Showing results by narrator "Emilia" in All Categories

Anna Maria has only known life inside the Pietà, an orphanage for children born of prostitutes. But the girls of the Pietà are lucky in a sense: most babies born of their station were drowned in the city’s canals. And despite the strict rules, the girls are given singing and music lessons from an early age. The most promising musicians have the chance to escape the fate of the rest: forced marriage to anyone who will have them.

For an instant the two trains ran together, side by side. In that frozen moment, Elspeth witnessed a murder. Helplessly, she stared out of her carriage window as a man remorselessly tightened his grip around a woman's throat. The body crumpled. Then the other train drew away. But who, apart from Miss Marple, would take her story seriously? After all, there were no suspects, no other witnesses… and no corpse.

Little did Anthony Cade suspect that an errand for a friend would place him at the center of a deadly conspiracy. Drawn into a web of intrigue, he begins to realize that the simple favor has placed him in serious danger. As events unfold, the combined forces of Scotland Yard and the French Sûreté gradually converge on Chimneys, the great country estate that hides an amazing secret. . . .

It's been 19 years since ten-year-old Laurel was given a life sentence and six-year-old Rosie was given a new identity. The sisters were the very picture of innocence: two little girls who loved to listen to their mother's bedtime stories and play make-believe in the garden. But then an act of unparalleled horror tears their family apart, leaving Laurel behind bars. Neither sister has laid eyes on the other since then, during which time their lives have followed very different paths.

The second book in Jeffrey Archer’s highly acclaimed The Clifton Chronicles, The Sins of the Father takes the reader on a breath-taking journey from the backstreets of Bristol to the boardrooms of Manhattan.The book opens in New York, 1939. Harry Clifton, under the new identity of Tom Bradshaw, finds himself arrested for first degree murder.

It begins with a glimpse or a passing thought. It ends in obsession. One day a renowned author discovers that his wife, a war correspondent, has disappeared leaving no trace. Though time brings more success and new love, he remains mystified - and increasingly fascinated - by her absence. Was she kidnapped, blackmailed, or simply bored with their marriage? The unrest she causes is as strong as the attraction she exerts.

I agreed to marry a woman I’d never met for one reason only—to become part of the Larone family, the most powerful mafia name in this city. My bride was never important to me. Sure, I’d treat her fine and keep her at arm’s length, but this was never going to be a love match. Until I heard her smart mouth. Until I saw her. Until I lifted her veil and looked into her eyes. That was it for me. I went from being a made man to a man who would do anything for Angelica Larone.

The villagers of Chipping Cleghorn, including Miss Marple, are agog with curiosity over an advertisement in the local gazette which reads: ‘A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6.30 p.m.' A childish practical joke? Or a hoax intended to scare poor Letitia Blacklock? Unable to resist the mysterious invitation, a crowd begins to gather at Little Paddocks at the appointed time when, without warning, the lights go out.

The head of the Mortmain family is Cassandra Mortmain’s father, a writer suffering from writer's block who has not published anything since his first book, a hit entitled, Jacob Wresstling. Ten years before the story begins, he took out a forty-year lease on a dilapidated but beautiful castle, hoping to find either inspiration or isolation there; now, his family is selling off the furniture to buy food.

The Clifton Chronicles is Jeffrey Archer’s most ambitious work in four decades as an international best-selling author. The epic tale of Harry Clifton’s life begins in 1920, with the chilling words, ‘I was told that my father was killed in the war’. But it will be another twenty years before Harry discovers how his father really died, which will only lead him to question: who was his father?

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her.

Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.

A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved - keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers.

It sounds idyllic: a leisurely drive through the sun-drenched landscape of Provence. But Charity's dream holiday turns into a nightmare when she becomes embroiled in a sinister plot to kidnap a young boy. She soon finds herself in a deadly pursuit and must uncover whom to trust...and whom to fall for.

Eva Curtis is a pathological perfectionist whose attention to detail means she never makes mistakes – until one slip-up leads to the death of a patient and the end of her career.

He was the deception waiting in the night; the truth I never saw coming. After a lifetime of manipulation, I finally learned the truth. I was his puppet—even if I never saw my strings. Even knowing how deep his betrayal runs, I can’t shake the undeniable connection between Gray and I—the way a single glance from him sets my soul on fire. We are not the same. We’re enemies, poised to battle for the future of the very thing I’d wanted to destroy. With the Covenant gone, the revenge I thought I wanted is no longer my priority.

One minute, silly Heather Badcock had been gabbling on at her movie idol, the glamorous Marina Gregg. The next, Heather suffered a massive seizure. But for whom was the deadly poison really intended? Marina's frozen expression suggested she had witnessed something horrific. But, while others searched for material evidence, Jane Marple conducted a very different investigation—into human nature.

Two weeks before D-day, the French Resistance attacks a chateau containing a telephone exchange vital to German communications - but the building is heavily guarded, and the attack fails disastrously. Flick Clairet, a young British secret agent, proposes a daring new plan: she will parachute into France with an all-woman team known as the Jackdaws, and they will penetrate the chateau in disguise. But, unknown to Flick, Rommel has assigned a brilliant, ruthless intelligence colonel, Dieter Franck, to crush the Resistance. And Dieter is on Flick's trail....

I accidentally slept with my fated mate… and now, he wants to make it permanent. It doesn't help that I may or may not be growing his baby as we speak.