Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar. The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . .

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

It took three car crashes to kill Jake. Theron David Alden is there for the first two: the summer they meet in rural New Hampshire, when he’s fifteen and anxious, and Jake’s seventeen and a natural; then six years later in New York City, those too-short, ecstatic, painful nights that change both their lives forever—the end of the dream and the longing for the dream and the dream itself, all at once. Theron is not there for the third crash.

In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

The son of a Baptist pastor and deeply embedded in church life in small town Arkansas, as a young man Garrard Conley was terrified and conflicted about his sexuality. When Garrard was a 19-year-old college student, he was outed to his parents, and was forced to make a life-changing decision: either agree to attend a church-supported conversion therapy program that promised to "cure" him of homosexuality; or risk losing family, friends, and the God he had prayed to every day of his life.

Mark Lausson has everything he thought he wanted: a coveted job at elite Sawyer College in Ohio. But at the start of his second year, stuck in a small town with deadlines piling up and paychecks falling short, Mark can already feel the fantasy crumbling. And then, a few weeks in, sophomore Tyler Cunningham shows up in class. In Tyler—confident, mysterious, and popular—Mark glimpses another way of being in the world. He finds Tyler’s self-possession both compelling and unsettling. Caught in the rush of sex and secrets, Mark ignores the increasing evidence that Tyler can’t be trusted.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy. Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

Édouard Louis longs for a life beyond the poverty, discrimination, and violence in his working-class hometown-so he sets out for school in Amiens, and, later, university in Paris. He sheds the provincial "Eddy" for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug—dealers alike. Everything he does is motivated by a single obsession: to become someone else.

It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants.

It’s been a year since eighteen-year-old River Lang’s best friend died in a car accident. And every day since, he’s had to pass by the depressing billboard that appeared as a result: a texting and driving PSA that reduces Dylan to a cautionary tale and River to the best friend of the dead kid at school. Dylan was so much more than a statistic, though, and River hates that everyone in town seems to have forgotten. When he’s caught improving (a.k.a. vandalizing) Dylan’s billboard, River is blackmailed into joining the Affinity Trials.

When a strange tear in the cosmos appears within Earth’s annual path, the consequences are disastrous. For one night a year, the vast majority of humans now undergo a frightening mental change, transforming into hateful, rage-fueled zombies who will stop at nothing to satiate their desire for brutality. While not much is understood about this horrific mass hysteria, the demographic it effects is very specific: cisgender straight people.

London, 1925. Sebastian de Leon is adjusting to life after three years spent enthralled by blood magic. The atrocities he committed under its control still weigh heavily on his conscience, but when he’s asked to investigate a series of mysterious murders, it feels like an opportunity to make amends. Until he realizes the killer’s next likely target is a man who witnessed Sebastian at his worst - the Viscount Fine.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

Abandoned by first her father and then her mother, as a girl Tessa is left to live with her abusive stepfather and stepbrother. She survives by finding reserves of strength in herself, and by the transformative love of another teenage girl, Mel, who sees through Tessa’s tough exterior to the loving woman inside. When she suddenly loses Mel, too, Tessa stumbles into a kind of refuge with Henry and his mama, becoming a mother and finding herself in a familial existence that somehow carries her into adulthood—until the day she runs into Mel, who has just returned to Perris after years away.

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Young, handsome, intelligent, and gay, he hopes to escape his Rust Belt poverty and give his mother a better life by pursuing a career in high finance. But by the spring of 2016, Alistair’s plan has come undone: His fantasy banking job has eluded him, he’s mired in student debt, and in his desperation he’s gone to work for an enigmatic billionaire whose ambitions turn out to be far darker than Alistair could have imagined. By the time Alistair uncovers his employer’s secret, his life is in danger and he’s forced to go on the run.

Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.

More Than I Love My Life is the story of three strong women: Vera, age ninety; her daughter, Nina; and her granddaughter, Gili, who at thirty-nine is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili—abandoned by Nina when she was just three—has always been close to her grandmother.

It’s 1954 on far-flung Verona Island, a tropical paradise with a fragile economy and a rising crime rate. Prostitution is legal and Lila Gulliver is proud of her business, a high-end brothel where her clients are guaranteed privacy and discretion. When Carità Bercy, a young, destitute, and beautiful blind woman arrives at her door seeking employment, Lila decides to give her a chance. Carità proves a valuable asset to the house, as well as a psychological puzzle to her employer.

"You can be beautiful, even more beautiful than before." This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a Black body - if you can afford it. In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy.

Father Michael Kavanagh is shocked when he sees a friend from his seminary days named Runner Malloy at the altar of his humble parish in upper Manhattan - a friend who was forced to leave under scandalous circumstances. Compelled to reconsider the past, Father Kavanagh wanders into the medieval haven of the Cloisters and stumbles into a conversation with a lovely and intriguing docent, Rachel Vedette.

When tragedy forces Delphine Auber, an aspiring writer on the cusp of adulthood, from her home in postwar Paris, she seizes the opportunity to embark on the journey she's long dreamed of: finding the father she has never known. But her quest—spanning from Paris to New York’s Harlem, to Havana and Key West—is complicated by the fact that she believes him to be famed luminary Ernest Hemingway, a man just as elusive as he is iconic. She desperately yearns for his approval, as both a daughter and a writer, convinced that he holds the key to who she's truly meant to be.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

The ghost of Kai, the love of Cam's life, won't leave Cam alone. He follows Cam from LA back home to Houston, his visits wild, tender, and unpredictable. But Cam has changed, and when he reenters the orbit of his childhood best friend TJ and his family's bakery, neither Cam nor TJ is sure how to navigate their charged estrangement. Searching for a way past all the wounds and secrets—a way to be okay together, maybe for the first time— the pair find hope and sustenance from the most unlikely source.

It is the summer of 1969 and Rome is awash with glamour and intrigue: the stars of Cinecittà are drinking and dancing along the paparazzo-lined Via Veneto, where royalty, American expats, and the occasional Russian spy rub shoulders. Teddy Huntley Carlyle has just arrived in Italy from Dallas, Texas, eager for a fresh start with her new husband, a diplomat assigned to the American embassy. After years of “spoiling like old milk,” in the words of her controlling, politically minded uncle, Teddy vows to turn over a new leaf.

A village hall, a primary school play, a beautiful Lake District town in England. Into this idyllic scene steps a lone gunman whose actions set off a train of events that will have devastating consequences for the close-knit community of Stonesmere.

Hailey MacIntyre seems conjured from the depths of Samuel Fiddes’s loneliness. Caring for his young sister in the tenements of Glasgow, Scotland, Samuel has known only hunger, while Hailey has never known want. Yet, when Samuel saves Hailey’s brother from a runaway carriage, their connection is undeniable. Through secret meetings and stolen moments, their improbable love grows. But then the City of Glasgow Bank fails, and Hailey’s bankrupt father impulsively moves their family across the globe to Seattle.

When Nate suggests that they attempt to be the first Black American men to summit Mount Everest, his younger brother Dixon can’t refuse. The two are determined to prove something—to themselves and to each other. Dixon interrupts his orderly life as a school psychologist, leaving behind disapproving friends, family, and one particularly fragile student. Once on the mountain, Nate and Dixon are met with extreme weather conditions, oxygen deprivation, and precarious terrain. But as much as they’ve prepared for this, Mt. Everest is always fickle.