Showing results by narrator "Ralph Ineson" in All Categories

On 27th February 2022, after 170 matches in charge, promotion to the Premier League and some of the most exhilarating football the English game has ever seen, Leeds United parted company with their most beloved and successful manager in a generation: Marcelo Bielsa. His parting gift was to embrace the crowds of adoring fans who turned up to say thank you as he left the club's training ground for the final time.

Dawn breaks, but the nightmare only intensifies in the shocking finale of The Boy in the Iron Box. In a final confrontation, the true nature of the Boy is coming to light. In a stone chamber, the familiar young figure lingers with an unsettling calm. He has a question for Liev: Do you want to stop me? Now, for two merchants of death, each with his own purpose, one last contest lies ahead.

The mercenaries set an explosive scheme in motion to blow this bad dream to smithereens. But in chapter five of The Boy in the Iron Box, they soon find that even the best-laid plans can backfire. With the morale of the team fraying, Liev makes a vow. He’s not going to leave anyone behind until the last stand is seen through to its cold and bitter end. On this night, it’s Liev who lies in wait to face everything he’s feared. It’s nothing like he expected.

Their radio is sabotaged. The wolves are gathering outside. And for the increasingly desperate mercenaries, the worst is yet to come in chapter three of The Boy in the Iron Box: the box is empty. In the wake of an inexplicable disappearance, Liev and his men use their tactical skills to last the night—by going hunting. Following a small, bare footprint in the snow leads only to the realization that someone, or something, is hunting them.

Flying dark, a plane carrying a team of mercenaries crash-lands on a remote snowy summit. When they come across a mazelike stone fortress, it’s no refuge from the wolves and the freezing wind. It’s more like a trap. What they discover can stop the heart—or worse. As terror takes a new shape, the real battle for survival begins in this unrelenting serialized novel from Academy Award–winning filmmaker and writer Guillermo del Toro.

A group of mercenaries on an unsanctioned mission survives a plane crash in whiteout conditions in the Tian Shan mountains. The men are accustomed to danger. Now they’re growing accustomed to fear. Team leader Liev and his band of survivors are stranded in the bitter winds with little hope of rescue—or outlasting the wolves that have scented blood. In the distance is the apparent sanctuary of an abandoned stone fortress. That an ancient bulwark even exists on this forsaken summit is beyond comprehension. So is what lies on the other side of its walls.

On an isolated mountain, a stone labyrinth provides rough shelter for a band of mercenaries. At its core lies a centuries-old mystery. But in chapter two of The Boy in the Iron Box, no secret is safe. A concealed pit; an iron box, wrapped in chains; a statue of a boy. What unknowns await the anxious, disoriented team in this strange ruin? Night will tell.

Amid the restless evil of Sanctuary, only the Horadrim, an ancient order of heroes and scholars, wield the knowledge needed to light the way for humanity. In the Book of Lorath, join Lorath Nahr, one of the last of the dwindling Horadrim, on a journey through Sanctuary's most powerful relics and the stories behind them. It is Lorath's hope that this volume will preserve his knowledge for all time . . . and pass it down to those who will inherit the fight against the Prime Evils.

2045, the Arctic Circle. A crew of six aboard the research vessel, The Nox, embark upon a voyage through the melting ice and Arctic dark in search of the last of the polar bears. The mission represents a ray of hope in a world ravaged by climate change, but it quickly becomes clear that some on board are in search of more than bears. Isolation and the disorientation of 24/7 darkness soon have the group losing their grip on reality – accidents, nightmares, or hauntings – no one can be sure, but the voyage seems cursed.

Seventeenth-century England, and a plough uncovers a grisly skull in the furrows of a farmer's field. The skull disappears, but its malefic influence begins to work in insidious ways upon the nearby village of Hexbridge. First, the cows stop milking and the fruit turns rotten on the trees. Then, an insolent ungodliness takes hold of the local children, mysterious fur patches appear on limbs and people start disappearing.... Something evil is stirring in the woods.

One summer following the Second World War, Robert Appleyard sets out on foot from his Durham village. Sixteen and the son of a coal miner, he makes his way across the northern countryside until he reaches the former smuggling village of Robin Hood’s Bay. There he meets Dulcie, an eccentric, worldly, older woman who lives in a ramshackle cottage facing out to sea. Staying with Dulcie, Robert’s life opens into one of rich food, sea swimming, sunburn and poetry.

What has been awakened is unbound. The Boy is getting his first taste of freedom. As their comrades fall, fear threatens to consume the survivors in chapter four of The Boy in the Iron Box. Liev’s plan: get his men out of this ancient stone prison, take their chances with the wolves, and descend the summit at first light. But in this snowbound hell, there’s soon to be a frightening new twist to survival.

BBC Radio adaptations of Nick Payne's finest works, brought together on audio for the first time—plus bonus features. Nick Payne is a world-renowned playwright and screenwriter. He won the George Devine Award for his first major play If There Is I Haven't Found It Yet, and Constellations won the Evening Standard Award for Best Play. This collection contains Constellations and Elegy, his two acclaimed plays exploring science, time and love, with new introductions by Nick Payne himself. Also included are three dramas specially written for BBC Radio.

Adapted from Thomas Keneally’s novel The Playmaker, Our Country’s Good tells the true story of the convicts and marines sent to Australia as part of the first penal colony. An eloquent argument for the redemptive power of theatre, Wertenbaker’s classic drama celebrates the beauty of language – in the slang of the criminal classes and the poetry of the play – and at the same time examines how it is used as an instrument of power.

Lenny Henry plays double murderer Frank Watt, who is getting ready to face life on the outside after 30 years in prison. He's looking forward to getting out, but things have changed a lot since the '80s and he's institutionalised. He quite likes his bookish, monklike life inside and the anger he was boiling over with when he went to prison is down to a manageable simmer.

John-John wants to escape his past. But the legacy of brutality left by his boxer father, King of the Gypsies, Mac Wisdom, overshadows his life. His new job as an ice cream man should offer freedom but instead pulls him into the dark recesses of a northern town where his family name is mud. When he attempts to trade prejudice and parole officers for the solace of the rural landscape, Mac’s bloody downfall threatens John-John’s very survival.

In a mountain kingdom far away, a young queen prepares for her wedding, believing her future is sealed. But when three dwarves bring news of a sleeping sickness sweeping across her realm, she knows she cannot stand by and do nothing. As a girl, she survived her own long, magical sleep, so she must try to turn back this new plague and save her people. Abandoning her bridal finery, she dons her armour instead, and rides out to a castle at the very heart of the sleeping lands. There, she finds a beautiful princess, sound asleep, and a very old woman, forever awake.

When a teenage girl leaves the workhouse and abducts a child placed in her care, the local priest is called upon to retrieve them. Chased through the Cumbrian mountains of a distant past, the girl fights starvation and the elements, encountering the hermits, farmers and hunters who occupy the remote hillside communities. An American Southern Gothic tale set against the violent beauty of Northern England, Beastings is a sparse and poetic novel about morality, motherhood and corruption.

In these ten witty, dark and disturbing episodes some of Britain’s best comedians come together to perform simultaneously hilarious and unsettling stories that will have you gripped. Sticky situations on ski slopes, placating an unruly ghost, a boy stuck at the bottom of well and an unusual adventure weekend with romantic overtones - are just some of the scenarios from comedy writers Mark Maier and Daniel Maier (a long term collaborator of Charlie Brooker and Harry Hill).