lady Catherine and Lady Mary Grey are reeling after the brutal execution of their elder seventeen-year-old sister, Lady Jane Grey, and the succession is by no means stable. In Sisters of Treason, Elizabeth Freemantle brings these young women to life in a spellbinding Tudor tale of love and politics.

"The fortunes and misfortunes of the famous Moll Flanders, who was born in Newgate, and during a life of continue'd variety for three-score years, besides her childhood, was twelve year a whore, five times a wife (whereof once to her own brother), twelve year a thief, eight year a transported felon in Virginia at last grew rich, liv'd honest, and died a penitent."

Kathleen is 80 years old. After she has a run-in with an intruder, her daughter wants her to move into a residential home. But she’s not having any of it. What she craves—what she needs—is adventure. Liza is drowning in the daily stress of family life. The last thing she needs is her mother jetting off on a wild holiday, making Liza long for a solo summer of her own. Martha is having a quarter-life crisis. Unemployed, unloved, and uninspired, she just can’t get her life together. But she knows something has to change.

The Provincial Lady Goes Further is the immediate sequel to Diary of a Provincial Lady - and life mirrors art. Our Provincial Lady has found herself, unexpectedly, with a literary success on her hands! She is suddenly 'somebody', both in her Devonshire environs and in London, where she establishes a bolthole - ostensibly so she could concentrate on the much-awaited sequel, but also so that she can enjoy the fruits of being a best-selling author!

No one could have been more surprised than our Provincial Lady to receive an invitation from her American agent to travel transatlantic and embark upon a programme of lectures and signings. She was particularly amazed because, having received an overture sometime before and feeling that she would rather stay in the English countryside, she requested that they meet quite a few ‘requirements’ before she would agree to go. They met every stipulation. ‘

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

The Provincial Lady finds herself in London, looking for voluntary work to support the war effort, which proves an unexpectedly difficult thing to achieve. Her interactions with a varied host of companions, also caught up in a strange frenzy, reflect so clearly the mood and tension of the time, yet the account is witty, apposite - and so very English, with the stiff upper lip underpinning it all.

Father Ambrosio, the most pious and venerated monk in all of Madrid, is held as a paragon of virtue. But after 30 years of study and prayer, evil thoughts begin to permeate his mind. As two plots cleverly converge, torture, murder, incest, rape, poison, and magic prevail, sustained by an elegance in the writing of the 19-year-old Matthew Lewis.

The sinister Madame de Rougierre is employed as governess to the young Maud Ruthven, bringing with her a dark cloud of impending doom that hangs over the whole household. The governess eventually leaves, in possession of a dark secret, but that is not the end of her, much to Maud’s dismay.

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had £5,000 a year."