Showing results by narrator "Gabrielle Baker" in All Categories

On a freezing Christmas Eve in 1879, a forensic psychic reader is summoned from her Baker Street lodgings to the scene of a questionable death. Alexandrina Victoria Pendlebury (named after her godmother, the current queen of England) is adamant that the death in question is a magically compromised murder and not a suicide, as the police had assumed. After the shocking revelation contained by the body in question, Alex must put her personal loss aside to uncover the deeper issues at stake, before more bodies turn up.

When the local Banned Book Club loses their meeting room, Mina volunteers to host the group at Nevermore Bookshop (against Heathcliff's muttered protests, of course). Little does she know this old biddies book club is about to turn murderous. First, someone poisons Mrs. Scarlett, then members of the book club start dropping like flies. Who in the village will turn to murder just to stop people reading a few dusty old books? Mina's got to figure it out quick, or her beloved teacher Mrs. Ellis is next to die. Luckily, she's got Moriarty, Heathcliff, and Quoth to help.

Welcome to 1990s Norway. White picket fences run in neat rows, and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo, a coven of witches begin cooking up some curses. A time-traveling Edvard Munch arrives in town to join a death-metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic.

Being the spider in the center of a vast criminal web has left Morrie in hot water. His list of enemies is long . . . too long for Mina and her men to unravel. Mina doesn't have a clue to stand on when a shadow from Morrie's past shows up and threatens to destroy everything she's fought for. If Morrie's ex solves the murder before them, it could mean the end of Nevermore Bookshop. But is Mina ready to pit her sleuthing skills against literature's foremost consulting detective?

What really drives our decisions? Where do language and memory come from? Why do our minds sometimes seem to work against us? Psychologists have long attempted to answer these questions, seeking to understand human behavior, feelings, and thoughts. But how to explore something so elusive?

Mr. Guy Stewart, now an agent of the Crown, has been sent to determine if an illegal labor union has formed in the town of Anmore. It is a simple enough assignment, but nothing seems to go as planned when he arrives, and he quickly learns that one wrong move can lead to his death. Miss Daphne Locke has just received the most extraordinary news—she has just been named her grandmother's heir! When her meddlesome cousin shows up unannounced, she must do her best to ignore his constant criticism of her and focus on her new responsibilities.

Where did Spanish flu come from, and what can the possible sites of origin tell us today? This book looks at how Spanish flu changed the focus of scientific thought from eugenics to the creation of public health, and how it unfolded across each continent.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

The old eddas speak of dreki—fabled creatures who haunt the depths of Iceland's volcanoes and steal away fair maidens. Freyja wants none of such myths. Dreki seducing young ladies? Ha. They probably eat such foolish girls. But when the local dreki steals her last ram—costing her any chance of feeding her ill father through the winter—Freyja intends to confront the fearsome myth.

London 1884. When a thief robs Fleet Street reporter Penny Green, she finds herself caught up in a horrifying murder. Someone is terrorizing the residents of St Giles Rookery, and Scotland Yard sends Inspector James Blakely to investigate. When the serial killer claims a victim outside the slums, Victorian London is sent into panic. Can Penny's friendship with the people of St Giles uncover the culprit? She and James must overcome their complicated relationship to work together, but each new murder threatens to derail their work for good.

When my parents drop in for an unscheduled visit, a hastily prepared spare room reveals a dark secret. A skeleton is hidden inside the closet walls, and the dead body was a pixie! With rapid-fire revelations coming from my mother and an invisible creature stalking the library, it's hard to grab a moment's peace. Add to that an enraged uncle - the same one who tried to cheat me out of my inheritance - and I'm halfway to wishing I'd never heard of Oakleaf Glade.

It's not the happily ever after I'd always envisioned. The werewolves of the Brighton Pack are ready to do what their alpha couldn't. They just have to get in line behind my own coven, who not only want to end the first ever hybrid-witch - I understand why considering my magic has trebled, making me the strongest witch alive - they are hunting my brother, Drake, who is still in recovery after a breakdown.

Tensions are increasing in Brighton with the werewolves and witches about to show down over the famous standing stones. And where do I fit into all this? Smack-bang in the middle, pulled between both factions. Malone wants me to renounce my ties to the Brighton Coven, which should be easy, considering they expelled me when I became a hybrid. However, Drake, my dear brother, is still a witch. Which means I can't abandon him to rule a pack alongside my alpha mate. Can I bridge the gap between my two worlds and create harmony? Or will my alpha demand that I fall in line?

Ana Gardner is determined to lose her virginity before her thirtieth birthday. She's no stranger to fake identities, having posed as a chaperone since the scandal that destroyed her family. So she dons a mask and attends the city's most elite brothel, the Silver Chalice. Oliver Bedford, the imposing Earl of Drake, is only at the Silver Chalice to appease his friends—until he spots Lady Scarlet. She's refreshing and a complete mystery. Certain she's a lady in disguise, Oliver is determined to learn her identity.

Wherever you look, money is being replaced by tokens. Digital platforms are issuing new kinds of money—like things, from phone credit, to shares, gift vouchers, game tokens, and customer data. These tokens are used to turn invisible stuff into assets, to pay wages, to track purchases, and to program and specify the terms of financial and political access and inclusion. What does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps, or actions, politics, or identities?

Snatched from her life as a blacksmith, Kaylan Rove is forced to become the Shadow: the personal servant of a ruthless and powerful lord. But Lord Rennard himself isn't the threat. It's the Relic he wears around his neck - a stone that protects his bloodline, but poisons everyone else in its proximity. Kaylan's life becomes a waking nightmare as the Relic slowly destroys her body and mind. But just as hope begins to fade, she discovers a rebel plot that might put an end to Rennard's rule...

Seventeen-year-old Anouk envies the human world, where people known as Pretties lavish themselves in fast cars, high fashion, and have the freedom to fall in love. But Anouk can never have those things, because she is not really human. Enchanted from animal to human girl and forbidden to venture beyond her familiar Parisian prison, Anouk is a Beastie: destined for a life surrounded by dust bunnies and cinders serving Mada Vittora, the evil witch who spelled her into existence. That is, until one day she finds her mistress murdered in a pool of blood - and Anouk is accused of the crime.

Ever since she discovered her affinity for magic, 17-year-old Anouk has been desperate to become a witch. It's the only way to save her friends who, like Anouk, are beasties: animals enchanted into humans. But unlike Anouk, the other beasties didn't make it out of the battle at Montelimar in one piece. With her friends now trapped in their animal forms, Anouk is forced into a sinister deal involving a political marriage with her sworn enemy, a wicked plot to overthrow London's fiercest coven of witches, and a deadly trial of fire to become a witch.

In June of 1961, A. E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade.

Lord Hugo Starling is having the worst day. Not only have funders rejected his ambitious medical plans-again—but his friend's younger sister has disguised herself as a boy to hunt for gold sovereigns stolen from the Royal Mint. Due to the terms of her parents' will, Georgette Frost is about to lose her bookshop home. If she can cross England in time to claim the Royal Mint's reward, her future will be secured. She invites Hugo to join her, for a share of the reward would allow him finally to bring his medical plans to life.