Showing results by narrator "Sophie Amoss" in All Categories

Grace isn’t exactly thrilled when her newly widowed mother, Jackie, asks to move in with her. They’ve never had a great relationship, and Grace likes her space—especially now that she’s stuck at home during a pandemic. Then again, she needs help with the mortgage after losing her job. And maybe it’ll be a chance for them to bond—or at least give each other a hand. But living with Mother isn’t for everyone. Good intentions turn bad soon after Jackie moves in. Old wounds fester; new ones open.

Welcome to “In Real Life,” the hot new reality show that forces social media’s reigning kings and queens to unplug for three weeks and “go live” without any filters. IRL is supposed to be the opportunity of a lifetime, watched closely by legions of loyal followers. But for these rising stars—including Elody, an Instagram model with an impulsive streak; Kira, a child star turned fitness influencer; Logan, a disgraced TikTok celeb with a secret; and Max, a YouTuber famous for exposés on his fellow creators—it’s about to turn into a nightmare.

Savannah was four years old when her twin sister, Georgia, went missing from their small Louisiana town, fracturing their family. Twenty-eight years later, Savannah convinces her estranged older sisters, Rayanne and Sue Ellen, to honor the pact they made as children and retrieve the time capsule they buried in their old backyard. But coming home means confronting old ghosts…and their stubborn grandmother, Meemaw.

It’s the summer of 1982 and fourteen-year-old Swanna Swain is the only one left at camp. The place is a ghost town by the time her mother Val finally shows up six hours late—stoned and radiant—in a Ford pickup driven by Borislav, her new young Russian lover. Assuming she is headed home to her air-conditioned Upper West Side apartment, Swanna and her lovable younger brother Madding are instead dragged to Vermont—to an artist colony where kids are not welcome and they are forced to sleep in the back of the truck, while Val is cozy inside the house with the Russian.

Julia Martin grew up wealthy, but it wasn’t until she met her husband, Jack, that she knew true happiness. He made her feel worthy and loved. Their marriage was also an escape from her sister’s bullying, her father’s scrutiny, and her chilly and enigmatic mother. But when tragedy strikes on the night she gives birth, Julia’s happiness is shattered. She has no choice but to return home to her family’s South Carolina mansion, where the grief and guilt buried in her mother’s past await her.

On the heels of a devastating plague, Torvi’s sister, Morgunn is stolen from the family farm by Uther, a flame-loving Fremish wolf-priest who leads a pack of ragged, starving girls. Torvi leaves the only home she’s ever known, and joins a shaven-skulled druid and a band of roaming Elsh artists known as the Butcher Bards. They set out on a quest to rescue Torvi’s sister, and find a mythical sword.

Florence "Florida" Baum is not the hapless innocent she claims to be when she arrives at the Arizona women's prison—or so her ex-cellmate, Diosmary Sandoval, keeps insinuating. Dios knows the truth about Florida's crimes, understands the truth that Florence hides even from herself: that she wasn't a victim of circumstance, an unlucky bystander misled by a bad man. Dios knows that darkness lives in women too, despite the world's refusal to see it. And she is determined to open Florida's eyes and unleash her true self.

After a meltdown in her school cafeteria prompts an unwanted Autism diagnosis, Cassie Davis moves back to her hometown in upstate New York, where her mom hopes the familiarity will allow Cassie to feel normal again. Cassie’s never actually felt normal, but she craves the ease she used to have with her old friends. Cassie’s friends aren’t so eager to welcome her back.

When Lane Fielding fled her isolated Florida hometown after high school for the anonymity of New York City, she swore she'd never return. But 20 years later, newly divorced and with two daughters in tow, she finds herself tending bar at the local dive and living with her parents on the historic Fielding Plantation. Here, the past haunts her and the sinister crimes of her father make her as unwelcome in town as she was the day she left. Ostracized by the people she was taught to trust, Lane's unsteady truce with the town is rattled when her older daughter suddenly vanishes.

The house was supposed to be a fresh start. That's what Libby's mom said. And after Libby’s recent bipolar III diagnosis and the tragedy that preceded it, Libby knows she and her family need to find a new normal. But Libby’s new home turns out to be anything but normal. Scores of bugs haunt its winding halls, towering stained-glass windows feature strange, insectile designs, and the garden teems with impossibly blue roses. And then there are the rumors.

Lily Horne is a drama queen. It's helped her rise to stardom in the school play, but it's also landed her in trouble. Her parents warn her that Florida has to be different. It's a fresh start. No theatrics. But this time, the drama is coming for her. The Hornes' new house is awful. The pool is full of slime; the dock is rotten; and the swamp creeps closer every day. But worst of all, the house isn't empty...it's packed full of trash, memories, and, Lily begins to fear, the ghost of the girl who lived there before her. And whatever is waiting in the shadows wants to come out to play.

Beatrice Fox deserves to go straight to hell. At least, that's what she believes. Her last day on Earth, she ruined the life of the person she loves most - her little sister, Emmy. So when Bea awakens from a fatal car accident to find herself on an airplane headed who knows where, she's confused, to say the least. Upon landing, Bea receives some truly harrowing news: She's in purgatory. If she ever wants to catch a flight to heaven, she'll have to help 5,000 souls figure out what's keeping them from moving on. But one of her first assignments is Caleb, the boy who caused her accident.

The eerie sound was first heard in March of 1848 at the home of the Fox family in Hydesville, New York. The family’s two daughters, Kate and Maggie, soon discovered that they could communicate with the spirit that was making these uncanny noises; he told them he had been a traveling peddler who had been murdered. This strange incident, and the ones that followed, generated a media frenzy beyond anything the Fox sisters could have imagined.

It is the early 1980s and fifteen-year-old Libby is obsessed with The Field Guide to the Trees of North America, a gift from her father before he died. She finds solace in “The Kingdom,” a stand of red oak and mountain laurel near her home in suburban Pennsylvania, where she can escape from her family and share menthols with her best friend. One night, while driving home, Libby’s mother, exhausted with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off is what will happen next.

Malia, Dot, and Bree are psyched to land their highest paying job yet - until they get to the house and realize they're babysitting Zelda Hooper, Bree and Malia's archnemesis since preschool. Babysitting: not just for babies, apparently. And it's too much money to walk away from...so at least there are no diapers? But all of the babysitting in the world couldn't prepare the girls for their unusual new charge, and even though Zelda should be the one who's embarrassed that three girls her age are getting paid to babysit her, she relishes the chance to tease them on her home turf.

The Odenburgh is an old red brick apartment building, the last of its kind in a swiftly gentrifying neighborhood. One of its tenants, the Laroe family, has suffered an unspeakable tragedy; the youngest sister, 11-year-old Prue, struggles to come to terms with the loss of her sister, Lina. But when the Odenburgh is sold and slated for demolition, Prue can’t bear the idea of losing the place where her sister remains such a presence. Prue launches a campaign to save the building, throwing herself into drawing up a petition and gathering signatures from the other tenants.

It’s June 2012. The magical and slightly cultish River Run swim club is alive with the spirit of fun competition when a perfect storm brews between team moms and best friends Gillian Cloud and Kristy Weinstein. The ghost of family addiction has turned up, looming over their carefully planned pasta parties, tie-dye nights, and pep rallies, forcing them to face their unresolved childhood trauma. Gillian responds by trying to control everyone around her while Kristy relapses into her dangerous addiction to love.

Machine revolves around a group of teenagers - both locals and wealthy out-of-towners - during a single summer at the shore. Steinberg captures the pressures and demands of this world in a voice that effortlessly slides from collective to singular, as one girl recounts a night on which another girl drowned. Hoping to assuage her guilt and evade a similar fate, she pieces together the details of this tragedy, as well as the breakdown of her own family, and learns that no one, not even she, is blameless.

New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion - if mostly underground. When a young socialite's body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, all signs point to Marion as the murderer.

Two hours before he vanished, Mark Dixon stole a glass of wine. That's what bartender Sophie Braam told the cops when they questioned her about the customer whose mutilated body was just found. What she didn’t tell them is that she’s the one who killed him. Officer Nora Martin is new to the Bellair Police Department and when she meets Sophie, they build an uneasy camaraderie over shared frustrations. As winter slides into spring and bodies start piling up, Nora begins to suspect that something’s not quite right with the unnerving, enigmatic bartender.