Women Horror

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction.

Reluctant to upstage her fellow spiritualists on a reality TV show, Jaime Vegas tries to suppress her talents, as she has done her entire life. But there is something lurking in the maze of gardens behind the house: a spirit without a voice. And it won't let go until somehow Jaime hears its terrible story. For the first time in her life, Jaime Vegas understands what humans mean when they say they are haunted.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

On April 15, 1945, Brigadier H. L. Glyn Hughes entered Bergen-Belsen for the first time. Waiting for him were 10,000 unburied, putrefying corpses and 60,000 living prisoners, starving and sick. One month earlier, 15-year-old Rachel Genuth arrived at Bergen-Belsen; deported with her family from Sighet, Transylvania, in May of 1944, Rachel had by then already endured Auschwitz, the Christianstadt labor camp, and a forced march through the Sudetenland.

Lee Barrett has agreed to attend a storage auction with Aunt Ibby - even though she suspects the forgotten rooms will yield more junk than treasure. Her skepticism vanishes once the two win a bid on an overlooked locker and uncover a trove of beautiful curiosities, including a stunning wooden carousel horse with gentle eyes and fading paint. But just before Lee leaves the fairground relic at a local repair shop, the sight of a silver samovar awakens her psychic abilities and conjures visions of murder.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

Paige Winterbourne was always either too young or too rebellious to succeed her mother as leader of one of the world's most powerful elite organizations - the American Coven of Witches. Now that she is 23 and her mother is dead, the Elders can no longer deny her. But even Paige's wildest antics can't hold a candle to those of her new charge - an orphan who is all too willing to use her budding powers for evil.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

Emily Croy Barker’s riveting debut novel is a must-read for fans of Lev Grossman and Deborah Harkness. The Thinking Woman’s Guide to Real Magic follows grad student Nora Fischer as she stumbles through a portal into a magical world. Having been transformed from drab to beautiful, Nora finds herself surrounded by glamorous friends. Life seems perfect. But then things take a terrible turn, and Nora must learn magic from a reclusive ally if she is to have any hope of survival...

When Marlow House reopens as a bed and breakfast, one of its first guests is Danielle's former mother-in-law, who Danielle has not talked to since moving to Oregon. The mother-in-law brings with her one of the country's top mediums. Or as Danielle calls him, one of the country's top con-men.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

San Francisco contractor Mel Turner is leading a volunteer home renovation project, and while she expects lots of questions from her inexperienced crew, she can't help asking a few of her own - especially about the haunted house next door . . . the place local kids call the Murder House. But when volunteers discover a body while cleaning out a shed, questions pile up faster than discarded lumber.

Seventeen-year-old Lorelei Patio is the adopted daughter of 200-year-old vampire Sergio Patio. She never realized why her family has had to move so often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment that seemed more like a dream, Lorelei never fully realized who and what her father was nor what her sisters were brought up to do for him. But one day, that all changed.

The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...

Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different....

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

In an all-new novella in E.J. Copperman’s “funny, charming, and thoroughly enjoyable” ( Spinetingler Magazine) series, the storm of the century bears down on the haunted guesthouse, and stirs up a gale of memories for a troubled ghost. Haunted guesthouse owner Alison Kerby may have only recently discovered her ability to communicate with ghosts, but for her mother Loretta, it’s been a lifelong gift.

There’s a voodoo woman in New Orleans who knows your darkest secrets French Quarter paranormal investigator Wyatt Thomas learns he’s permanently linked to the spirit of a man with whom he’d fought a duel during another lifetime. The only person who can free Wyatt from his curse is long-dead voodoo queen Marie Laveaux. To seek her help, he must travel back to Antebellum New Orleans, succeed in his endeavor, or be trapped in the past forever. When Wyatt meets his former lover at the Mulatto Ball, he doesn’t know if he wants to return. While Wyatt is time traveling, detective Tony ...