Showing results by narrator "Jon Brattin" in All Categories

Cyan of Blood ‘til Dawn never wanted a blood pet, a human to protect and care for in exchange for blood. But thanks to a centuries-old agreement between humans and vampires, he’s stuck with me. As long as my best friend is safe, I’ll accept the hand I’m dealt.

I’m the wolf she hit with her car and nursed back to health. I’m also the gruff biker who saved her from her creepy boss. She has no idea man and beast are one and the same. We’re from different worlds, but fate’s thread ties us together. She thinks we’re just dating, but she’s meant for me. And as I get to know her, I can’t get enough. The more time we spend together, the more my wolf howls to claim her. Soon, I won’t be able to hold back the animal within me.

When I smelled the enemy in our territory, my wolf nearly tore her apart. But instead of a vampire, I found a human female. Shaken, starving, and afraid. In need of protection. My protection. Once the vampire stink is washed off her, she smells divine. Her scent calls to me like nothing else ever has, driving my instincts to keep her safe.

Three years have passed since Loki unleashed Muspelheim upon the world. It's a dimension of fire and destruction that swallows everything on its way. As the forces of order and chaos clash in a battle that threatens all existence, Blake and his Valkyries prepare for the ultimate confrontation—the twilight of the gods.

I’m in trouble. Deep, deep trouble. I never meant for it to happen, but my ex is dead—and I’m the one who pulled the trigger. Whether he deserved it or not, whether anyone will even miss that jerk, it doesn’t matter. Joey is dead, and I have to figure out what to do before I get caught with a corpse on my hand.

Blake never expected to meet beautiful women while studying archaeology — let alone a stunning Valkyrie. Dying was a bit of a bummer, but the chance to see Asgard with his own eyes was well worth it. Blake found himself one of the few, modern mortals found worthy of Valhalla, earning him the interest of the gorgeous battle maidens.

I’m a witch with a business to run. The last thing I need is Orson, head of security for the Howling Death pack, arrogantly striding into my bar like he owns the place. This werewolf gets me hot and bothered, but not like that. It doesn’t matter how low his growl is, or how arresting his eyes are. He’s a prick and I just deal with him because his pack is in charge. But when a dragon shifter corners me into making a dangerous potion, the prickly wolf might be the only one who can help me save our small community.

Blake returns to Asgard, brimming with newfound strength and memories of the comrades he lost. But Odin gives him a big task: stop Loki and Hrymr before they cause more trouble on Midgard. The question remains: where the hell are they? And will his Valkyrie companions enjoy life on Earth?

When grumpy chief of police, Will Vance, pulls his old crush, sassy Layla Bowen, over for speeding yet again, the last thing he expects her to do is plant a kiss on him, reigniting old feelings. Layla fends off her matchmaking mother by announcing she’s engaged to Will. Their fake romance is all fun and games, but when she teams up with Will to track down the thief terrorizing their town, her feelings grow stronger and all too real.

Sora Moore, a high school student from Miami Beach, Florida, is about to undergo a transformation that defies her wildest imagination. A fox girl with desire magic, granting her the power to manifest her heart's desires...as long as she has the energy to fuel it! As myths and legends unravel around her, Sora's world is turned upside down.

Kit Morgan has always hated change—he’s as steady as they come. At least, that’s what his friends think. Feeling trapped by a routine he never wanted but everyone expects, Kit is almost glad when his life suddenly falls apart—especially when it leads to him running into his middle school girlfriend, Skyler, who happens to need a fake fiancé for a family reunion. The two pick up where they left off seventeen years prior, and Kit reverts back to the friendly and fun-loving person she knew for the semester they were together.

When wedding photographer Madi is challenged to find herself 10 dates in three months, she turns to her older brother’s three best friends to be her stand-ins. It helps her win the challenge without having to deal with the stress of dating.

This is an adapted version of William Shakespeare's Cymbeline. It is abridged and in plain English rather than full Shakespearean language. Most position Cymbeline as a tragedy, though others consider it a romance or possibly a comedy. It is believed to have been written in the early 1600s. The romance features the king's daughter, while the Queen plots, and the king's sons were believed lost decades ago as infants. This version is adapted by Hazel Jeffs, offering an engaging retelling of this classic tale.

When Elspeth loses everything in one night for the crime of being born an elf, she wants vengeance. Forced to resort to banditry in order to survive, her forest becomes a safe haven for others dismissed by the Empire. But becoming the Bandit Queen isn't enough to compensate for the castle she lost—only the royal palace will do. To become the Empress, though, she first needs to save the Sacred Prince.

NEARLY TWENTY YEARS HAVE PASSED since the end of the devastating war between dragons and man. Following this conflict, the country of Armea has stabilized. However, when the city of Sorranon falls to flame and fury, panic begins to grow anew. In the West, on a quiet farm, Anastasia Daren faces a decision. Torn between home and vengeance, she forges a new path, unfamiliar and exciting. In the eastern capital, Edrik Greywine, guard to the king, is confronted by strangers claiming to hail from an apocalyptic future. Differing ideals brew trouble for both king and country as other threats rise.

Raised among the secrets and shadows of Crete, Icarus finds escape soaring through the sky with her finest invention, a pair of wings. But when she flies too close to the sun, Apollo finally sees the woman who has haunted his visions for a year. The woman he is certain is meant for him.

Allie has sworn off dating. Which is unfortunate, because the cute guy at the grocery store has finally struck up a conversation, and shy and sweet Ben is even more adorable than he looks. When an ex shows up trying to rekindle the flame at the same time her mother tries to set her up with a neighbor, Allie ropes Ben into being her fake boyfriend to get everyone off her back. Ben has been in love with the stranger at the grocery store for months despite never speaking to her.

An audiobook adaptation of Iben's classic, When We Dead Awaken. First published in 1899 it is a despairing and dream-like play rich in symbolism. This was also Ibsen's final play written at the time of his return to Norway after an extended absence a theme which is also reflected in the plot and it is interesting to speculate how much of Ibsen is contained in the lead character, the sculptor, Rubek, including Ibsen's own relationship with his masterpiece, A Doll's House.

This play has been adapted into plain English and is performed as a theatrical full-cast production. At just over 20 minutes long, it is an abridged and adapted version of one of the relatively underperformed works in Shakespeare's canon. The plan opens with a threat from the French. Negotiations, conflict, and palace intrigue follow, as King John works his way through many issues of war and diplomacy in classic Shakespearean fashion.

This is a plain English production of the Shakespeare's classic play Much Ado About Nothing. Set in Italy, it tells the story of a romance between Claudio and Hero that is interrupted by a devious plot. This is a full-cast production of the work adapted by Charlie Creed to plain English and condensed to a 25 minute theatrical production with music and sound effects. This makes it suitable for a younger audience, though the themes of love, trickery and heartbreak, though softened and made age-appropriate are more suitable for older children aged eight years and over.