Showing results by narrator "Fawad Khan" in All Categories

Aab-e-Gum is one of the most fascinting books in Urdu on human behaviors, humor and satire with a tinge of sadness. The story follows Basharat and his adventures in Pakistan. Throughout the book Basharat and his family learn to deal with Pakisitan, their new home while missing India. The book consists of a series of stories that help the listener understand what the author was experiencing as that transition is made.

Urdu ki Aakhri Kitab (The Last Book of Urdu) comprises of stories, poems, and prose and covers area from nature, geography, history, science, mathematics, etc. The stories, poems, and prose display the unparalleled wisdom and wit of Ibn e Insha shrouded in a healthy criticism.

Titles include: "Amar Bail"; "Chiri ki Dukki"; "Ghoonghat"; "Roshan".

This collection features: "Dilli kay Chatkhaaray", an essay by Shahid Ahmed Dehlvi; Umrao Jaan Ada (excerpt) by Mirza Ruswa; and "Hyderabad Ka Jo Zikr Kiya" by Mujtaba Husain.

In Urdu: An autobiographical masterpiece by Intizar Hussain, reminiscing on his early life in India and then the post-partition Pakistan, transitioning into a vivid history of the formative years of the young country and its people.

Ibn e Insha, real name Sher Muhammad Khan, born June 15, 1927, died on January 11, 1978, was a Leftist Urdu poet, humorist, travelogue writer, and columnist. He is regarded as one of the best humorists in Urdu. His writing has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction. He was associated with several governmental services including Radio Pakistan, Ministry of Culture, and National Book Centre of Pakistan.

Ibn-e-Insha, real name Sher Muhammad Khan, born on June 15, 1927, died on January 11, 1978, was a Leftist Urdu poet, humorist, travelogue writer, and columnist. He is regarded as one of the best humorists in Urdu. His writing has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction. He was associated with several governmental services including Radio Pakistan, Ministry of Culture, and National Book Centre of Paksitan.

Saadat Hasan Manto was a Pakistani writer, playwright, and author considered among the greatest writers of short stories in South Asian history. Presented here is a collection of nine letters he wrote to Uncle Sam.

Asad Muhammad Khan was born in Bhopal, India, in 1932. He now lives in Karachi, has written a number of television plays, and published five collections of short stories to date. This collection includes the following stories: "Narbada", "Dastaan Sarae", "Shehr Koofay Ka Mehez Aik Aadmi", and "Toofaan Ke Markaz Me".

This collection includes: 1) Eik Raat, 2) Khuab Mahal, and 3) Saadhna. About the author: Rabindranath Tagore (7 May 1861 - 7 August 1941) was a Bengali polymath who reshaped Bengali literature and music.

The world's first and longest magical fantasy HOSHRUBA (1883-1893) was compiled in the Urdu language in Lucknow by two of its greatest story-tellers, Syed Muhammad Husain Jah and Ahmed Husain Qamar, wrote a fantasy in the Urdu language whose equal had not been heard before, and which has never been rivaled since. It was called Tilism-e Hoshruba. The writers claimed that the tale had been passed down to them from storytellers going back centuries: It was a part of the beloved oral epic, The Adventures of Amir Hamza which had come to the Indian subcontinent via Persia.

This collection in Urdu includes: "Manto Fasadaat Par", in which the literary critic Muhammad Hasan Askari invites the listener to contemplate Manto’s approach towards writing on Partition; "Baray Aadmi", a short story in which we meet the innocent and vibrant Zakiya Begum; and "Hamid ka Bacha", Saadat Hasan Manto’s short story addressing hypocrisy.

Saadat Hasan Manto was a Pakistani playwright and author considered among the greatest writers of short stories in South Asian history. Presented here is a selection from his writings.

Rajinder Singh Bedi (1 September 1915-1984) was an Indian Urdu writer of the progressive writers' movement and a playwright, who later worked in Hindi cinema as a film director, screenwriter and dialogue writer. Bedi is considered one of the leading 20th century progressive writers of Urdu fiction, and one of the most prominent Urdu fiction writers. He is most known for "disturbing" Partition of India tales. This collection includes the following: "Garam Coat"; "Lajwanti"; and "Sirf Ek Cigarette."

A small Karachi neighbourhood, Chakiwara is humdrum and unspectacular to all appearances. But inside its shops and at the street corners, there is curious business afoot. Chronicling the drama that unfolds daily is Iqbal Hussain Changezi, bakery owner and collector of writers and geniuses. He has his eyes on out-of-work comedian Chakori, apprentice to a Chinese dentist, even as the town's mostly unsuccessful healer of physical and spiritual maladies prepares to unleash his top-secret invention, the love meter.

Saadat Hasan Manto was a Pakistani writer, playwright, and author considered among the greatest writers of short stories in South Asian history. Siyah Hashiye is a collection of short stories related to the partion of Pakistan and India.

About the author: Krishan Chander (1914-1977) was an Urdu/Hindi writer of short stories and novels. He was a prolific writer, penning over 20 novels, 30 collections of short stories and scores of radio plays in Urdu and later, after partition of the country, took to writing mainly in Hindi. He also wrote screenplays for Bollywood movies to supplement his meager income as an author of satirical stories. Krishan Chander's novels have been translated into over 16 Indian languages and some foreign languages, including English.

"Kuttay" as narrated by Mustaq Ahmed Yusufi, Ptaras Bukhari, and Saadat Hasan Manto.

Sawar aur doosray Afsanay is the first collection of short stories by Shamsur Rahman Faruqui. The theme of this collection of stories is the Indian culture of that time, narrated through 18th-century Delhi. The 18th century has probably been the most controversial in India's history of the last thousand years. According to the historiography that makes up the consciousness of modern India, it was an age of decadence and arrogance. In contrast, Shamsur Rahman Faruqi depicts in detail that Indian society was presenting the most developed view of a mixed Hindu-Muslim tradition.

Intizar Hussain Saheb never got over the nostalgia of leaving Dehli. He was always deeply engrossed in the memories of Delhi, its culture, its wonderful people and its magical beauty. He vividly displays all of these emotions of his in the biography he has penned down on Masih ul Mulk Hakeem Ajmal Khan Saheb, who was born and raised in a family known as Khandan e Shareefi.